Our Newest 2018 Diversity Fellows Initiative Grantee

We are very excited to welcome director Nausheen Dadabhoy and her second feature-length documentary An Act of Worship to the 2018 Diversity Fellows Initiative.

An Act of Worship follows young Muslim women beginning their career in activism at a time when hate crimes against Muslims have reached their highest level since 9/11. The travel ban has sent the message that Muslims are not welcome in the US. Now, a new generation has been galvanized into action to reclaim their space in the American landscape.

An Act of Worship Nausheen Dadabhoy Chicken & Egg Pictures
An Act of Worship, by Nausheen Dadabhoy

Nausheen Dadabhoy is a Muslim American director and DP who has always moved seamlessly between the narrative and documentary world. Her latest documentary J’adore Nawal premiered at Sundance, while her last narrative film La Femme et le TGV (The Railroad Lady) was a live action short Oscar nominee. Her directorial debut, The Ground Beneath Their Feet premiered at IDFA. Nausheen has been a Film Independent Project:Involve Fellow, a Berlin Talents participant, and is a current Firelight Fellow. 

The 2018 Diversity Fellows Initiative cohort is soon to embark on a week-long storytelling retreat in upstate New York aimed to help develop and strengthen their film’s narratives. As part of the retreat, the grantees will be participating in skill-sharing workshops where they will learn from one another’s unique perspectives and artistic practices.

Other participants of the 2018 Diversity Fellows Initiative include:

The In Between, directed by Robie Flores; Commuted, directed by Nailah Jefferson; A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu; and The Letter, directed by Maia von Lekow & Chris King.

The Diversity Fellows Initiative is made possible with the generous support of The Harnisch Foundation, the MacArthur Foundation, and the Time Warner Foundation.

Post by Morgan Hulquist, 2018 Communications Intern. 

The Nest at 2018 Human Rights Watch Film Festival

The 2018 Human Rights Watch Film Festival (HRWFF) in New York City will feature four Chicken & Egg-supported films and filmmakers! Make sure to catch a screening of the following films if you happen to be in the New York City area between June 14-21!

You can look at the full list of the documentaries featured here.

A Thousand Girls Like Me*, directed by Sahra Mani (2016 Diversity Fellow Initiative)A Thousand Girls Like Me*, directed by Sahra Mani (2016 Diversity Fellow Initiative) Naila and the Uprising directed by Julia Bacha at 2018 Human Rights Watch Film Festival.

In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.

Screening(s):

June 19, 9 pm at the Film Society of Lincoln Center’s Elinor Bunin Munroe Film Center

June 20, 7 pm at the IFC Center

Get your tickets here.

*A Thousand Girls Like Me will have its US premiere at the 2018 HRWFF.

Naila and the Uprising*, directed by Julia Bacha
Naila and the Uprising directed by Julia Bacha at 2018 Human Rights Watch Film Festival.

Weaving together interviews, news footage, and expressive animation, award-winning documentarian Julia Bacha inventively chronicles the remarkable journey of Naila Ayesh, who in the late 1980s joined a clandestine movement of Palestinian women who played a pivotal role in the nonviolent uprising known as the First Intifada.

Screening(s):

June 16, 7 pm at IFC Center

Get your tickets here.

*Chicken & Egg Pictures did not support Naila and the Uprising but supported director Julia Bacha’s film, Budrus.

On Her Shoulders*, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)On Her Shoulders*, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)

This empowering documentary presents 23-year-old Nadia Murad, a Yazidi genocide survivor determined to tell the world her story. Determined advocate and reluctant celebrity, she becomes the voice of her people and their best hope to spur the world to action.

Screening(s):

June 14, 7 pm at the Film Society of Lincoln center’s Walter reade theatre

Get your tickets here.

*Chicken & Egg Pictures did not support On Her Shoulders but supported director Julia Alexandria Bombach through the SXSW LUNA / Chicken & Egg Pictures Award.

