Chicken & Egg Pictures is thrilled to provide support this year to three groundbreaking projects through our Impact & Innovation Initiative.
The F Word: A Foster to Adopt Story, directed by Nicole Opper
Season 1 of The F Word revealed the story of one queer couple adopting from foster care in Oakland, CA. Season 2 continues their story while amplifying other voices in the foster care world: birth families, foster youth, adoptees, adoptive parents of color, and social entrepreneurs working to repair a broken system.
Breathe, directed by Winslow Porter and Milica Zec*
A communal experience connecting us through the simple power of existence, Breathe transforms users into Rose, a young girl orphaned after a devastating war. Rose’s life changes drastically after the trauma of living out formative years inside a conflict zone. Through her eyes, viewers live out the greatest joys and most profound struggles from her adolescence to adulthood. Each moment is inextricably shaped by her upbringing—yet she is able to find strength in small interconnected moments with those she loves.
Even as humanity continues to fail and harm each other, Breathe seeks to remind us of the solace we can find in our similarities; we are all human, and we are all connected.
The Racial Terror Project, by Michèle Stephenson and Joe Brewster
The Racial Terror Project is a groundbreaking immersive virtual reality, room-scale installation in which users time travel along the last route of Claude Neal, who was brutally hunted down and lynched by a mob of white men in Florida in 1934, and meet his descendant community today and his ancestors in the era of slavery. The Racial Terror Project tells the story of how our present-day lived experiences of racial violence and discrimination reflect a long, insufficiently-acknowledged history of white racial oppression that dates back to slavery and continues today.
We can’t wait to go along for the journey as these exciting projects push the boundaries of storytelling!
Chicken & Egg Pictures is proud to announce the third cohort of our Breakthrough Filmmaker Award!
The five selected filmmakers are Natalia Almada (Todo lo demás, 2016), Ramona Diaz (Motherland, 2017), Laura Nix (Inventing Tomorrow, 2018), Kimi Takesue (95 and 6 to Go, 2016), and Nanfu Wang (I Am Another You, 2017).
“Chicken & Egg Pictures’ Breakthrough Filmmaker Award recipients have often described their Breakthrough year as life altering,” said Lucila Moctezuma, Program Director of Chicken & Egg Pictures. “Unlike any other award, it’s not just a recognition of past accomplishments, but an investment in the future, both for the filmmakers’ careers and for the film industry at large, which must do more to honor women’s leadership and voices.”
For additional information on Chicken & Egg Pictures and the Breakthrough Filmmaker Award, please visit our Programs page.
We are thrilled to learn that Catapult Film Fund has recognized several of our supported filmmakers with grants this year. Catapult focuses on supporting “powerful and moving storytelling, by filmmakers with a strong voice across a broad spectrum of subject matter,” and providing funding that will enable filmmakers to move forward to the next stage of production.* Congratulations to Jessica, Kelly, Lyric, Michèle, and Penny!
Check out more information about these films, and others, here.
The Rashomon Effect
Directed by Lyric R. Cabral (Accelerator Lab 2017) and produced by Jessica Devaney (Impact & Innovation Initiative, 2016)
What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?**
Directed by Kelly Duane de la Vega (Application Cycle 2013)
Mississippi Red looks at American feminism through the lens of race, religion and the political establishment as a pair of bipartisan allies fight to pass an equal pay bill in one of the most conservative states in the union.**
Going to Mars: The Nikki Giovanni film
Directed by Michèle Stephenson (Breakthrough Filmmaker Awards, 2016) and Joe Brewster
Through intimate vérité, archival footage, and visually innovative treatments of her poetry, Going to Mars: The Nikki Giovanni film pushes the boundaries of biographical documentary film to reveal the enduring influence of one of America’s greatest living artists and social commentators.**
Untitled Satanic Temple Documentary
Directed by Penny Lane (Breakthrough Filmmaker Awards, 2017)
A wildly entertaining, surprising and highly controversial look at the state of religious freedom in America today.**
* = From Catapult Film Fund About Us page.
** = From Catapult Film Fund Films page.
Part Two of a series of blog posts from Chicken & Egg Pictures’ 2017 Accelerator Lab grantees. This post is an interview with Hana Mire, Chicken & Egg 2017 Accelerator Lab Participant, 2016 Diversity Initiative Fellow, and director of Rajada Dalka/Nation’s Hope.
Tell us about your film. What stage is it currently in?
The film is about the Somalia women’s national basketball team. We’re following two young girls who were raised in Mogadishu and play for the team as, every day, they receive death threats from the terrorist organization, Al Shabaab, telling them to stop playing. At the same time, we’re following two older generation women who played basketball in Somalia before the civil war, twenty-seven years ago, who are training the girls for the Pan Arab Games.
