We are delighted to announce that we are growing our staff with a few newly created positions! If you or someone you know might be interested in joining a creative team that is truly passionate about advancing our mission of supporting women nonfiction filmmakers globally, consider the following full-time staff positions:
Also meet our newest member of the team, Kelly Duane de la Vega, Program & Partnerships Manager!
Kelly is a director, producer, writer, and impact campaign strategist. Her feature documentaries have screened at film festivals worldwide, opened theatrically and broadcast nationally on POV/PBS and the Documentary Channel.Her most recent film, a Peabody Award Finalist, The Return, won the 2016 Tribeca Film Festival Audience Award for Best Documentary, screened on Capitol Hill and in prisons across the country. She has produced short-format work for The New York Times, Mother Jones, IFC, and Discovery, among others.
As Program & Partnerships Manager, Kelly has an integral role in several of our soon-to-be-launched programs in support of our goal to provide creative, professional, and financial support to filmmakers at strategic junctures in their careers.
To learn more about her, visit our team page.
Chicken & Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers.
Assia Boundaoui is an Algerian-American journalist and filmmaker based in Chicago. She has reported for the BBC, NPR, AlJazeera, VICE, CNN and was the recipient of a first place Mark of Excellence Award from the Society of Professional Journalists.
In the Arab-American neighborhood outside of Chicago where Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance.
In 2018, The Feeling of Being Watched had its world premiere at Tribeca Film Festival, was an official selection at Hot Docs, and received the Audience Award at Camden International Film Festival, the BlackStar Film Festival, Boston GlobeDocs Film Festival, and the Regent Park Film Festival. The film also won jury awards for Best Documentary Feature and James Lyons Editing Award For Documentary Feature at the Woodstock Film Festival. Assia is a fellow with the Co-Creation Studio at the MIT Open Documentary Lab, where she is iterating her most recent work, The Inverse Surveillance Project, a machine learning fueled sequel to The Feeling of Being Watched.
Post by Morgan Lee Hulquist.
Chicken & Egg Pictures is proud to announce that we were named an Official Charity Partner of the 2019 United Airlines NYC Half by New York Road Runners (NYRR). The race will take place on Sunday, March 17, 2019.
In 2018, NYRR is celebrating 60 years of helping and inspiring people through running. NYRR has grown from a local running club to the world’s premier community running organization. At the most recent United Airlines NYC Half in 2018, over 2,900 runners and 140 Official Charity Partners raised approximately $5 million for charity.
“We are excited to be a part of this year’s Official Charity Partner program at this year’s United Airlines NYC Half, which helps Chicken & Egg Pictures continue our support for women nonfiction filmmakers,” said Executive Director Jenni Wolfson. “We look forward to having a dedicated team of runners take on the United Airlines NYC Half on behalf of our organization—training, preparing, and ultimately completing the 13.1-mile race and helping us push toward gender parity in the documentary filmmaking world.”
We can’t wait to turn this half marathon into a chicken run. See you at the race!
Earlier this month, Nest-supported Dark Money and United Skates were included in the International Documentary Association (IDA) Shortlist for Top Feature and as well as nominated for the IDA Award for Best Feature of 2018.
And last week, we received more good news from the International Documentary Association. Chicken & Egg Pictures is being recognized with the prestigious Amicus Award. We’re in good company too, with past recipients including Stephen Spielberg, Norman and Lyn Lear, and our dear Nest friend and Fork Films President and CEO Abigail Disney.
The Amicus Award “honors individuals or organizations in recognition of their work supporting the essential needs of the nonfiction media landscape,” and we humbly thank IDA for this extraordinary recognition. In an environment where the need to amplify women’s voices is receiving much needed attention, this award will serve to further elevate the importance of their stories.
We would like to extend a special congratulations to 2016 Breakthrough Filmmaker Award Recipient Julia Reichert for her well-earned Career Achievement Award. Thank you Julia, for your incredible contributions to documentary filmmaking. We are so happy for you and cannot wait to celebrate your achievements.
