We are thrilled to learn that Catapult Film Fund has recognized several of our supported filmmakers with grants this year. Catapult focuses on supporting “powerful and moving storytelling, by filmmakers with a strong voice across a broad spectrum of subject matter,” and providing funding that will enable filmmakers to move forward to the next stage of production.* Congratulations to Jessica, Kelly, Lyric, Michèle, and Penny!
Check out more information about these films, and others, here.
The Rashomon Effect
Directed by Lyric R. Cabral (Accelerator Lab 2017) and produced by Jessica Devaney (Impact & Innovation Initiative, 2016)
What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?**
Directed by Kelly Duane de la Vega (Application Cycle 2013)
Mississippi Red looks at American feminism through the lens of race, religion and the political establishment as a pair of bipartisan allies fight to pass an equal pay bill in one of the most conservative states in the union.**
Going to Mars: The Nikki Giovanni film
Directed by Michèle Stephenson (Breakthrough Filmmaker Awards, 2016) and Joe Brewster
Through intimate vérité, archival footage, and visually innovative treatments of her poetry, Going to Mars: The Nikki Giovanni film pushes the boundaries of biographical documentary film to reveal the enduring influence of one of America’s greatest living artists and social commentators.**
Untitled Satanic Temple Documentary
Directed by Penny Lane (Breakthrough Filmmaker Awards, 2017)
A wildly entertaining, surprising and highly controversial look at the state of religious freedom in America today.**
* = From Catapult Film Fund About Us page.
** = From Catapult Film Fund Films page.
We are pleased and proud to announce the recipients of our inaugural Breakthrough Filmmaker Awards. The five chosen filmmakers are Kristi Jacobson (A Place at the Table) Julia Reichert (The Last Truck), Yoruba Richen (The New Black), Elaine McMillion Sheldon (Hollow), and Michèle Stephenson (American Promise). This award consists of a $50,000 unrestricted grant and a year-long mentorship program tailored to each filmmaker’s individual goals.
The Chicken & Egg Pictures Breakthrough Filmmaker Award responds to the reality that only a few women nonfiction directors in the U.S. are able to work full-time as independent storytellers. The program recognizes and elevates five mid-career women directors with unique voices who are poised to reach new heights and to continue to be strong filmmaker-advocates for urgent issues.
“Chicken & Egg Pictures continues to make bold investments in both women artists and gender equality to ensure that a greater diversity of voices are acknowledged for their participation in the storytelling that drives change,” said Jenni Wolfson, Executive Director of Chicken & Egg Pictures. “Our hope with this new award is to provide support and a platform for these artists to continue showcasing and elevating critical social justice, environmental, and human rights issues and stories while working to increase their visibility and ensure they receive the recognition they deserve.”
Recipients of the Chicken & Egg Pictures Breakthrough Filmmaker Award were chosen through a nation-wide confidential nomination process.
2016 BREAKTHROUGH FILMMAKER AWARD RECIPIENTS
Kristi Jacobson is a New York-based filmmaker whose films capture nuanced, intimate, and provocative portrayals of individuals and communities. Her most recent film, A Place at the Table (Participant Media/Magnolia Pictures), called “one of the most important…and gripping non-fiction films to debut in some time” by Indiewire, premiered at the 2012 Sundance Film Festival before its theatrical release in over 35 U.S. cities. Previous films include the critically acclaimed Toots, winner of the National Board of Review’s 2007 Top Documentary Award, and American Standoff (HBO), produced by two-time Oscar winner Barbara Kopple. Jacobson is a member of the Director’s Guild of America, NYWIFT, and a two-time Sundance Creative Producing Fellow. She is a recipient of grants from Tribeca Film Institute, Sundance Institute DFP, Chicken & Egg Pictures, and many others. She is currently working on an upcoming HBO documentary that provides an immersive and unprecedented look inside the world of solitary confinement in the U.S.