The Unafraid*, directed by Heather Courtney and Anayansi Prado (2017 Chicken & Egg Pictures mentee)The Unafraid*, directed by Heather Courtney and Anayansi Prado (2017 Chicken & Egg Pictures mentee)

High School seniors Alejandro, Silvia, and Aldo, like most of their friends, are eager to go to college and pursue their education. However, their home state of Georgia not only bans them from attending the top five public universities, but also deems them ineligible for in-state tuition at public colleges due to their immigration status as DACA (Deferred Action for Childhood Arrivals) recipients. In response, these three ambitious and dream-filled students divert their passions towards the fight for education in the undocumented community. As President Donald Trump’s campaign rhetoric against immigrants gains momentum, and amid constant threat of losing their DACA status and being deported, The Unafraid follows these inspirational members of the generation of “undocumented, unapologetic and unafraid” young people who are determined to overcome and dismantle oppressive policies and mindsets.

Screening(s):

June 21, 7 pm at IFC Center

You can buy tickets to the Human Rights Watch Film Festival here.

*Chicken & Egg Pictures did not support The Unafraid but supported director Anayansi Prado’s film, Children in No Man’s Land.

Look Out For the Nest at the 2018 Seattle International Film Festival!

Chicken & Egg-supported filmmakers Julia Bacha, Alexandria Bombach, Christina King and Elizabeth Castle, Amy Ziering, Lorena Luciano, Laura Nix, and Chicken & Egg Pictures Board of Directors member, Alexandra Shiva, will all have documentary features at the 2018 Seattle International Film Festival!

The 44th annual event will take place May 17th-June 10th. Tickets are on sale now.

Warrior Women,  by Christina D. King and Elizabeth Castle (2017 Diversity Fellows Initiative) at the Seattle International Film Festival.

Warrior Women,  by Christina D. King and Elizabeth Castle (2017 Diversity Fellows Initiative)

The women of the American Indian Movement fight from a vulnerable place only matriarchs can understand—it is a battle for their children and the culture they hope to preserve for them. Warrior Women chronicles the struggle of Madonna Thunder Hawk and Marcy Gilbert, a Lakota mother and daughter whose fight for indigenous rights started in the 1970s and continues today at Standing Rock.

Through archival footage, verité, and video art, we experience Thunder Hawk’s dedication to Red Power and come to understand that activism is necessary for the very survival and success of Native culture and values for the next generation.

Warrior Women will have its US premiere at the Seattle International Film Festival.

Showtimes:
Monday, May 21 at 7:00 PM
Saturday, May 26 at 6:30 PM
Sunday, May 27 at 1:00 PM

Buy tickets here.

It Will Be Chaos, directed by Lorena Luciano and Filippo Piscopo at Seattle International Film Festival.

 

It Will Be Chaos, directed by Lorena Luciano and Filippo Piscopo

Life in Southern Italy is thrown into a tailspin when refugees arrive by the thousands and the locals are left to fend for themselves. Eritrean survivor Aregai, trapped in the Italian faltering immigration system, goes underground to reach Northern Europe. Through his journey, intercut with the road trip to Germany of a Syrian family, the clash between the newcomers and the locals escalates in real time.

It Will Be Chaos will have its US premiere at the Seattle International Film Festival.

Showtimes:
Saturday, May 26 at 8:30 PM
Monday, May 28 at 12:30 PM
Buy tickets here.

Note: Chicken & Egg Pictures has not directly supported the following films but has supported the filmmakers and directors in the past.

Naila and the Uprising, by Julia Bacha*

Weaving together interviews, news footage, and expressive animation, award-winning documentarian Julia Bacha inventively chronicles the remarkable journey of Naila Ayesh, who in the late 1980s joined a clandestine movement of Palestinian women who played a pivotal role in the nonviolent uprising known as the First Intifada.

Showtimes:
Thursday, June 7 at 6:30 PM
Sunday, June 10 at 12:00 PM

Buy tickets here.

* Chicken & Egg Pictures did not support Naila and the Uprising but supported director Julia Bacha’s film, Budrus

On Her Shoulders, by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)

This empowering documentary presents 23-year-old Nadia Murad, a Yazidi genocide survivor determined to tell the world her story. Determined advocate and reluctant celebrity, she becomes the voice of her people and their best hope to spur the world to action.

Showtimes:
Tuesday, May 22 at 6:00 PM
Wednesday, May 23 at 3:30 PM

Buy tickets here.

The Bleeding Edge, directed by Kirby Dick and produced by Amy Ziering*

Investigative filmmakers Kirby Dick and Amy Ziering present a searing exposé of modern medical devices, a billion dollar industry whose technological advancements have lead to unparalleled innovations, yet is rife with lax regulations, corporate cover-ups, and profit driven incentives that have lead to deadly risks for unsuspecting patients.

