Six Nest-supported filmmakers receive The Spark Fund!
We are egg-tremely proud to see six Nest-supported filmmakers among Firelight Media Spark Fund’s 36 recipients. This one-time opportunity offers a $50,000 stipend to established, independent documentary filmmakers who self-identify as Black, Indigenous, and/or people of color (BIPOC) and whose work on humanities-themed projects was disrupted by the COVID-19 public health emergency.
Congratulations to all the recipients!
2016 (Egg)celerator Lab grantee Assia Boundaoui (The Feeling of Being Watched)
2020 (Egg)celerator Lab grantee Débora Souza Silva (Black Mothers)
Nest-supported filmmaker Farihah Zaman (Remote Area Medical)
2017 Chicken & Egg Award recipient Grace Lee (American Revolutionary: The Evolution of Grace Lee Boggs)
2016 Chicken & Egg Award recipient Michèle Stephenson
Nest-supported filmmaker Vaishali Sinha (Made in India)
We are sending an extra special congratulations to our Senior Creative Consultant Yvonne Welbon, who was also selected as one of the recipients.
Check out the full list of recipients and learn more about them with this link.
Breakthrough Filmmaker Award Recipient Natalia Almada is a Sundance Art of Nonfiction Fellow
Breakthrough Filmmaker Award recipient Natalia Almada was recently announced as one of four Sundance Institute Art of Nonfiction Fellows.
The Art of Nonfiction Fellowship supports artists by providing them with an unrestricted grant and a year-long fellowship focused on their creative goals and challenges.
Chicken & Egg Pictures supported Natalia through our 2018 Breakthrough Filmmaker Award program, as well as previously supported her feature documentary El Velador (The Night Watchman).
Recipient of the 2012 MacArthur “Genius” Grant, Natalia Almada combines artistic expression with social inquiry to make films that are both personal reflections and critical social commentaries. Her work straddles the boundaries of documentary, fiction, and experimental film.
Her most recent film Todo lo demás (Everything Else) is a narrative feature starring Academy Award®-nominated Adriana Barraza; it premiered at the New York Film Festival and was nominated for an Ariel Award. El Velador (The Night Watchman) premiered at the 2011 Cannes Directors’ Fortnight and broadcast on the award-winning PBS program POV, along with her other two feature documentaries Al otro lado (To The Other Side) and El General (The General). Almada’s short film All Water Has a Perfect Memory premiered at the 2002 Sundance Film Festival and received the Best Short Documentary award at the Tribeca Film Festival.
Almada was also the recipient of the 2009 Documentary Directing Award at the Sundance Film Festival and has received fellowships from the Guggenheim Foundation, United States Artists, the Herb Alpert Foundation, and The MacDowell Colony. Almada graduated with a Masters of Fine Arts in photography from the Rhode Island School of Design and currently lives between Mexico City and San Francisco.
Other 2018 Art of Nonfiction fellows are Deborah Stratman, Sam Green, and Sky Hopinka. Read more about the fellows, grantees and the programs on the Sundance Institute website.
Congratulations Natalia!
The Whickers Announces 2018 Award Recipient
The Whickers recently announced the recipient of the 2018 The Whickers/Chicken & Egg Pictures Award: congratulations to Ilinca Calugareanu and the A Cops and Robbers Story team!
Named for pioneering British broadcaster Alan Whicker, The Whickers is dedicated to supporting emerging voices in the field of documentary. The award, focused on Accelerator Lab participants, was conceived to ensure that more women enter the nonfiction filmmaking pipeline. Previous recipients include The Feeling of Being Watched by Assia Boundaoui and The Surrender of Waymond Hall by Jane Greenberg.
A Cops and Robbers Story follows Corey Pegues, one of the highest ranking black executives in the NYPD, who revealed a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. The project was recently featured as a docustory in The Guardian. Said director Ilinca Calugareanu, “It is such an honour to be this year’s recipient of The Whickers/Chicken & Egg Pictures Award. Thank you for believing in us and in the importance of Corey Pegues’s story. Your support means so much!”
Ilinca’s debut documentary feature, Chuck Norris vs. Communism, is currently available for streaming on Netflix.
Post by 2018 Communications Intern Morgan Lee Hulquist.
The Nest at 2018 Human Rights Watch Film Festival
The 2018 Human Rights Watch Film Festival (HRWFF) in New York City will feature four Chicken & Egg-supported films and filmmakers! Make sure to catch a screening of the following films if you happen to be in the New York City area between June 14-21!
You can look at the full list of the documentaries featured here.
A Thousand Girls Like Me*, directed by Sahra Mani (2016 Diversity Fellow Initiative)
In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.
