Congratulations to the five Chicken & Egg Pictures grantees whose projects will screen at the upcoming 2016 Sundance Film Festival.
6×9: An Immersive Experience of Solitary Confinement is the first virtual reality project supported by Chicken & Egg Pictures and will premiere as part of the New Frontiers program.
We look forward to seeing these films launch in Park City and begin their journey to reach audiences across the world.
The full program and schedule for this year’s Sundance Film Festival is available here.
6×9: An Immersive Experience of Solitary Confinement (The Guardian- Francesca Panetta & Lindsay Poulton)
Right now, more than 80,000 people are locked in a 6′ by 9′ concrete box where they have no human contact and every element of their environment is controlled. The sensory deprivation causes severe psychological damage. It changes them; they become invisible.
Cameraperson (Kirsten Johnson)
Drawing on footage she’s shot over the course of 25 years, cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition, and human obligation that come with filming the lives of others.
Sonita (Rokhsareh Ghaemmaghami)
18-year-old Sonita is an undocumented Afghan immigrant living in the suburbs of Tehran. In spite of all the obstacles she confronts in Iran and from her conservative family, she fights to live the way she wants: as a rapper. In harsh contrast to her goal is the plan of her family to make her a bride and sell her to a new family for the price of $9,000.
Trapped (Dawn Porter)
At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two southern reproductive health clinics, Trapped captures their struggle as they continue to provide care in the face of an increasingly hostile legal and political climate.
When Two Worlds Collide (Heidi Brandenburg & Mathew Orzel)
An indigenous leader is forced into exile and faces 20 years in prison for resisting the environmental ruin of Amazonian lands by big business. Refusing to surrender, he continues his quest, shedding light on conflicting visions shaping the fate of the Amazon and the climate future of our world.
Chicken & Egg Pictures announces new Diversity Fellows Initiative, sponsored by The Harnisch Foundation
Chicken & Egg Pictures announced today the launch of the Diversity Fellows Initiative, a new program that supports seven non-fiction projects helmed by first or second-time women filmmakers. The Diversity Fellows Initiative is supported by The Harnisch Foundation, and will bring together participants for six months of tailored mentorship, workshops, and programming with Chicken & Egg Pictures staff.
This inaugural year of the Diversity Fellows Initiative features a partnership with DOC NYC, the largest documentary film festival in the United States, which includes an educational conference for filmmakers called DOC NYC PRO.
With Creative Partner Chicken & Egg Pictures, DOC NYC has created “Breaking In: New Roadmaps,” an entire day dedicated to diversity at the festival, which is co-presented with The City of New York Mayor’s Office of Media and Entertainment, and will take place on Thursday, November 19. The day features a full lineup of panels dedicated to exploring where diverse voices and emerging talent can get access to funding and mentorship, as well as develop their careers and artistic voice.
“Chicken & Egg Pictures is committed to discovering and elevating underrepresented voices in documentary filmmaking,” said Executive Director Jenni Wolfson. “We are thrilled to be able to support these nine exceptional filmmakers through our Diversity Fellows Initiative, sponsored by The Harnisch Foundation. We’re equally thrilled that The City of New York Mayor’s Office of Media and Entertainment will be joining us as a co-presenter of “Breaking In: New Roadmaps” at DOC NYC, which will share important best practices and resources for emerging artists of diverse backgrounds.”
“The Mayor’s Office of Media and Entertainment is committed to supporting opportunities for New Yorkers of all backgrounds to build meaningful careers in the media and entertainment industry,” said MOME Acting Commissioner Luis Castro. “New York is home to a talented and diverse community of artists. We are proud to partner with Chicken & Egg Pictures and DOC NYC to present “Breaking In: New Roadmaps.” This day long series will provide invaluable insights to help up-and-coming storytellers forge and grow their careers as well as foster opportunities for diverse artists to create and share their stories.”