Showtimes:
Monday, May 28 at 1:00 PM
Wednesday, May 30 at 9:15 PM

Buy tickets here.

* Chicken & Egg Pictures did not supportThe Bleeding Edge but supported co-director Amy Ziering’s film, The Invisible War

Inventing Tomorrow, by Laura Nix (2018 Breakthrough Film Awards recipient)* at Seattle International Film Festival.

Inventing Tomorrow, by Laura Nix (2018 Breakthrough Film Awards recipient)*

Meet the passionate teen innovators from around the globe who dedicate their blood, sweat, and Bunsen burners to craft cutting-edge solutions to the world’s environmental threats and present their findings at the world’s largest high school science competition, the Intel International Science and Engineering Fair.

Showtimes:
Friday, May 18 at 4:30 PM
Friday, June 1 at 6:30 PM
Saturday, June 2 at 11:30 AM

Buy tickets here.

* Chicken & Egg Pictures did not support Inventing Tomorrow but supports director Laura Nix through our 2018 Breakthrough Filmmaker Award program.

This Is Home, by Alexandra Shiva (Chicken & Egg Pictures Board of Directors)*

Alexandra Shiva’s stirring, empathetic documentary chronicles the travails of four Syrian refugee families as they arrive in Baltimore with just eight months’ time allowed to find jobs, learn English, and adapt to life in the U.S. when the sudden 2017 travel ban imposed by the Trump administration further complicates their situation.

Showtimes:
Wednesday, May 30 at 6:00 PM
Thursday, May 31 at 3:30 PM

Buy tickets here.

*Chicken & Egg Pictures did not support This is Home but director Alexandra Shiva is a member of the Chicken & Egg Pictures Board of Directors.

For a list of all films, screening dates and times, check out the Seattle International Film Festival Guide here.

Post by 2018 Spring Programs Intern Dinayuri Rodriguez.

United Skates wins Tribeca Audience Award

United Skates, directed by Tina Brown and Dyana Winkler at Tribeca Film Festival.
United Skates, directed by Tina Brown & Dyana Winkler

Congratulations to United Skates directors Tina Brown & Dyana Winkler for their 2018 Tribeca Audience Award win! Chicken & Egg Pictures supported Tina and Dyana’s project with our 2016 Diversity Fellows Initiative.

Next, United Skates will be hitting up Toronto’s Hot Docs Film Festival, so be sure to catch them there!

Read more about the film and its filmmakers in this No Film School interview.

Announcing our 2018 Diversity Fellows Initiative Grantees

From left to right: A Prince From Outer Space: Zeki Müren; The In Between; The Letter; Omnipresence; and Commuted.

Congratulations to our 2018 Diversity Fellows: Beyza Boyacioglu; Robie Flores; Nadia Hallgren; Nailah Jefferson; and Maia von Lekow, with co-director Chris King; hailing from Istanbul, Turkey; Eagle Pass, TX; New Orleans, LA; The Bronx, NY; and Nairobi, Kenya, respectively.

In addition to a $5,000 grant and a seven-month mentorship program, the Fellows will come together in upstate New York for a multiday storytelling retreat aimed to help develop and strengthen their film’s narratives. “This year we’ll be doing a deep dive into storytelling,” says Lucila Moctezuma, Director of Programs at Chicken & Egg Pictures. “The five-day retreat will allow our Diversity Fellows to have complete focus on their art and provide them with the space to learn from one another’s diverse perspectives and artistic practices. We are so thrilled to be working with these exceptional group of women filmmakers who have such important stories to tell and such special ways of telling them.”  

The Diversity Fellows Initiative is made possible with the generous support of The Harnisch Foundation, the MacArthur Foundation, and the Time Warner Foundation.

For additional information, please visit our Programs page. Participants of the Diversity Fellows Initiative are chosen through the Accelerator Lab Open Call process. The 2019 Accelerator Lab Open Call will launch on May 3.

2018 Diversity Fellows Initiative Grantees

 

A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu

This experimental, multilayered film uses Zeki Müren, Turkey’s most celebrated singer and modern day queer icon, as a prism to explore the country’s internal contradictions, from its founding as a modern, secular nation to the current crisis. Zeki, “Turkey’s Liberace,” was a chameleon-like figure. He expertly used his celebrity to navigate societyallowing audiences to see in him only what they wanted to see. The film deconstructs how myths are made and consumed, as it provides a window onto Turkey, a nation existing between the worlds of the east and of the west while belonging to neither.