Screening(s):
June 19, 9 pm at the Film Society of Lincoln Center’s Elinor Bunin Munroe Film Center
June 20, 7 pm at the IFC Center
Get your tickets here.
*A Thousand Girls Like Me will have its US premiere at the 2018 HRWFF.
Naila and the Uprising*, directed by Julia Bacha
Weaving together interviews, news footage, and expressive animation, award-winning documentarian Julia Bacha inventively chronicles the remarkable journey of Naila Ayesh, who in the late 1980s joined a clandestine movement of Palestinian women who played a pivotal role in the nonviolent uprising known as the First Intifada.
Screening(s):
June 16, 7 pm at IFC Center
Get your tickets here.
*Chicken & Egg Pictures did not support Naila and the Uprising but supported director Julia Bacha’s film, Budrus.
On Her Shoulders*, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)
This empowering documentary presents 23-year-old Nadia Murad, a Yazidi genocide survivor determined to tell the world her story. Determined advocate and reluctant celebrity, she becomes the voice of her people and their best hope to spur the world to action.
Screening(s):
June 14, 7 pm at the Film Society of Lincoln center’s Walter reade theatre
Get your tickets here.
*Chicken & Egg Pictures did not support On Her Shoulders but supported director Julia Alexandria Bombach through the SXSW LUNA / Chicken & Egg Pictures Award.
The Unafraid*, directed by Heather Courtney and Anayansi Prado (2017 Chicken & Egg Pictures mentee)
High School seniors Alejandro, Silvia, and Aldo, like most of their friends, are eager to go to college and pursue their education. However, their home state of Georgia not only bans them from attending the top five public universities, but also deems them ineligible for in-state tuition at public colleges due to their immigration status as DACA (Deferred Action for Childhood Arrivals) recipients. In response, these three ambitious and dream-filled students divert their passions towards the fight for education in the undocumented community. As President Donald Trump’s campaign rhetoric against immigrants gains momentum, and amid constant threat of losing their DACA status and being deported, The Unafraid follows these inspirational members of the generation of “undocumented, unapologetic and unafraid” young people who are determined to overcome and dismantle oppressive policies and mindsets.
Screening(s):
June 21, 7 pm at IFC Center
You can buy tickets to the Human Rights Watch Film Festival here.
*Chicken & Egg Pictures did not support The Unafraid but supported director Anayansi Prado’s film, Children in No Man’s Land.
Accelerator Lab Open Call: Apply Now!
Chicken & Egg Pictures is now accepting submissions for the 2019 Accelerator Lab Open Call!
The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. In this year-long program, ten projects will receive:
- a $35,000 in grant funding for the production of their feature-length film;
- monthly mentorship with members of Chicken & Egg Pictures’ senior creative team;
- three creative retreats focused on career sustainability and creative development;
- industry meetings at a major documentary film festival; and
- peer support from the Accelerator Lab cohort.
A glimpse at current and past projects that Chicken & Egg has supported through the Accelerator Lab program:
Through the Night, directed by Loira Limbal
To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of nonstop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.
Through the Night is a 2018 Accelerator Lab-supported film and is currently in production.
The Feeling of Being Watched, directed by Assia Boundaoui
In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11—code-named “Operation Vulgar Betrayal.” With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened to her neighborhood in the 90’s and probes why her community feels like they’re still being watched today. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.
The Feeling of Being Watched recently premiered at the 2018 TriBeca Film Festival and is also being featured at Hot Docs.
Muhi – Generally Temporary, directed by Rina Castelnuovo and Tamir Elterman
Muhi, a cherubic Palestinian toddler with a life-threatening immune disorder, was transported to an Israeli hospital as a baby for emergency treatment. He and his devoted grandfather have lived there ever since, stuck in a bizarre no man’s land, with their extended family living on the other side of a fiercely guarded checkpoint. Their unique and moving story takes place within the crucible of the current relentless Israeli-Palestinian conflict that impacts everyone in its orbit.
Muhi – Generally Temporary premiered at the 2017 San Francisco International Film Festival and was featured in the Human Rights Watch Film Festival of the same year.
To check out the full list of films supported through the Accelerator Lab program, click here.
The deadline to apply is Monday, June 25th at 3:00 pm EDT. Apply now!
And sign up for our newsletter to receive updates on the Accelerator Lab and other News from the Nest!
Accelerator Lab Open Call starts May 3!
Mark your calendars! The Accelerator Lab Open Call will open on May 3, 2018, 12 pm EST.
The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. Each project receives a $35,000 grant in three parts for the production of a film, to be developed over the course of the 12-month program. All directors of the ten projects come together at various points over the course of a year for an intensive period of professional development, tailored mentorship and workshops with industry experts, creatively fusing the art and craft of filmmaking with best practices and peer-to-peer support.