Acting Commissioner Castro will help kick off the day with a panel about breaking into filmmaking. The panel includes veteran filmmakers Farihah Zaman (Remote Area Medical), Hao Wu (The Road to Fame) Yoruba Richen (The New Black) and Taj Paxton (Logo/Viacom), sharing lessons learned and advice on how to sustain their creative careers. Additional “Breaking In” panels will be featured throughout Thursday.
Fellows were chosen from over 400 applications to the Accelerator Lab for first and second-time women filmmakers, and received travel grants and stipends, which enabled them to come to New York and participate in Chicken & Egg Pictures’ signature story workshop, led by Creative Director Judith Helfand and Interim Creative Director Yvonne Welbon. As part of this workshop, they will receive personalized follow-up over the next six months to mark progress and receive feedback.
In addition to travel grants and stipends, fellows received an Industry Pass to DOC NYC, moving the filmmakers forward in their careers, enabling them a greater chance of finishing better films, and putting them in a stronger position when they apply for funding from other organizations. Participants also benefit from meeting and making connections with key industry professionals at DOC NYC.
THE CHICKEN & EGG PICTURES DIVERSITY FELLOWS: 2015-2016
BOUGHT, SOLD & RETURNED Director: Christina Birkhead – New York
Bought, Sold & Returned is a revealing look into the human trafficking epidemic in Vietnam. The film follows multiple Vietnamese girls who bravely faced impossible odds to make it home after being sold, as they emotionally heal and attempt to regain honorable futures. This delicate film confronts the root causes of human trafficking in Vietnam and highlights shelter and reintegration services enabling many young women to regain their lives after escape.
Director: Lily Zepeda – Los Angeles
Flush Revolution follows Jack Sim, AKA “Mr. Toilet,” a Singaporean entrepreneur turned social activist who faces impossible odds doing work that others won’t: re-imagining and rebuilding the toilet. Although he has gained global recognition for his work with the UN and the World Toilet Organization, he must make endless sacrifices with no paycheck and a staff of nine to get 2.4 billion people access to safe sanitation. As Mr. Toilet partners with an army of celebrities and world leaders, time will tell if his passion and innovation are a match for India’s largest sanitation assignment in history.
Directors: Siyan Liu & Danni Wang – New York
The bustling southern city of Dongguan is both the manufacturing hub and the sex capital of China. Most of the sex workers were once factory girls. Lady Town explores these two worlds through the lives of two struggling young women. This film follows two young Chinese women with high hopes. Yun, a young mother, wants to escape the crushing drudgery of factory work by starting her own business; while Jolin dreams of becoming an actress, instead of working in the sex industry.
OBSTINATE TO LIVE
Director: Sahra Mosawi – Afghanistan
In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Her name is Khatera and this is her incredible story of love, hope, bravery, forgiveness and truth. It is also one of horrific abuse. Khatera was brutally raped by her father since the age of nine. Today she is twenty-three and raising two precious and precocious children—a daughter and a son—whom he sired.
RAJADA DALKA (NATION’S HOPE)
Director: Hana Mire — Abu Dhabi, United Arab Emirates
Rajada Dalka is a feature documentary that incarnates the strong will and devotion of the Somali Women National Basketball Team amid an ongoing conflict.
SWIMMING ON DRY LAND
Director: Michelle Sérieux – Kingston, Jamaica
Swimming on Dry Land examines the lives of young gay Jamaicans, at a time when the island is debating homosexuality publicly in politics, the press and in churches. The film’s title makes reference to the concept of “fish,” a term used in Jamaica to refer to homosexuals, but also references their marginalization, coupled with an equally strong determination by some of the characters to live and love in Jamaica, despite the odds.
Directors: Dyana Winkler & Tina Brown- New York
United Skates follows an underground subculture growing inside our country’s last standing roller rinks. Fusing hip-hop with the speed of old school quad roller skates, this film shines a fresh light on the recurring pattern of racial struggle faced by African American artists, as it follows the next artistic movement still undiscovered by the American mainstream.