We also congratulate 2017 Breakthrough Filmmaker Award Recipient Dawn Porter for her nomination for Best Limited Series for her Netflix doc series Bobby Kennedy for President. Chicken & Egg Pictures did not directly support Bobby Kennedy for President but supported Dawn during her breakthrough year and past projects Trapped and The Chosen Life. Congratulations Dawn and good luck!
The IDA Awards ceremony will take place on Saturday, December 8 at the Paramount Theatre in Los Angeles. We’ll see you there!
Nest-supported filmmakers are taking flight at the Milwaukee Film Festival, which is celebrating ten years of bringing their community together through film.
On Her Shoulders, directed by Alexandria Bombach (2018 SXSW LUNA/Chicken & Egg Pictures Award recipient)
Screened Tuesday, October 23 at 7:00 PM. Will screen again Friday, October 26 at 3:00 PM at the Avalon Theater. Tickets here.
This empowering documentary presents 23-year-old Nadia Murad, a Yazidi genocide survivor determined to tell the world her story. Determined advocate and reluctant celebrity, she becomes the voice of her people and their best hope to spur the world to action.
The Feeling of Being Watched, directed by Assia Boundaoui (2016 Accelerator Lab grantee)
Wednesday, October 24 at 6:00 PM at the Times Cinema. Thursday, October 25 at 8:45 PM at the Jan Serr Studio Cinema. Tuesday, October 30 at 9:00 PM at Fox Bay Cinema Grill. Tickets here.
In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11—code-named “Operation Vulgar Betrayal.” With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened to her neighborhood in the 90’s and probes why her community feels like they’re still being watched today. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.
Blowin Up’, directed by Stephanie Wang-Breal
Saturday, October 27 at 3:45 at the Jan Serr Studio Cinema. Tickets here.
Blowin’ Up looks at sex work, prostitution, and human trafficking through the lens of New York State’s criminal justice system. The film captures the growing pains of our nation’s first human trafficking intervention court in Queens, New York, and how we define trafficking and prostitution from many different perspectives: the criminal justice system, the social welfare system, and, most importantly, the women and girls who are at the center of it all.
Screening Friday, October 26 at 1:00 PM at the Jan Serr Studio Cinema and Tuesday, October 30 at 4:00 PM at the Times Cinema. Tickets here.
When America’s last standing roller rinks are threatened with closure, a community of thousands battle in a racially charged environment to save an underground subculture–-one that has remained undiscovered by the mainstream for generations, yet has given rise to some of the world’s greatest musical talent.
The Unafraid*, directed by Heather Courtney and Anayansi Prado (2017 Chicken & Egg Pictures mentee)
Screened Tuesday, October 23 at 12:30 PM and will screen Tuesday, October 30 at 6:45 PM at the Times Cinema. Tickets here.
High School seniors Alejandro, Silvia, and Aldo, like most of their friends, are eager to go to college and pursue their education. However, their home state of Georgia not only bans them from attending the top five public universities, but also deems them ineligible for in-state tuition at public colleges due to their immigration status as DACA (Deferred Action for Childhood Arrivals) recipients. In response, these three ambitious and dream-filled students divert their passions towards the fight for education in the undocumented community. As President Donald Trump’s campaign rhetoric against immigrants gains momentum, and amid constant threat of losing their DACA status and being deported, The Unafraid follows these inspirational members of the generation of “undocumented, unapologetic and unafraid” young people who are determined to overcome and dismantle oppressive policies and mindsets.
*Chicken & Egg Pictures did not support The Unafraid but supported director Anayansi Prado’s film, Children in No Man’s Land.
The Independent Filmmaker Project announced its 40th annual IFP Project Forum slate highlighting films, series, digital, and audio projects from around the world. We are honored to announce that four Chicken & Egg-supported projects from our 2018 programs year were included.