Beyza Boyacioglu is a filmmaker and artist from Istanbul, currently based in New York. Her work has been exhibited in MoMA Documentary Fortnight, IDFA, RIDM, Anthology Film Archives, Morelia International Film Festival, Brooklyn Museum, Maysles Cinema, and !f Istanbul, among others. She was a part of MIT Open Documentary Lab between 2014–2017. She’s been a fellow at UnionDocs, Flaherty Seminar, and Greenhouse. She holds an MASc in Comparative Media Studies from MIT and an MFA in Computer Art from SVA.

 

The In Between, directed by Robie Flores

At the intersection of the northern Mexico desert and the plains of southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, The In Between is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.

Robie Flores grew up on the US/Mexico border. She is an independent filmmaker and video editor based in New York City. She previously worked with Loki Films as an assistant on Detropia, The Education of Mohammed Hussein, and ESPN’s Nine for IX documentary, Branded. Her work has appeared on CNN and Bloomberg and has been featured by Teen Vogue, Fusion, Allure, and i-D Vice. The In Between is her first feature film.

Omnipresence, directed by Nadia Hallgren

A look at the complexities of a South Bronx housing project over the course of a summer.

Nadia Hallgren is an award-winning filmmaker and director of photography from The Bronx, New York. With a focus on vérité storytelling, her cinematography credits include the Sundance award-winner Motherland (2017), Academy Award-nominated and Sundance Grand Jury Prize-winner Trouble the Water (2008), and Sundance award-winner Trapped (2016). She has directed short films and series for Field of Vision, Topic, and PBS; and is a member of the Academy of Motion Picture Arts and Sciences, a 2018 Concordia Studio Artist in Residence, and an alum of International Center of Photography. Most recently, Nadia won the special jury prize at SXSW 2018 for an independent episodic series she directed about women running for office in response to Trump being elected.

Commuted, directed by Nailah Jefferson

Commuted tells the story of Danielle Metz, a 52-year-old woman trying to find her footing after spending nearly half of her life in prison. In 2016 Danielle’s was one of 568 life sentences President Obama overturned. Her life story is just one example of how the US criminal justice system impacts black families—before she was incarcerated, she had lost one boyfriend to police violence, another to a wrongful conviction, and then found herself in prison due to involvement with her husband’s drug ring. As Danielle starts to right her path, we reflect with her on a life interrupted.

Nailah Jefferson’s first film, Vanishing Pearls, told the story of a little known African American oyster fishing community and their fight for justice after the BP oil spill. After acquisition by ARRAY/AFFRM, Vanishing Pearls streams on The Urban Movie Channel. Nailah was nominated for a 2017 National Magazine Ellie award for Essence Magazine’s Black Girl Magic Episode 4. Nailah’s first narrative, Plaquemines, was chosen as an American Black Film Festival HBO Shorts finalist and is available on HBO, HBO GO, and HBO On Demand.

The Letter, directed by Maia von Lekow & Chris King

This story happens in rural coastal Kenya. When Karisa, a young artist living in the coastal city of Mombasa, reads a Facebook post accusing his Grandma of being a witch, he decides to return to his rural home to confront the accusations against her. The accusers, Karisa’s uncles, demand that Grandma repent and be exorcised in a Pentecostal ceremony. The story evolves into a family confrontation between those trying to protect Grandma and those condemning her. At the end, love and care triumph against superstition and economic interest.

In today’s post-colonial Kenya, the disturbing trend of witchcraft accusations, often resulting in the murder of an elder, is being used to cover up hundreds of family disputes over land, inheritance, and money. The Letter is a story through the lens of a single family highlighting the universal issues of elderly abuse and greed.

Maia von Lekow is a Kenyan musician and filmmaker. Fusing her music with a healthy fascination of people and culture, Maia has worked as director, producer, and sound recordist on several music videos and corporate films. She was named a Goodwill Ambassador for UNHCR on World Refugee Day 2013, and has received an African Movie Academy Award for her song “Uko Wapi.” A performing artist in her own right, Maia has appeared on several Kenyan broadcasts and maintains strong links with producers and presenters in the region.