We’re in production. The ending of the film will be the Pan Arab Games in February. Then we’ll move to the post-production.
How did you discover the female basketball players of Mogadishu and then decide they would be the subjects of your first feature film?
I used to work in a bank as a customer service agent. One day, one of my colleagues, who knew I was Somali, was reading an article. She came to me and said, Hana, you have to check out this story. And I read this story about these older generation players training these young girls in Somalia, and I was so inspired.
I did my research and reached out to the team in Somalia. I emailed them, explained who I was, and told them I was very interested in coming to Somalia to make a film. They were very supportive.
One month later, I came to Somalia with a skeleton-crew to see the girls, meet the coaches, and start the film.
Being a Somali woman who was born and raised in the U.A.E., what has been your experience being in Somalia to film Rajada Dalka?
I wanted to find Somalia through my eyes. I had never been because my parents left Somalia forty years ago and came to the United Arab Emirates.
The stories my mom told me were so different from what the media told me. Growing up in the U.A.E., every time I turned on the TV and people were talking about Somalia, they were showing the poverty and filming the war. I was never turning on the TV and seeing something positive about my country. I wanted to come closer to this culture.
When I went to Somalia to meet the team and film them, it was eye-opening for me. It was my first time in Somalia, and it was such an inspirational trip. Everything I was seeing, I was seeing for the first time. All the colors—all the beautiful colors that the women would wear! I was so in love with the people, the dances, the clothes, the poetry, the city, the story, and everything! And I felt so welcome. People really opened their doors to me. One day, I was waiting for my driver and people kept coming up to me saying, do you need anything? Do you need a ride? Are you lost?
I thought, this is something you don’t see. This is not something being shown to anyone. You see in the media that we are aggressive, that we are fighting, that we are dying. That’s all I had ever heard from people—Somali people are dying because they have no water, no access to food. But it’s not the whole country that’s in that position. I’m not denying that there is poverty. Everywhere, there’s poverty. But my film is going to show how these girls live. They’re struggling, how any other person is struggling. Like anyone living in New York City and working and living. Paying their rent, providing, and paying the bills. It’s the same life, I would say. These girls are happy in their home. That’s what I want to show. They don’t have to be in the US! They don’t have to be in Europe to be happy!
The only thing they need is to have security, to have a secure country that can support them.
How can we, as an audience, relate to these women who risk everything to play the sport they love?
I think the film will inspire people who are going through similar conditions, or any conditions with an obstacle in front of them. You would not expect someone who receives death threats on a daily basis to continue playing basketball!
If someone told me, I’m going to kill you unless you stop making films, I would stop and think about me. We all get to live just one time in this world. We have to achieve what we really want and what we believe in.
And that’s why I relate to these girls. Initially, I had to hide the fact that I was studying filmmaking from my family. Like the girls in Mogadishu had to hide from their families that they were risking their lives playing basketball.
Are they supportive now?
They changed their minds; my whole family changed their minds. Because they saw that I’m very persistent when I find a story that is really important to me and a story that really matters. And this story matters.
They also got pretty encouraged when they found out I had been funded by organizations all the way in the US. They were like, okay, so she’s being supported internationally; this filmmaking thing is real, not just to her. So, they left me with that.
Glad we could help!
United Arab Emirates-based independent Somali filmmaker Hana Mire is the director and producer of the forthcoming documentary and her feature directorial debut, Rajada Dalka. She has taken film production courses at New York Film Academy in Abu Dhabi, has directed and produced short documentaries, and in 2013, she won an award at the Abu Dhabi Film Festival for her mini-doc, Silent Art. Last year, she was a Documentary Intensive Fellow at UnionDocs and a Diversity Fellows Initiative filmmaker.
Post by Morgan Hulquist, Summer 2017 Chicken & Egg Pictures Communications Intern.
What a week for wonderful news at Chicken & Egg Pictures!
Nominees for the 38th Annual News & Documentary Emmy Awards® were announced yesterday and we were overloaded with joy to see so many Nest-supported films and filmmakers included. Congratulations to all and good luck!