Unbeknownst even to the police, there are numerous public spaces across America that have been declared “neutral territory” by rivaling gangs. In the heart of South Central LA, Bloods and Crips put down their weapons each evening and peacefully coexist. These safe havens are found inside the faded walls of our country’s last remaining roller rinks where an underground social and artistic movement is growing under the radar. It took nearly thirty years for mainstream America to discover the brilliance of jazz. Similarly, the blues, R&B, and hip-hop were met with prejudice before being artistically recognized. United Skates will use the talent and fresh style of this world to shine a very different light on racial stereotyping through the eyes of an ex-Crip wife turned community activist, and a skater so determined to save what he loves, that he is about to lose his wife and children in the process.
The Babushkas of Chernobyl (Anne Bogart & Holly Morris)
Wednesday, 11/18 at 9:15PM (IFC Center)
Thursday, 11/19 at 3:15PM (IFC Center)
Dreamcatcher (Kim Longinotto)
Friday, 11/13 at 7PM (IFC Center)
Thursday, 11/19 at 5PM (Bow Tie Cinemas Chelsea)
From This Day Forward (Sharon Shattuck)
Saturday, 11/14 at 9PM (Bow Tie Cinemas Chelsea)
Gayby Baby (Maya Newell)
Wednesday, 11/18 at 7:15PM (IFC Center)
A Journey of a Thousand Miles: Peacekeepers (Geeta Gandbhir & Sharmeen Obaid-Chinoy)
Saturday, 11/14 at 4:30PM (Bow Tie Cinemas Chelsea)
Monday, 11/16 at 5:15PM (Bow Tie Cinemas Chelsea)
No Más Bebés (Renee Tajima-Peña)
Saturday, 11/14 at 4:30PM (IFC Center)
Speed Sisters (Amber Fares)
Saturday, 11/14 at 2PM (SVA Theatre)
Tocando la Luz (Jennifer Redfearn)
Sunday, 11/15 at 4:45PM (Bow Tie Cinemas Chelsea)
Wednesday, 11/18 at 10:15AM (IFC Center)
Chicken & Egg Pictures announced today the selected participants of the inaugural Accelerator Lab. The Accelerator Lab brings together 10 non-fiction projects helmed by first and second-time women filmmakers as part of a brand new program with the goal of providing the necessary tools and environment for talented filmmakers to tell their stories. The Accelerator Lab is focused on identifying a diverse group of first and second-time women non-fiction filmmakers and supporting their continued success through various means and initiatives.
These include providing financial assistance by way of grants, as well as creative guidance and support through mentorship workshops, industry connections, and peer support. Participants will receive a two-part grant for the production of their film, which they will develop over the course of the 12-18 month program.
“These filmmakers and projects represent a microcosm of the over 200 filmmakers whom Chicken & Egg Pictures has supported over the last ten years. Our goal is to nurture their talent by providing them with a yearlong creative lab program, a grant of up to $35,000, and a community of women filmmakers who can support and learn from one another,” said Jenni Wolfson, Executive Director of Chicken & Egg Pictures. “We selected these women filmmakers because we believe not only that they are going to make artful and compelling films, but because we believe that these stories must be told and will contribute to changing how we see and respond to the world around us.”
2015 ACCELERATOR LAB PARTICIPANTS:
A GUANGZHOU LOVE STORY
Director: Kathy Huang
In China, an unprecedented surge in African migration has led to a rise in marriages between Chinese women and African men. A Guangzhou Love Story captures the love, heartache, and real life challenges of Afro-Chinese couples attempting to forge a meaningful future together in the face of racism and xenophobia.