The Letter is Maia’s first feature documentary. Maia will compose original music for the film.

Chris King is an award-winning filmmaker based in Nairobi, Kenya. Born in Australia, Chris studied at The School of Creative Arts at the University of Melbourne with honors in Visual Media. Chris has lived in Kenya full-time since 2007, working as a cinematographer, editor, animator, director, and producer in both factual and non-factual shorts, features, and music videos. In 2009, Chris co-founded Circle and Square Productions with his wife Maia and, in the same year, received an African Movie Academy Award in Editing for his work on the Kenyan feature film, From a Whisper.

Ten Nest-supported films at Hot Docs 2018!

Showcasing over 200 films and hosting over 200 thousand people each year, Hot Docs Canadian International Documentary Festival is North America’s largest documentary film festival. Chicken & Egg Pictures is excited to announce that ten Nest-supported films will be gracing this year’s line-up!

The 2018 Hot Docs festival will run April 26-May 6 in Toronto. You can view the schedule here and purchase festival passes and packages here.

Blowin’ Up, directed by Stephanie Wang-Breal
Roll Red Roll, directed by Nancy Schwartzman
Recovery Boys, directed by Elaine McMillion Sheldon (2017 Breakthrough Film Award Recipient)
The Devil We Know, directed by Stephanie Soechtig and Jeremy Seifert (co-director)
The Feeling of Being Watched, directed by Assia Boundaoui (2015-16 Accelerator Lab)
A Thousand Girls Like Me, directed by Sahra Mani (2016 Diversity Fellow Initiative)
United Skates, directed by Dyana Winkler and Tina Brown (2016 Diversity Fellow Initiative)
Tree, directed by Milica Zec and Winslow Turner Porter
Warrior Women, directed by Christina King and Elizabeth Castle (2017 Diversity Fellows Initiative)
On Her Shoulders directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)

***

In addition to the Nest-supported films that will be screening at the 2018 Hot Docs Festival, keep an eye out for the following films by directors whose work Chicken & Egg Pictures has supported and recognized in the past.

Grit directed by Cynthia Wade (Freeheld, 2007 and 2008) and Sasha Friedlander (Mudflow, 2013)
Inventing Tomorrow directed by Laura Nix (Breakthrough Film Awards recipient 2018)
Skywards directed by Eva Weber (Black Out, 2007)

And a special shout out to Barbara Kopple (2011 Chicken & Egg Pictures Celebration Award) who has a few films playing at Hot Docs!

Chicken & Egg Pictures wants to wish these Nest-supported films and filmmakers luck with their participation in the Hot Docs Forum on May 1st and 2nd of the festival.

Born In China directed by Nanfu Wang and Lynn Zhang
The Rashomon Effect directed by Lyric Cabral
Nobody Loves Me, directed by Farihah Zaman and Jeff Reichert, co-directores of the Nest-supported documentary Remote Area Medical.

Congratulations everyone!

Post by 2018 Spring Programs Intern Dinayuri Rodriguez.

The Nest at Tribeca

Left to right: Blowin’ Up, The Feeling of Being Watched, Roll Red Roll, and United Skates

Four Chicken & Egg Pictures-supported films are heading to the Tribeca Film Festival (April 18-29) this year. Congratulations to all the filmmakers for their exciting premieres!

Blowin’ Up by Stephanie Wang-Breal
Blowin’ Up looks at sex work, prostitution, and human trafficking through the lens of New York State’s criminal justice system. The film captures the growing pains of our nation’s first human trafficking intervention court in Queens, New York, and how we define trafficking and prostitution from many different perspectives: the criminal justice system, the social welfare system, and, most importantly, the women and girls who are at the center of it all.

The Feeling of Being Watched by Assia Boundaoui
In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11––code-named “Operation Vulgar Betrayal.” With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened to her neighborhood in the 90’s and probes why her community feels like they’re still being watched today. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.

Roll Red Roll by Nancy Schwartzman
Go behind the headlines of notorious high school sexual assault to witness the social media fueled “boys will be boys” culture that let it happen.