Julia Reichert is a three-time Academy Award® nominee for her documentary work. She lives in Ohio, and has chosen to focus on class, gender, and race in the lives of Americans. Julia’s first film, Growing Up Female, was the first feature documentary of the modern Women’s Movement. It was recently selected for the National Film Registry of the Library of Congress. Her films Union Maids and Seeing Red were nominated for Academy Awards® for Best Feature Documentary, as was The Last Truck, a short (co-directed with Steven Bognar) which premiered at the Telluride Film Festival and on HBO. Her film A Lion in the House (an ITVS co-production, made with Bognar) premiered at Sundance, screened nationally on PBS, and won the Primetime Emmy® for Exceptional Merit in Nonfiction Filmmaking. She co-wrote and directed the feature film Emma and Elvis. Julia is co-founder of New Day Films, the independent film distribution co-op. She is author of “Doing It Yourself,” the first book on self-distribution in independent film, and was an Advisory Board member of IFP. Reichert is currently directing a film about the 9 to 5 movement, telling the stories of the millions of low wage, invisible women who populated the clerical pool, served coffee, and suffered sexual harassment before it was named. In the 1970’s they gathered their courage and rose up against their bosses, large corporations, and institutions. She’s also begun filming a verite follow-up to The Last Truck, chronicling the arrival of a new plant in her economically devastated Midwestern city.
Yoruba Richen is a documentary filmmaker whose work explores issues of race, space, and power. She has directed films in the U.S. and abroad, including The New Black and Promised Land. The New Black won Audience Awards at AFI Docs, Philly Q Fest, and Frameline LGBT Film Festival. The film also won best documentary at the Urbanworld Film Festival and was nominated for an NAACP Image Award and a GLAAD Media Award. The New Black opened theatrically at New York’s Film Forum and aired on PBS’s Independent Lens. Yoruba has received numerous grants including from Sundance Documentary Fund, Chicken & Egg Pictures, and the Ford Foundation. She won the Creative Promise Award at Tribeca All Access and was also a Sundance Producers Fellow. Yoruba is a featured TED Speaker and a Guggenheim Fellow. She is director of the documentary program at the CUNY Graduate School of Journalism. Yoruba is currently working on How It Feels To Be Free, a two-part documentary chronicling how black entertainers like Lena Horne and Cicely Tyson navigated the industry and took control of their own images, all while fighting for civil rights through their art and actions.
Elaine McMillion Sheldon
Elaine McMillion Sheldon is a documentary filmmaker and media artist who explores themes of identity, roots, and change. She’s the director of Hollow, the Emmy®-nominated and Peabody-winning interactive documentary that explores life in the Appalachian coalfields. She’s also the co-producer of The Lower 9, a feature-length documentary about The Lower Ninth Ward of New Orleans after Hurricane Katrina. Sheldon’s film and interactive work has been exhibited nationally and internationally, from the New York Film Festival to IDFA. Sheldon was a 2013 Future of Storytelling Fellow, and named one of the “25 New Faces of Independent Film” in 2013 by Filmmaker Magazine and one of “50 People Changing The South” in 2015 by Southern Living Magazine. She works across platforms and mediums—film, photo, audio, interactive media—to create storytelling experiences. Sheldon is currently working on several projects that employ the storytelling skills she has developed for multiple mediums, including short and feature filmmaking, longform and interactive journalism, participatory media, virtual reality, and audio storytelling. Two of the film-based projects include a feature-length documentary about home, identity, and roots of Latino families living in Appalachia, and a short-film collaboration with the New York Times Op-Docs centered on the election year in rural America.
Michèle Stephenson pulls from her Caribbean roots and international experience as a human rights attorney to tell compelling personal stories that resonate beyond the margins. Her work has appeared on a variety of broadcast and web platforms, including PBS, Showtime, and MTV. Her most recent film, American Promise, was nominated for three Emmys® including Best Documentary. The film won the Jury Prize at Sundance and was selected for the New York Film Festival’s Main Slate. Stephenson’s community engagement work has won numerous awards including the BRITDOC Puma Impact Award and a Revere Award nomination from the American Publishers Association. Other films directed by Stephenson include Slaying Goliath and Faces of Change. Her recent book, “Promises Kept,” written with co-authors Joe Brewster and Hilary Beard, won an NAACP Image Award. Stephenson is currently working on Hispaniola, a documentary chronicling the lives of families affected by the TC-186 Dominican Republic Supreme Court ruling that strips citizenship from individuals of Haitian descent who were born in the country. She’s also part of the filmmaking team behind Conversations On Race, a New York Times Op-Docs series of short films that uses powerful personal narratives to elevate shared experiences of race and equality.