BY A THREAD
Director: Rina Castelnuovo & Tamir Elterman
By A Thread tells the story of Muhammad (Muhi), a Palestinian child from Gaza and the son of a Hamas activist wanted by Israel. As a newborn, Muhi is transferred to Israel for treatment of a life-threatening condition. Months turn into years and Muhi, now six, has lived his whole life in the Israeli hospital, confined for security reasons to its premises with his grandfather. The film explores Muhi’s contradictory world in which he is treated, raised, and saved by his people’s enemy, while his parents remain in Gaza.
By A Thread is an inside look at the Israeli-Palestinian conflict’s inescapable presence in everyday life and how it shapes those like Muhi who are unwillingly drawn into it.
Director: Isabel Alcántara
After a spate of mysterious illnesses and deaths, a community in Mexico discovers its water is radioactive. What unfolds is a story of resilience, conviction and the lies we tell ourselves about our dwindling resources.
Director: LC Cohen
Fly Away is a film about memory, identity, and growing up told through the eyes of seven siblings and their mother. Five of the children are on the autistic spectrum and as they move through adolescence, an event of the past keeps drawing them back. Combining observational footage with a rich archive of home movies and songs, the film is both a detective story and coming-of-age tale, exploring universal themes of memory, family, and love.
Director: Hikaru Toda
A story of love, family, and rights, Lawyers is a snapshot of Japan in transition. Fumi and Kazu are life partners, both professionally and privately: they run the first and only law firm in Japan run by an openly gay couple. From activists to artists to vulnerable young people, we see a cross section of Japanese society pass through Kazu and Fumi’s office – their clients and their cases reveal Japan’s changing social landscape and the diversity too often overlooked in its homogenous society. Lawyers also follows Kazu and Fumi’s quest to raise a family. Faced with a legal system that doesn’t allow adoption by same sex couples and having seen firsthand the realities of institutionalized youths, they have begun the process of registering as foster parents.
ROLL RED ROLL
Director: Nancy Schwartzman
The story of a football town divided, Roll Red Roll is a true crime thriller examining sexual assault in small town America.
RULES TO LIVE BY
Director: Hope Litoff
A reflection on the life and suicide of Ruth Litoff, a successful artist, a pathological liar, and the filmmaker’s sister. By looking back on Ruth’s incredible highs and lows, bursts of creative genius, depression, secrets, and lies, a vivid portrait will emerge of the brilliant woman the filmmaker is not sure she ever really knew. This is her attempt to understand what happened.
SONS AND DAUGHTERS OF THE INCARCERATED
Director: Denali Tiller
Growing up is full of challenges, but for Tre, Maison, and Giana those challenges reach beyond friends, school, and middle school crushes. Sons and Daughters of the Incarcerated tells the story of three children whose fathers are in prison, and a formerly incarcerated mother who is now working to stop the cycle. How do the stigmas of incarceration shape their identities as they struggle to find their places in their communities and the world? What will it take to break the cycle of violence, crime, and imprisonment that pulls so hard on these kids’ lives and millions more like them?
THE FEELING OF BEING WATCHED
Director: Assia Boundaoui & Alex Bushe
The Feeling of Being Watched is the first documentary film to tell the story of the War on Terror from the perspective inside an Arab-American neighborhood. Since the early 90’s, people in Bridgeview, IL have stayed quiet about their deep suspicions of living under government surveillance, and no one has ever dug into why the surveillance may have begun. Until now. This film brings to light an under-represented human story and follows the filmmakers as they investigate what really happened, and may still be happening, in Bridgeview.
Director: Sabaah Jordan & Damon Davis
A first-hand look at how the murder of one teenage boy became the last straw for a community under siege. Whose Streets? is a story of love, loss, conflict, and ambition; the journey of everyday people turned freedom fighters, whose lives intertwined with a burgeoning national movement for black liberation. This is a film for all of America – it provides insight into the unseen reality of racism, the role of media in conflict, state-sanctioned violence, and militarized policing – but at its core it is Ferguson’s story, it is our cry of “enough is enough.”