Sign up for our newsletter to receive updates on the Accelerator Lab Open Call and other News from the Nest!
Past grantee projects have included:
32 Pills: My Sister’s Suicide, directed by Hope Litoff
Premiered at the 2017 Hot Docs Canadian International Film Festival
Now available on HBO, HBO NOW, and HBO GO.
A reflection on the life and suicide of Ruth Litoff, a successful artist, a pathological liar, and the filmmaker’s sister. By looking back on Ruth’s incredible highs and lows, bursts of creative genius, depression, secrets, and lies, a vivid portrait will emerge of the brilliant woman the filmmaker is not sure she ever really knew. This is her attempt to understand what happened.
The Feeling of Being Watched, directed by Assia Boundaoui
Premiered at the 2018 Tribeca Film Festival
In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11—code-named “Operation Vulgar Betrayal.” With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened to her neighborhood in the 90’s and probes why her community feels like they’re still being watched today. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.
Whose Streets?, directed by Sabaah Folayan, co-directed by Damon Davis
Premiered at the 2017 Sundance Film Festival
Now available on DVD and streaming
A firsthand look at how the murder of one teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.
The Academy of Motion Picture Arts and Sciences Supports Chicken & Egg Pictures’ Accelerator Lab
Chicken & Egg Pictures proudly announces receipt of the prestigious FilmCraft grant from the Academy Foundation of the Academy of Motion Picture Arts and Sciences in support of the Accelerator Lab for first- and second-time filmmakers. Grants range from $5,000-$15,000, and a total of $500,000 was awarded to 51 organizations for the 2018-2019 grants year.
“It is the Grants’ privilege and responsibility to fund organizations, rising and established, that reflect both The Academy’s values and its leadership role in the arts,” said Buffy Shutt, chair of the Academy’s grants committee. Chicken & Egg Pictures’ FilmCraft grant will help fund the Accelerator Lab program and go towards fulfilling the organization’s mission to support women nonfiction filmmakers whose artful and innovative storytelling catalyzes social change. The Accelerator Lab, with a special focus on underrepresented voices and timely, urgent stories, identifies and supports emerging women filmmakers in the completion of their first or second feature-length nonfiction film. The year-long program comes with a $35,000 grant, monthly mentorship with Chicken & Egg Pictures’ senior creative team, and three multi-day creative retreats held throughout the year. The 2019 Accelerator Lab Open Call will begin on Thursday, May 3, 2018.
Through their partnership, the Academy of Motion Picture Arts and Sciences and Chicken & Egg Pictures seek to strengthen the power of diverse women storytellers so that in turn they can change how we see, respond to, and shape the world around us.
Announcing our 2018 Diversity Fellows Initiative Grantees
Congratulations to our 2018 Diversity Fellows: Beyza Boyacioglu; Robie Flores; Nadia Hallgren; Nailah Jefferson; and Maia von Lekow, with co-director Chris King; hailing from Istanbul, Turkey; Eagle Pass, TX; New Orleans, LA; The Bronx, NY; and Nairobi, Kenya, respectively.
In addition to a $5,000 grant and a seven-month mentorship program, the Fellows will come together in upstate New York for a multiday storytelling retreat aimed to help develop and strengthen their film’s narratives. “This year we’ll be doing a deep dive into storytelling,” says Lucila Moctezuma, Director of Programs at Chicken & Egg Pictures. “The five-day retreat will allow our Diversity Fellows to have complete focus on their art and provide them with the space to learn from one another’s diverse perspectives and artistic practices. We are so thrilled to be working with these exceptional group of women filmmakers who have such important stories to tell and such special ways of telling them.”
The Diversity Fellows Initiative is made possible with the generous support of The Harnisch Foundation, the MacArthur Foundation, and the Time Warner Foundation.
For additional information, please visit our Programs page. Participants of the Diversity Fellows Initiative are chosen through the Accelerator Lab Open Call process. The 2019 Accelerator Lab Open Call will launch on May 3.
2018 Diversity Fellows Initiative Grantees
A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu
This experimental, multilayered film uses Zeki Müren, Turkey’s most celebrated singer and modern day queer icon, as a prism to explore the country’s internal contradictions, from its founding as a modern, secular nation to the current crisis. Zeki, “Turkey’s Liberace,” was a chameleon-like figure. He expertly used his celebrity to navigate society—allowing audiences to see in him only what they wanted to see. The film deconstructs how myths are made and consumed, as it provides a window onto Turkey, a nation existing between the worlds of the east and of the west while belonging to neither.
