Chicken & Egg Pictures nominees for the Spirit Awards!

 

 

Two Nest-supported films, Motherland (directed by Ramona Diaz) and The Departure (directed by Lana Wilson), have been nominated for Best Documentary at the 2018 Film Independent Spirit Awards! Congratulations and best of luck, Lana and Ramona!

 

Motherland, directed by Ramona Diaz

A still from Motherland.

One of the world’s poorest and most populous countries, the Philippines, struggles with reproductive health policy—both in the legislature where laws are in debate, and in a hospital with the busiest maternity ward on the planet.

 

The Departure, directed by Lana Wilson

A still from The Departure.

Ittetsu Nemoto, a former punk-turned-Buddhist-priest in Japan, has made a career out of helping suicidal people find reasons to live. But this work has come increasingly at the cost of his own family and health, as he refuses to draw lines between those he counsels and himself. The Departure captures Nemoto at a crossroads, when his growing self-destructive tendencies lead him to confront the same question his patients ask him: what makes life worth living?

 

If you are registered to vote in the Film Independent Spirit Awards, remember to cast your vote by Friday, February 16.

 

 

 

 

Announcing the five recipients of the third annual Breakthrough Filmmaker Award

Chicken & Egg Pictures is proud to announce the third cohort of our Breakthrough Filmmaker Award!

The five selected filmmakers are Natalia Almada (Todo lo demás, 2016), Ramona Diaz (Motherland, 2017), Laura Nix (Inventing Tomorrow, 2018), Kimi Takesue (95 and 6 to Go, 2016), and Nanfu Wang (I Am Another You, 2017).

Still from 95 and 6 To Go, by Kimi Takesue.

“Chicken & Egg Pictures’ Breakthrough Filmmaker Award recipients have often described their Breakthrough year as life altering,” said Lucila Moctezuma, Program Director of Chicken & Egg Pictures. “Unlike any other award, it’s not just a recognition of past accomplishments, but an investment in the future, both for the filmmakers’ careers and for the film industry at large, which must do more to honor women’s leadership and voices.”

Still from Inventing Tomorrow, by Laura Nix.

For additional information on Chicken & Egg Pictures and the Breakthrough Filmmaker Award, please visit our Programs page.

 

Headed to True/False? Don’t miss the Chicken & Egg Pictures-supported films screening at this year’s fest

Four Chicken & Egg Pictures grantees will be screening their films at this year’s edition of the True/False Film Festival, held annually in Columbia, MO.

Be sure to check out Cameraperson (Kirsten Johnson), The Pearl (Jessica Dimmock and Christopher LaMarca), Sonita (Rokhsareh Ghaem Maghammi), and the latest from Ramona Diaz.

The full lineup is available here.

Cameraperson (Kirsten Johnson)
Drawing on footage she’s shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition, and human obligation that come with filming the lives of others.

The Pearl (Jessica Dimmock and Christopher LaMarca)
The Pearl witnesses the loss and extraordinary risk of four middle-aged and senior war vets, steel foremen, and fathers and grandfathers coming out for the first time as transgender women in the hyper-masculine culture of the Pacific Northwest. Each year, their lives intersect at the annual Esprit Conference for T-girls, a weeklong event enlivening a community broken by isolation and loss.

Sonita (Rokhsareh Ghaem Maghammi)
18-year-old Sonita is an undocumented Afghan illegal immigrant living in the suburbs of Tehran. She fights to live the way she wants: As a rapper in spite of all her obstacles she confronts in Iran and her conservative family. In harsh contrast to her goal is the plan of her family – strongly advanced by her mother – to make her a bride and sell her to a new family for the price of $9,000.

Motherland (Bayang Ina Mo) (Ramona Diaz)
One of the world’s poorest and most populous countries, The Philippines, struggles with reproductive health policy — both in the legislature, where laws are debated, and in a hospital with the busiest maternity ward on the planet.