We are pleased to announce that Chicken & Egg Pictures is being honored by the Margaret Mead Film Festival. The awards presentation will take place on Sunday October 25th, at their Filmmaker Award Ceremony at 7pm in New York.
Entrance is guaranteed for ticket holders with a stub from that day; we encourage you to join us for a double feature! Chicken & Egg Pictures grantee film Driving With Selvi is screening that day at 3pm, followed by How to Dance in Ohio at 5pm, directed by our advisory board member Alexandra Shiva.
A full schedule is available here.
Chicken & Egg Pictures is turning ten! Join us for our 10th Anniversary Celebration on Thursday, October 22 at the Art Directors Club in New York City.
The evening will feature the launch of an interactive installation that will bring to life five Chicken & Egg Pictures grantee films.
Tickets go on sale soon, and proceeds will benefit Chicken & Egg Pictures’ programs in support of remarkable women storytellers.
Visit www.chickenegg10.org for ticket information and event details.
Five Chicken & Egg Pictures grantees have received nominations for Emmy Awards.
Dangerous Acts Starring the Unstable Elements of Belarus (HBO), directed by Madeleine Sackler, was nominated for Outstanding Arts & Culture Programming.
After Tiller (POV), directed by Martha Shane and Lana Wilson, was nominated for Best Documentary and Outstanding Coverage of a Current News Story- Long Form. After Tiller is one of eight independent documentaries that make up Chicken & Egg Pictures’ Reel Reproductive Justice cohort.
Private Violence (HBO), directed by Cynthia Hill, received a nod for Outstanding Informational Programming- Long Form. Chicken & Egg Pictures executive produced Private Violence.
Hot Girls Wanted, directed by Jill Bauer and Ronna Gradus, and The Great Invisible, directed by Margaret Brown, were both recognized with Emmy nominations for Exceptional Merit in Documentary Filmmaking.
The 67th Primetime Emmy Awards will air on Sunday, September 20. The 36th News & Documentary Emmy Awards will follow on Monday, September 28th.
Summer is here and that means it’s summer film festival season. We are excited to announce that 12 Chicken & Egg Pictures-supported films will be shown at 5 Film Festivals in New York, Los Angeles, Washington DC and Sheffield this summer. Congratulations to all of our grantees!
Sheffield Doc/Fest (Sheffield, UK)
June 5-10, 2015
Democrats (Camilla Nielsson)
In the wake of Robert Mugabe’s highly criticized 2008 presidential win, a constitutional committee was created in an effort to transition Zimbabwe away from authoritarian leadership. With unprecedented access to the two political rivals overseeing the committee, this riveting firsthand account of a country’s fraught first step towards democracy plays at once like an intimate political thriller and unlikely buddy film. Click here for showtimes.
Dreamcatcher (Kim Longinotto)
Dreamcatcher is a vivid portrait of Brenda Myers-Powell, a former prostitute, who helps women and young girls break the cycle of sexual abuse and exploitation. The film lays bare the hidden violence that devastates the lives of young women, their families, and the communities where they live. It is Brenda’s unflinching intervention that turns these desperate lives around. Click here for showtimes.
Speed Sisters (Amber Fares)
Despite restrictions on movement, a motor racing scene has emerged in the West Bank. The races offer a release from the pressures and uncertainties of life under military occupation. Brought together by a common desire to live life on their own terms, five determined women have joined the ranks of dozens of male drivers — competing against each other for the title, for bragging rights, for their hometown, and to prove that women can compete head-on with the guys. Speed Sisters captures the drive to defy all odds, leaving in its trail shattered stereotypes about gender and the Arab world. Click here for showtimes.