Among the Believers, directed by Hemal Trivedi and Mohammed Naqvi (World ‘Doc World’) Nominated for Outstanding Politics and Government Documentary
The Hand That Feeds, directed by Rachel Lears and Robin Blotnick (World ‘America ReFramed’) Nominated for Outstanding Business and Economic Documentary
Meet the Patels, directed by Geeta Patel and Ravi Patel (PBS ‘Independent Lens’) Nominated for Outstanding Arts & Culture Documentary
No Más Bebés, directed by Renee Tajima-Peña (PBS ‘Independent Lens’) Nominated for Outstanding Historical Documentary
The Return, directed by Kelly Duane de la Vega and Katie Galloway (PBS ‘POV’) Nominated for Outstanding Current Affairs Documentary
Southwest of Salem: The Story of the San Antonio Four, directed by Deborah S. Esquenazi (Investigation Discovery) Nominated for Outstanding Social Issue Documentary
Thank You For Playing, directed by Malika Zouhali-Worrall and David Osit (PBS ‘POV’) Nominated for Best Documentary, Outstanding Arts & Culture Documentary, and Outstanding Editing: Documentary
(T)ERROR, directed by Lyric R. Cabral and David Felix Sutcliffe (PBS ‘Independent Lens’) Nominated for Outstanding Investigative Documentary
What Tomorrow Brings, directed by Beth Murphy (PBS ‘POV’) Nominated for Outstanding Current Affairs Documentary
And a special congratulations to 2017 Accelerator Lab grantee Nanfu Wang for Hooligan Sparrow, (PBS ‘POV’), which was nominated for Outstanding Politics and Government Documentary and Outstanding Editing: Documentary; and our Nest-friend and supporter Abigail Disney for The Armor of Light, (PBS ‘Independent Lens’), nominated for Outstanding Social Issue Documentary.
The Sheffield Doc/Fest 2017 just wrapped and we are proud to announce the Chicken & Egg-supported filmmakers who were awarded at Sheffield Doc/Fest this year: Yance Ford for Strong Island, Jennifer Brea for Unrest and Unrest (VR)*, and Violeta Ayala for The Fight*.
Directed by Yance Ford
Tim Hetherington Award, presented by Dogwoof and the Tim Hetherington Trust.
Set in the suburbs of the black middle class, Strong Island seeks to uncover how—in the year of the Rodney King trial and the Los Angeles riots—the murder of the filmmaker’s older brother went unpunished. The film is an unflinching look at homicide, racial injustice, and the corrosive impact of grief over time.
Called a “brave, revealing film” and a “stylish and wrenching rumination on familial grief” by the New York Times, Strong Island was one of six films considered for the Tim Hetherington award which recognizes films and filmmakers for reflecting journalist Tim Hetherington’s legacy. It is streaming now on Netflix.
Unrest and Unrest (VR)
Directed by Jennifer Brea
Illuminate Award supported by Welcome; Alternate Realities VR Award.
Unrest tells the story of Jennifer by Jennifer, a Harvard Ph.D. student, who was signing a check at a restaurant when she found she could not write her own name. Months before her wedding, she became progressively more ill, losing the ability even to sit in a wheelchair. When doctors insisted that her condition was psychosomatic, she picked up her camera to document her own story and the stories of four other patients struggling with the world’s most prevalent orphaned disease.
Unrest (VR) is the virtual reality project based on the Chicken & Egg-supported documentary. Tiffany Pritchard from Filmmaker Magazine writes, “Unrest (VR) is a 10-minute immersive experience that takes place from a bed, where I lay down and, with an Oculus Rift, experienced what it’s like to be confined to a room with the debilitating illness ME (myalgic encephalomyelitis). Through a nod of my head, I was navigated through insightful experiences that provided scientific inner workings of our brains.”
Congratulations to Jennifer for her two wins!
Directed by Violeta Ayala and Daniel Fallshaw
Doc/Dispatch Prize supported by Deutsche Welle.
The Fight is a short documentary, produced by The Guardian, which tells the story of disabled people in Bolivia fighting for their rights by journeying across the Andes to La Paz, where they are met with violence by police.
Violeta’s Nest-supported film, Cocaine Prison, documents the inside of one of Bolivia’s most notorious prisons, telling the story of a cocaine worker fighting for freedom, a drug mule who dreams of being a drug boss, and his younger sister, to reveal the country’s relationship with cocaine. Cocaine Prison bridges the ever-widening gap between the North and the South and brings a new perspective to the War on Drugs as it is waged in the Andes.
*Chicken & Egg Pictures did not support Unrest (VR) or The Fight directly, but did support both Jennifer and Violeta in their feature-length films. Jennifer Brea received a grant for Unreal, and Violeta Ayala received a grant for Cocaine Prison.
Post by Morgan Hulquist, Summer 2017 Chicken & Egg Pictures Communications Intern
Congratulations to all Nest-supported filmmakers at Sheffield Doc/Fest this year! Our programs team will be there with the 2017 Accelerator Lab cohort for first- and second-time filmmakers so if you’re around, come say hello.