An Act of Worship follows young Muslim women activists at a time when hate crimes against Muslims have reached their highest level since 9/11. The travel ban has sent the message that Muslims are not welcome in the US. Now, a new generation has been galvanized into action to reclaim their space in the American landscape.
At the intersection of the northern Mexico desert and the plains of southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, The In Between is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.
Made in Boise, directed by Beth Aala (2018 Discretionary Grant)
A surprising—and booming—industry has emerged in Boise, Idaho. In this idyllic, all-American city, nurses, nail technicians, and stay-at-home mothers are having babies for strangers—in record numbers. Boise’s own St. Luke’s Medical Center founded and runs the first and best surrogacy program of its kind, in all the US. But everything is not as it appears, surrogacy is not without its health risks, and the practice is not without its emotional complications. Character-driven and stylized in its approach, Made In Boise introduces audiences to the unique world of surrogacy in the most unexpected of places.
As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up — this time with a camera, in the middle of a chaotic ER.
And a special congratulations to filmmakers who were previously supported by Chicken & Egg Pictures.
A female police chief and a determined band of women officers work to redefine “protect and serve,” when a tragic shooting upends their progress.*
Narrowsburg, directed by Martha Shane (After Tiller co-director)
Narrowsburg tells the story of a French producer and a mafioso-turned-actor who attempted to turn a small Catskills town into the “Sundance of the East.”*
*Synopses from the IFP website.
Filmmakers will attend the IFP Project Forum during the 40th anniversary of IFP Week happening September 15 – 20 in Brooklyn.
Post by 2018 Communications Intern Morgan Lee Hulquist.
An Act of Worship follows young Muslim women beginning their career in activism at a time when hate crimes against Muslims have reached their highest level since 9/11. The travel ban has sent the message that Muslims are not welcome in the US. Now, a new generation has been galvanized into action to reclaim their space in the American landscape.
Nausheen Dadabhoy is a Muslim American director and DP who has always moved seamlessly between the narrative and documentary world. Her latest documentary J’adore Nawal premiered at Sundance, while her last narrative film La Femme et le TGV (The Railroad Lady) was a live action short Oscar nominee. Her directorial debut, The Ground Beneath Their Feet premiered at IDFA. Nausheen has been a Film Independent Project:Involve Fellow, a Berlin Talents participant, and is a current Firelight Fellow.
The 2018 Diversity Fellows Initiative cohort is soon to embark on a week-long storytelling retreat in upstate New York aimed to help develop and strengthen their film’s narratives. As part of the retreat, the grantees will be participating in skill-sharing workshops where they will learn from one another’s unique perspectives and artistic practices.
Other participants of the 2018 Diversity Fellows Initiative include:
The In Between, directed by Robie Flores; Commuted, directed by Nailah Jefferson; A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu; and The Letter, directed by Maia von Lekow & Chris King.
Post by 2018 Communications Intern Morgan Lee Hulquist.
Chicken & Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers!
The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special focus on underrepresented voices.
“Community-building is key to this program,” says Chicken & Egg Pictures Program Director Lucila Moctezuma. “While the Accelerator Lab for first- and second-time filmmakers certainly helps women filmmakers to enter the industry pipeline, it also provides them with a community of support that helps them to stay in the pipeline. The reality of being a film director is that it can often feel daunting and isolating. By explicitly encouraging peer-to-peer mentorship among our cohort, we provide emerging filmmakers with a chance to bond with and learn from one another, to help one another carve a space for themselves in the industry, and to equip them with the strength of a community they can rely on throughout their careers.”
Synopses of the 2018 Accelerator Lab grantees’ compelling projects are below, and you can get to know the directors by viewing the linked project pages. Grantees will work on these films during their program year.
Our next open call for the Accelerator Lab will take place in the spring of 2018. For additional information on the program, including application criteria, please visit our Programs page.