In small-town Ohio, at a pre-season football party, a horrible incident took place. What transpired would garner national attention and result in the sentencing of two key offenders. As amateur crime blogger Alex Goddard uncovers disturbing evidence on Facebook, Youtube, and Twitter, documenting the assault of a teenage girl by members of the beloved high school football team, questions linger around the collusion of teen and adult bystanders. Roll Red Roll explores the complex motivations of both perpetrators and bystanders in this story, to unearth the attitudes at the core of their behavior. The Steubenville story acts as a cautionary tale of what can happen when adults look the other way and deny that rape culture exists. With unprecedented access to police documents, exhibits and evidence, the documentary feature unflinchingly asks: “why didn’t anyone stop it?”

United Skates by Tina Brown and Dyana Winkler
When America’s last standing roller rinks are threatened with closure, a community of thousands battle in a racially charged environment to save an underground subculture–-one that has remained undiscovered by the mainstream for generations, yet has given rise to some of the world’s greatest musical talent.

And a special congratulations to filmmaker Madeleine Sackler for It’s a Hard Truth Ain’t It, who was previously supported by Chicken & Egg Pictures for her film, Dangerous Acts Starring the Unstable Elements of Belarus.

The Tribeca Film Festival’s full program will be available March 15.

2017 Diversity Fellows Announced!

Still from Warrior Women, co-directed by Christina D. King & Elizabeth Castle

Congrats to our newest group of filmmakers coming into the Nest!

Warrior Women
Co-directed by Christina D. King & Elizabeth Castle (US)
The women of the American Indian Movement fight from a vulnerable place only matriarchs can understand—it is a battle for their children and the culture they hope to preserve for them. Warrior Women chronicles the struggle of Madonna Thunder Hawk and Marcy Gilbert, a Lakota mother and daughter whose fight for indigenous rights started in the 1970s and continues today at Standing Rock.

Through archival footage, verité, and video art, we experience Thunder Hawk’s dedication to Red Power and come to understand that activism is necessary for the very survival and success of Native culture and values for the next generation.

 

How to Have an American Baby
Directed by Leslie Tai (US)
How to Have an American Baby is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the US on birthing vacations—in order to give birth and obtain US citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges—depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence.

 

Untitled Race & Criminal Justice Project
Directed by Ursula Liang (US)
A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.

 

It Rains
Directed by Carolina Corral (MEXICO)
Since Oliver was killed, he communicates with his mother María through the rain. He let her know the attorney’s office buried him, along with 117 other corpses, in a hidden mass grave. This sparks a new life mission for María: to hold the government accountable for exhuming them all and returning the bodies back to the families who have been looking for them for years.

 

The Other Half of the African Sky
Directed by Tapiwa Chipfupa (ZIMBABWE)
The Other Half Of The African Sky follows filmmaker Tapiwa Chipfupa’s attempts to reconcile her estrangement from her family, triggered by a disagreement over her marriage. Through encounters with other women from all walks of life facing their own predicaments, Tapiwa explores how women hold up their half of the sky under a very constrictive and constantly contradictory environment in this very personal, brutally honest, and intriguing document of the disparities and the vast contradictions that women face in contemporary Zimbabwe. The film gives voice to the hopes, fears, and dreams of Zimbabwe’s women while simultaneously revealing a country in flux.

For more information, visit the Diversity Fellows Initiative webpage.

Chicken & Egg Pictures Announces Multi-Year Grant from the MacArthur Foundation

Born into an impoverished coal-producing area of eastern Pennsylvania, by the time of his death, John MacArthur was one of the wealthiest men in the world, having made his fortune in insurance and real estate. He, along with his wife, started the John D. and Catherine T. MacArthur Foundation in order to secure enduring support for “creative people, effective institutions, and influential networks building a more just, verdant, and peaceful world.” The MacArthur family’s philosophy of giving is inspirational and its profound effects can be seen throughout the world we live in: universities we’ve attended, arts institutions we patronize, public radio stations we depend on for our morning commute, human rights and social justice organizations we count on to confront the most pressing issues of our times, as well as the world renowned MacArthur Fellowship.

Chicken & Egg Pictures is proud to announce that we are now officially part of the MacArthur Foundation legacy.

With a grant of $600,000 to be disbursed over three years, the Foundation’s support will go towards bolstering three of our signature programs: the Accelerator Lab for first- and second-time filmmakers, Diversity Fellows Initiative, and the Impact & Innovation Initiative. We are so thrilled to be included among such a prestigious group of organizations, and to help carry on the MacArthurs’ mission to build a more just world.

Read more about our partnership with The MacArthur Foundation here.