Beyza Boyacioglu is a filmmaker and artist from Istanbul, currently based in New York. Her work has been exhibited in MoMA Documentary Fortnight, IDFA, RIDM, Anthology Film Archives, Morelia International Film Festival, Brooklyn Museum, Maysles Cinema, and !f Istanbul, among others. She was a part of MIT Open Documentary Lab between 2014–2017. She’s been a fellow at UnionDocs, Flaherty Seminar, and Greenhouse. She holds an MASc in Comparative Media Studies from MIT and an MFA in Computer Art from SVA.
The In Between, directed by Robie Flores
At the intersection of the northern Mexico desert and the plains of southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, The In Between is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.
Robie Flores grew up on the US/Mexico border. She is an independent filmmaker and video editor based in New York City. She previously worked with Loki Films as an assistant on Detropia, The Education of Mohammed Hussein, and ESPN’s Nine for IX documentary, Branded. Her work has appeared on CNN and Bloomberg and has been featured by Teen Vogue, Fusion, Allure, and i-D Vice. The In Between is her first feature film.
Omnipresence, directed by Nadia Hallgren
A look at the complexities of a South Bronx housing project over the course of a summer.
Nadia Hallgren is an award-winning filmmaker and director of photography from The Bronx, New York. With a focus on vérité storytelling, her cinematography credits include the Sundance award-winner Motherland (2017), Academy Award-nominated and Sundance Grand Jury Prize-winner Trouble the Water (2008), and Sundance award-winner Trapped (2016). She has directed short films and series for Field of Vision, Topic, and PBS; and is a member of the Academy of Motion Picture Arts and Sciences, a 2018 Concordia Studio Artist in Residence, and an alum of International Center of Photography. Most recently, Nadia won the special jury prize at SXSW 2018 for an independent episodic series she directed about women running for office in response to Trump being elected.
Commuted, directed by Nailah Jefferson
Commuted tells the story of Danielle Metz, a 52-year-old woman trying to find her footing after spending nearly half of her life in prison. In 2016 Danielle’s was one of 568 life sentences President Obama overturned. Her life story is just one example of how the US criminal justice system impacts black families—before she was incarcerated, she had lost one boyfriend to police violence, another to a wrongful conviction, and then found herself in prison due to involvement with her husband’s drug ring. As Danielle starts to right her path, we reflect with her on a life interrupted.
Nailah Jefferson’s first film, Vanishing Pearls, told the story of a little known African American oyster fishing community and their fight for justice after the BP oil spill. After acquisition by ARRAY/AFFRM, Vanishing Pearls streams on The Urban Movie Channel. Nailah was nominated for a 2017 National Magazine Ellie award for Essence Magazine’s Black Girl Magic Episode 4. Nailah’s first narrative, Plaquemines, was chosen as an American Black Film Festival HBO Shorts finalist and is available on HBO, HBO GO, and HBO On Demand.
The Letter, directed by Maia von Lekow & Chris King
This story happens in rural coastal Kenya. When Karisa, a young artist living in the coastal city of Mombasa, reads a Facebook post accusing his Grandma of being a witch, he decides to return to his rural home to confront the accusations against her. The accusers, Karisa’s uncles, demand that Grandma repent and be exorcised in a Pentecostal ceremony. The story evolves into a family confrontation between those trying to protect Grandma and those condemning her. At the end, love and care triumph against superstition and economic interest.
In today’s post-colonial Kenya, the disturbing trend of witchcraft accusations, often resulting in the murder of an elder, is being used to cover up hundreds of family disputes over land, inheritance, and money. The Letter is a story through the lens of a single family highlighting the universal issues of elderly abuse and greed.
Maia von Lekow is a Kenyan musician and filmmaker. Fusing her music with a healthy fascination of people and culture, Maia has worked as director, producer, and sound recordist on several music videos and corporate films. She was named a Goodwill Ambassador for UNHCR on World Refugee Day 2013, and has received an African Movie Academy Award for her song “Uko Wapi.” A performing artist in her own right, Maia has appeared on several Kenyan broadcasts and maintains strong links with producers and presenters in the region.
The Letter is Maia’s first feature documentary. Maia will compose original music for the film.
Chris King is an award-winning filmmaker based in Nairobi, Kenya. Born in Australia, Chris studied at The School of Creative Arts at the University of Melbourne with honors in Visual Media. Chris has lived in Kenya full-time since 2007, working as a cinematographer, editor, animator, director, and producer in both factual and non-factual shorts, features, and music videos. In 2009, Chris co-founded Circle and Square Productions with his wife Maia and, in the same year, received an African Movie Academy Award in Editing for his work on the Kenyan feature film, From a Whisper.