Congratulations to our newest grantees, and wishing you a fantastic year!
A Cops and Robbers Story, directed by Ilinca Calugareanu (ROMANIA / UK)
Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?
People’s Hospital, directed by Siyi Chen (CHINA / US)
As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up—this time with a camera, in the middle of a chaotic ER.
Enemies of the State, directed by Sonia Kennebeck (MALAYSIA / GERMANY / US)
An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government.
The Youth, directed by Eunice Lau (SINGAPORE / US) and Arthur Nazaryan (US)
The Youth is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, The Youth reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, The Youth explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.
Number 387, directed by Madeleine Leroyer (FRANCE)
This is the story of a Greek physician who collects pendants and bracelets.
This is the story of an Italian woman who has been fighting for 15 years to “make bodies talk.”
This is the story of those who watch over the forgotten migrants.
Since the beginning of 2016, 3,649 migrants have died while attempting to reach Europe by sea. 3,649 names, the vast majority of which have been diluted in the deep blue waters of the Mediterranean.
What happens to the dead? Who identifies them?
What do the mothers, the brothers do to try to find their missing loved ones?
For years, medical examiners have been trying to give back a name, dignity, a memory to these forgotten souls.
This film tells their story.
Electric Malady, directed by Marie Lidén (SWEDEN / UK)
Director Marie Lidén grew up with a mother who suffered from an illness that the world did not recognize—Electrosensitivity. Years later, in a technologically advanced world, Marie gives a poignant account of the lives of two electrosensitives: William, a 41-year-old Swedish man, and Tyler, a 13-year-old Canadian boy. Using Marie’s own family story as a thread, the film explores William and Tyler’s isolated worlds and their families’ unrelenting commitment to help their children.
Through The Night, directed by Loira Limbal (US)
To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.
Always in Season, directed by Jacqueline Olive (US)
As the trauma of a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.
Reentry (working title), directed by Jennifer Redfearn (US)
Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug related charges.
Writing With Fire, directed by Rintu Thomas and Sushmit Ghosh (INDIA)
In one of the most socially oppressive and patriarchal states of India emerges a newspaper run entirely by rural women. Meera, its popular reporter, decides to magnify the paper’s impact with an audacious move—to transform from print to a digital news agency. Working in media dark villages, mocked and discouraged, this is the story of a visionary woman’s feisty spirit in building what will probably be the world’s first digital news agency run entirely by rural women.
Dark Money, directed by Kimberly Reed
A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.
The Devil We Know, directed by Stephanie Soechtig
Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical—now found in the blood of 99.7% of Americans—into the drinking water supply.
We are excited to catch both films at Sundance 2018!
The Oscars® shortlist is here, and we are ecstatic to announce that two Chicken & Egg Pictures-supported films have advanced to the next stage of the voting process for the 90th Academy Awards® in the Documentary Features category!
Congratulations to first-time filmmakers Jennifer Brea (Unrest) and Yance Ford (Strong Island), whose films have made it to the top 15 out of 170 submitted documentaries!
Unrest, directed by Jennifer Brea
Jennifer, a Harvard PhD student, was signing a check at a restaurant when she found she could not write her own name. Months before her wedding, she became progressively more ill, losing the ability even to sit in a wheelchair. When doctors insisted that her condition was psychosomatic, she picked up her camera to document her own story and the stories of four other patients struggling with the world’s most prevalent orphaned disease.
Strong Island, directed by Yance Ford
Set in the suburbs of the black middle class, Strong Island seeks to uncover how—in the year of the Rodney King trial and the Los Angeles riots—the murder of the filmmaker’s older brother went unpunished. The film is an unflinching look at homicide, racial injustice, and the corrosive impact of grief over time.
Check out the rest of the documentary features that have advanced in the voting process here.
Nominations for the 90th Academy Awards® will be announced on Tuesday, January 23, 2018. Best of luck to Jen and Yance!