Chicken & Egg Pictures-supported films and filmmakers at 2017 Sheffield:
- World Premiere: Armed With Faith, directed by Asad Faruqi and Geeta Gandbhir*
- UK Premiere: Do Donkeys Act?, directed by David Redmon and Ashley Sabin*
- World Premiere: Even When I Fall, directed by Kate McLarnon and Sky Neal
- World Premiere: Insha’Allah Democracy, directed by Mohammed Naqvi*
- UK Premiere: Motherland, directed by Ramona S. Diaz
- UK Premiere: Strong Island, directed by Yance Ford
- European Premiere: The Departure, directed by Lana Wilson
- UK Premiere: Unrest, directed by Jennifer Brea
- European Premiere: Whose Streets?, directed by Sabaah Folayan and co-directed by Damon Davis
*Chicken & Egg pictures did not support Armed With Faith, Do Donkeys Act?, and Insha’Allah Democracy, but did support Geeta Gandhbir for A Journey of a Thousand Miles: Peacekeepers, Love the Sinner, and A Conversation with Police on Race (NY Times Op-Doc); Ashley Sabin for Girl Model; and Mohammed Maqvi’s film Among the Believers. And, as a 2017 Breakthrough Filmmaker Award recipient, Geeta has received support from Chicken & Egg Pictures in the forms of a $50,000 unrestricted grant, individualized mentorship, and creative and professional workshops.
Go to the Sheffield Doc/Fest website for more information and the full lineup.
In New York instead? Check out Nest-supported films and filmmakers at the Human Rights Watch Film Festival (June 9-18).
Check out Chicken & Egg Pictures-supported films and filmmakers featured in the 2017 POV lineup:
Dalya’s Other Country
Directed by Julia Meltzer
Dalya’s Other Country tells the nuanced story of members of a family displaced by the Syrian conflict who are remaking themselves after the parents separate. Effervescent teen Dalya goes to Catholic high school and her mother, Rudayna, enrolls in college as they both walk the line between their Muslim values and the new world in which they find themselves. A co-presentation with the Center for Asian American Media (CAAM).
PBS Premiere: June 26, 2017
Directed by Ramona Diaz
Motherland is an absorbingly intimate, vérité look at the busiest maternity hospital on the planet, in one of the world’s most populous countries: the Philippines. Women share their stories with other mothers, their families, doctors and social workers. In a hospital that is literally bursting with life, we witness the miracle and wonder of the human condition. Winner, 2017 Sundance World Cinema Documentary Special Jury Award for Commanding Vision.
PBS Premiere: October 16, 2017
Directed by Kirsten Johnson (2017 Breakthrough Filmmaker)
A boxing match in Brooklyn; life in postwar Bosnia; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into a tapestry of footage captured over the twenty-five-year career of cinematographer Kirsten Johnson. A work that combines documentary, autobiography, and ethical inquiry, Cameraperson is a thoughtful examination of what it means to train a camera on the world. Official Selection, 2016 Sundance Film Festival.
PBS Premiere: October 23, 2017
Check your local listings for the schedule in your time zone.
Three Chicken & Egg Pictures-supported filmmakers accepted Peabody Awards this year. A big congratulations to:
Deborah S. Esquenazi for Southwest of Salem: The Story of the San Antonio Four
Nanfu Wang (2017 Accelerator Lab grantee) for Hooligan Sparrow*
Read more about these films and the other recipients in their company on the Peabody website.
*Chicken & Egg Pictures did not fund the film Hooligan Sparrow, but supports director Nanfu Wang as a 2017 Accelerator Lab grantee. Nanfu has also received the LUNA Chicken & Egg Pictures Award at 2017 SXSW Film Festival (read more here).
We are proud to announce this year’s Chicken & Egg Pictures-supported films and filmmakers at the 2017 Tribeca Film Festival.
The Departure (World Documentary Competition)
Directed by Lana Wilson
I Am Evidence* (Spotlight Documentary)
Directed by Trish Adlesic and 2017 Breakthrough Filmmaker Award recipient Geeta Gandbhir
Love the Sinner (Shorts: Viewfinder, World Premiere)
Directed by Geeta Gandbhir and Jessica Devaney
Tree (Virtual Arcade, New York Premiere)
Project Creators: Winslow Turner Porter and Milica Zec
Unrest* (Virtual Arcade, World Premiere)
Project Creators: Arnaud Colinart, Jennifer Brea, Amaury La Burthe
Key Collaborators: Diana Barrett (Fledgling Fund), Lindsey Dryden (Little By Little Films)
For more information and the full roster of films at the Tribeca Film Festival this year, please visit the Tribeca website.
*Chicken & Egg Pictures did not fund the film I Am Evidence, but supports director Geeta Gandbhir as a 2017 Breakthrough Filmmaker Awardee; and did not support the Unrest VR experience, but is a supporter of Unrest the feature-length film by Jennifer Brea.