Los Angeles Film Festival (Los Angeles, CA)
June 10-18, 2015
The Babushkas of Chernobyl (Anne Bogart & Holly Morris)
In the radioactive Dead Zone of Chernobyl, a community of elderly Ukrainian women is defiantly clinging to their ancestral homeland. While most of their neighbors have long since fled, this sisterhood is hanging on — thriving, even — while cultivating an existence on some of the world’s most toxic land. Why Hanna, Maria, and Valentyna chose to live here after the disaster, in defiance of authority, is a tale about the pull of home and the healing power of shaping one’s destiny. Click here for showtimes.
Catching The Sun (Shalini Kantayya)
Catching the Sun asks the hard questions of how a clean energy economy may actually be built, through the stories of unemployed workers seeking to retool at a solar jobs training program in Richmond, California. The film tells the story of environmental transformation from the perspective of workers who may build a solution with their own hands, and their challenges speak to one of the biggest questions of our time: Will America be able to build a clean energy economy? Click here for showtimes.
No Más Bebés (Renee Tajima-Peña)
They came to have their babies. They left sterilized. The story of immigrant mothers who sued county doctors, the state, and the U.S. government after they were prodded into sterilizations while giving birth at the Los Angeles County-USC Medical Center during the 1960s and 70s. Led by an intrepid, 26-year-old Chicana lawyer and armed with hospital records secretly gathered by a whistle-blowing young doctor, the mothers faced public exposure and stood up to powerful institutions in the name of justice. Click here for showtimes.
Human Rights Watch Film Festival (New York, NY)
June 12-20, 2015
(T)ERROR (Lyric R. Cabral & David Felix Sutcliffe)
(T)ERROR is the first documentary to place filmmakers on the ground during an active FBI counterterrorism sting operation. Through the perspective of “Shariff”, a 63-year-old Black revolutionary turned informant, viewers get an unfettered glimpse of the government’s counterterrorism tactics and the murky justifications behind them. Taut, stark and controversial, (T)ERROR illuminates the fragile relationships between individual and surveillance state in modern America, and asks who is watching the watchers. Click here for showtimes.
The Trials of Spring (Gini Reticker)
The Trials of Spring follows the journeys of three Egyptian women from the early days of the 2011 Arab Spring until today: Hend, from a rural military family, awaiting a harsh prison sentence for protesting against military rule; Miriam, an activist fighting to end sexual assault; and Mama Khadiga, a formerly veiled widow who became a caretaker of the revolutionaries. Their intersecting stories reveal the vital and underreported role women play in shaping the region’s future. Click here for showtimes.
What Tomorrow Brings (Beth Murphy)
Special work-in-progress screening
What Tomorrow Brings is a coming-of-age story in which Afghan girls studying at the Zabuli School struggle against tradition and time. They discover that their school is the one place they can turn to understand the differences between the lives they were born into and the lives they dream of leading. At a time when the political and security situation is rapidly changing, the film weaves the interconnected stories of students, teachers, parents, and school founder Razia Jan. Click here for showtimes.
AFI Docs (Washington, DC & Silver Spring, MD)
June 17-21, 2015
Among The Believers (Hemal Trivedi & Mohammed Ali Naqvi)
A Pakistani radical cleric, Aziz declares a war against the government to impose Islamic utopia in the country. The government retaliates by destroying his seminary and killing 150 students. The film charts the coming-of-age stories of his students, representing the hard circumstances both extremism and poverty pose for many young Pakistanis. Talha, 12, dreams of becoming a jihadi preacher. Zarina, also 12, escapes the madrassa and joins a secular school, but her poverty forces her to drop out. Click here for showtimes.
From This Day Forward (Sharon Shattuck)
When filmmaker Sharon Shattuck’s came out as transgender and changed her name to Trisha, Sharon was in the awkward throes of middle school. Her father’s transition was difficult for her straight-identified mother to accept, but they decided not to divorce. Committed to staying together as a family, they began a balancing act that would prove even more challenging than expected. As the family reunites to plan Sharon’s wedding, she asks how her parents’ love survived against all odds. Click here for showtimes.
