The Nest at 2022 Hot Docs Canadian International Documentary Festival

We are egg-static to see eight supported films, and seven AlumNest films in the 29th Hot Docs Canadian International Documentary Festival line-up. This edition will take place in-cinemas in Toronto and will stream across Canada from Thursday, April 28 to Sunday, May 8.  

The festival stated that 49% of the official selections were directed by women, maintaining its commitment to a roughly 50-50 gender split.

World Premiere

Silent Beauty

dir. & prod. Jasmin Lopez

Silent Beauty Jasmin Mara López
Still from Silent Beauty

A personal documentary that follows Director Jasmin López as she works to heal from child sexual abuse she endured at the hands of her grandfather, Gilberto, a Baptist minister, almost thirty years ago. In the process of sharing her own trauma with her large family, she learns that generations of children in her family were victims of the same abuse. Told from the director’s perspective, Silent Beauty is a film about confronting and accepting difficult truths while finding beauty in the process. 

Silent Beauty is a 2019 (Egg)celerator Lab grantee and is having its World Premiere in the Persister section. 

Get your tickets + more info with this link.


Alis

dirs.& prods.  Clare Weiskopf, Nicolas van Hemelryck

prods. Radu Stancu, Alexandra Galvis

A young woman is on her knees, with her hands on top of them, her eyes are closed and behind here there are shelfs
Still from Alis

In a Colombian shelter for teenage girls, filmmakers ask a group of young women to close their eyes and imagine the life story of a fictional classmate named Alis. As reality prevails and fiction fades, the innocent game becomes a descent into hell, where their luminous faces guide the audience to the depths of the dark world they once inhabited, only to emerge with new skin. How to imagine a different life, break the cycle of violence, and embrace a brighter future? 

Alis
is a 2022 (Egg)celerator Lab finalist and is part of Made In Chile: A spotlight on docs from Chile

Get your tickets + more info with this link.


All of Our Heartbeats Are Connected Through Exploding Stars

(previously titled Stories From Debris)

dir. Jennifer Rainsford

prods. Mirjam Gelhorn, David Herdies, Michael Krotkiewski

Still from All of Our Heartbeats Are Connected Through Exploding Stars

The 2011 Japan tsunami triggers this staggering essay about loss that connects human and environmental trauma using astonishing juxtapositions. Humans breathe out and the oceans breathe in, so that we are constantly breathing together and becoming our planet. If we admit that our human experiences of pain and the Earth’s are just different versions of the same destruction, will recovery come, be it in ripples or waves?* 

All of Our Heartbeats Are Connected Through Exploding Stars is a 2020 (Egg)celerator Lab grantee and is part of the World Showcase section.

Get your tickets + more info with this link.


Boycott

dir & prod. Julia Bacha

prod. Suhad Babaa, Daniel J. Chalfen

Still from Boycott

When a news publisher in Arkansas, an attorney in Arizona and a speech therapist in Texas are told to choose between their jobs and their political beliefs, they launch legal battles that expose an attack on freedom of speech in 33 states in America.

Boycott was supported through Julia Bacha’s 2019 Chicken & Egg Award, and is a Hot Docs Special Presentation.  

Get your tickets + more info with this link.


Eskape

dir. Neary Adeline Hay

prods. Jasmin Basic

Still from Eskape

The survival story of a mother and her daughter, the filmmaker, through the desperate flight from a crumbling Cambodia after the collapse of the Khmer Rouge regime. Faced with the silence brought by trauma and time, the longing to understand her mother today resonates in an abysmal echo, while reviving the memories as a political refugee in Europe.

Eskape is a 2020 (Egg)celerator Lab grantee and is having its North American premiere in the Hidden Stories section. 

Get your tickets + more info with this link.


Midwives

dir. & prod. Snow Hnin Ei Hlaing

prods. Bob Moore, Ulla Lehmann, Mila Aung-Thwin

Still from Midwives

A tale of the complicated relationship between Rohingya and Buddhists in Myanmar, told over five years through the eyes of two midwives from either side of the divide. 

Midwives is a 2020 (Egg)celerator Lab grantee and is having its Canadian premiere as a HotDocs Special Presentation

Get your tickets + more info with this link.


Mija

dir. & prod. Isabel Castro

prod. Tabs Breese, Yesenia Tlahuel

Close up to the face of Doris singing
Still from Mija

With Doris’ voice as our guide, Mija uses VHS archive, verité footage, and camcorder vlogging to tell the story of two young women’s coming-of-age journeys as they look for success and belonging. The film is an immensely emotional and intimate portrait honoring the resilience of immigrants and their children. 