BAMcinemaFest (Brooklyn, NY)
June 17-28, 2015
A Woman Like Me (Alex Sichel & Elizabeth Giamatti)
A Woman Like Me is a hybrid documentary that interweaves the real story of Alex Sichel, diagnosed with terminal cancer in 2011, with the fictional story of Anna Seashell (played by Lili Taylor), who manages to find the glass half-full when faced with the same diagnosis. The documentary follows Alex as she uses film to explore what is foremost on her mind while confronting a terminal disease: parenting, marriage, faith, life, and death. Click here for showtimes.
The deadline for the 2015 Accelerator Lab Open Call is fast approaching. Applications are due this Wednesday, June 10, 2015, by 5:00 PM EDT.
If you’re only just getting started on your application, don’t worry – we’ve compiled the below tips to help you get up to speed fast:
Overview: For those of you that want a full breakdown of this whole process, please review our Grants page and Frequently Asked Questions, both of which provide very helpful and thorough information. If you still have questions, please email email@example.com with your project title in the subject line.
Funding and mentorship: This Open Call for funding is the process that determines which films will be selected for our 2015 Accelerator Lab. If you are selected to receive a grant, you will also participate in the lab, which is a year long intensive mentorship program (with possibility for extension). It is not a goal of the lab for the films to be completed in that year; that is the length of time you’ll spend with us receiving mentorship. The lab will be structured around 3 to 4 retreats that the granted directors are required to attend, with travel support from us. The lab will be more intensive and tailored than our past mentorship programs, but if you want some insight on our mentorship style in general, take a look at our mentorship page or our blog.
First- or second- time filmmakers: When we say first- or second- time filmmaker, we’re talking specifically about your experience as a director or co-director of feature-length documentaries. You are still eligible if you’ve already made a few shorts, or done fiction work, we’re looking for directors who are making their first or second feature-length documentary. By feature length, we mean 40 minutes or more. Read more about this in our Frequently Asked Questions.
Early production: For this round, we’re only accepting projects between development and early-production (with no more than 40% of the footage shot) because we want to ensure that we have the greatest opportunity possible to make an impact on the film and on your development as the director. If you’re having trouble figuring out what percentage you’ve shot, think about the big picture of your finished film, where you are now, and what you need to do to get to that finished project. What do you have in the can, and how much more shooting do you think you have left to do? That’s how you’ll assess if you’ve reached the 40%. We’re not keeping count, but we hope you’ll respect the guidelines and be honest with yourself when considering applying.
Work samples: In a nutshell, the short work sample should grab our attention and show the project’s potential; the long work sample should give us a deeper sense of your directorial style, characters, and pacing of the film; and the prior work sample should tell us about your experience and your ability to follow through. The short and long samples should consist of pieces of the project with which you’re currently applying, whereas the prior work sample is from a different film you’ve worked on in the past.
No footage shot yet: We have a strict requirement of at least 7 minutes of footage for applicants. If you can, shoot something quickly before the deadline or maybe ask your subjects to shoot some verite or interview of themselves for you, but only if you think it will be good enough to represent your project in our review process. We do not accept unsolicited updates, so the application is the only opportunity for you to show us what you have. If it doesn’t seem you can get it all together before the deadline, it might not be the right time for you to apply for this round.
Parting shots: Here are a few last items to keep in mind:
- For this round we are not accepting interactive projects or series. Stay tuned for announcements on an upcoming program geared toward these formats in 2016. Join our mailing list, and follow us on Facebook and Twitter.
- If you’re unsure what makes a documentary a hybrid, check out this great article from the POV blog. Please also note that just because your film is based on a true story, that doesn’t mean it’s automatically a hybrid.
- For guidance on the written application, be sure to look at the help text on the right side of each question. Please also note that the word count for many of the essay based questions is 2300 characters, including spaces. Trust us, brief is better.
If you have any additional questions or concerns, send an email to firstname.lastname@example.org. Be sure to include the name of your project in the subject line.