Mija is a 2021 (Egg)celerator Lab grantee and is part of the Artscapes section. 

Get your tickets + more info with this link.


Once Upon a Time in Uganda

dir. Cathryne Czubek, co-dir. Hugo Perez

prods. Gigi Dement, Cathryne Czubek, Matt Porwoll, Hugo Perez, Kyaligamba Ark Martin

2017 Accelerator Lab Cathryne Czubek Hugo Perez Lights Camera Uganda
Still from Once Upon a Time in Uganda

Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change. 

Once Upon a Time in Uganda is a 2017 (Egg)celerator Lab grantee and is part of the Nightvision section. 

Get your tickets + more info with this link.


From the AlumNest

 


Check out the full line-up with this link.  

*Language courtesy of Hot Docs.

Celebrating Maite Alberdi’s Trail of Success

Photo courtesy of Maite Alberdi

At Chicken & Egg Pictures we are sending egg-stra special congratulations to 2020 Chicken & Egg Award recipient Maite Alberdi. The trail of success for her 2020 Academy® nominated film The Mole Agent, prods. Maite Alberdi and Marcela Santibanez, continued through this fall. 

The film received an award for Best Iberoamerican Film by the Mexican Academy of Arts and Motion Pictures (Academia Mexicana de Artes y Ciencias Cinematográficas), one of the most important film awards in Latin America and better known as “the Ariel.”  The Mole Agent also received two Platino Awards (Premios Platino) for Best Iberoamerican Documentary, and the Film in Education and Values award. During her acceptance speech, Maite made powerful remarks about the documentary field, “Documentaries are movies, just like all of them, only we work with reality as raw material. The Mole Agent seems like a fictional film thanks to a team capable of exploring new cinematographic forms.” 

In October, Micromundo Producciones, founded and directed by Maite, celebrated the ten year anniversary of their first film The Lifeguard with a brand new website, which includes a video on demand channel with all of her films available worldwide.  

Congratulations, Maite!
We cannot wait to see the new windows to different worlds that you will show us.

Post by Communications Intern Mariana Sanson

Announcing our 2020 Chicken & Egg Award Recipients!

Chicken & Egg Pictures is proud to announce the fifth cohort of our Chicken & Egg Award, which recognizes and elevates five experienced documentary makers. This is the first year the Award has been opened to internationally-based filmmakers, and the six recipients hail from Canada, Chile, India, Serbia, Norway, and the US and have explored such diverse subjects as aging, artificial intelligence, and Indigenous rights.

In addition to a $50,000 unrestricted cash award and a year-long mentorship program, recipients also receive dedicated support from the Chicken & Egg Pictures creative team geared toward the development of new documentary projects.

Maite Alberdi is a Chilean director whose particular style is characterized by an intimate portrait of small worlds. She is one of the most important voices in Latin American documentaries. Her films include The Lifeguard (2011), Tea Time (2014), I Am Not From Here (2016), The Grown-Ups (2016), and The Mole Agent (2020).   

Tonje Hessen Schei is an award-winning Norwegian filmmaker and director of iHuman (2019), Drone (2014), Play Again (2010), and Independent Intervention (2005)—films that have received awards like The Golden Nymph Award and Norway’s national film awards, the Amanda and Gullruten awards for best documentary. 

Nishtha Jain is a multi-award-winning filmmaker best known for her films Saboot (2019), Gulabi Gang (2012), Lakshmi and Me (2007) and City of Photos (2004); her films are self-reflexive and explore the political in the personal, a recurring theme in her films being work or travail. She is a 2019 Fulbright Scholar and Film Independent Global Media Make. 

Michelle Latimer is a Métis/Algonquin filmmaker, actor, and producer; her goal is to use film and new media as a tool for social change. Her recent projects include Rise (Viceland, Sundance 2017) and Nuuca (TIFF, Berlinale, Sundance 2017). Her Indigenous heritage informs her filmmaking perspective.

Kimberly Reed is the director of Dark Money and Prodigal Sons, the first documentary by a transgender filmmaker to be theatrically released, which won 14 international awards. She is one of Filmmaker’s “25 New Faces of Independent Film” and a member of the Academy of Motion Picture Arts and Sciences.

Mila Turajlić is an award-winning director and archive scholar born in Belgrade, Yugoslavia. Her films include The Other Side of Everything and Cinema KomunistoIn 2018, she was commissioned by MoMA to create archive-based video installations for their landmark exhibition on Yugoslav modernist architecture.