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The Nest Featured in POV Season 31

POV, the longest running independent documentary series in the US, has announced the line-up for its 31st Season! Congrats to the following Chicken & Egg Pictures-supported films that will be broadcast as part of the series:

Whose Streets?, directed by Sabaah Folayan, Damon Davis (Accelerator Lab 2016)

A firsthand look at how the murder of one teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.

PBS premiere date: July 30, 2018.

The Apology, directed by Tiffany Hsiung

This is a film about memory, told through the current relationships three women have with the people closest to them and how these relationships indelibly shape the last years of their lives. The three women – Gil Won-Ok in South Korea, Grandma Cao in China, and Lola Adela in the Philippines – are all former “comfort women” who were among the 200,000 girls and young women forced into military sexual slavery by the Japanese Imperial Army during World War II.

PBS premiere date: Coming soon.

Survivors, directed by Anna Fitch, Banker White and Arthur Pratt

Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

PBS premiere date: Coming soon.

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

PBS premiere date: Coming soon.

 

Be sure to catch the season premiere of POV on Monday, June 18th at 10 pm!

Announcing our 2018 Diversity Fellows Initiative Grantees

From left to right: A Prince From Outer Space: Zeki Müren; The In Between; The Letter; Omnipresence; and Commuted.

Congratulations to our 2018 Diversity Fellows: Beyza Boyacioglu; Robie Flores; Nadia Hallgren; Nailah Jefferson; and Maia von Lekow, with co-director Chris King; hailing from Istanbul, Turkey; Eagle Pass, TX; New Orleans, LA; The Bronx, NY; and Nairobi, Kenya, respectively.

In addition to a $5,000 grant and a seven-month mentorship program, the Fellows will come together in upstate New York for a multiday storytelling retreat aimed to help develop and strengthen their film’s narratives. “This year we’ll be doing a deep dive into storytelling,” says Lucila Moctezuma, Director of Programs at Chicken & Egg Pictures. “The five-day retreat will allow our Diversity Fellows to have complete focus on their art and provide them with the space to learn from one another’s diverse perspectives and artistic practices. We are so thrilled to be working with these exceptional group of women filmmakers who have such important stories to tell and such special ways of telling them.”  

The Diversity Fellows Initiative is made possible with the generous support of The Harnisch Foundation, the MacArthur Foundation, and the Time Warner Foundation.

For additional information, please visit our Programs page. Participants of the Diversity Fellows Initiative are chosen through the Accelerator Lab Open Call process. The 2019 Accelerator Lab Open Call will launch on May 1.

2018 Diversity Fellows Initiative Grantees

 

A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu

This experimental, multilayered film uses Zeki Müren, Turkey’s most celebrated singer and modern day queer icon, as a prism to explore the country’s internal contradictions, from its founding as a modern, secular nation to the current crisis. Zeki, “Turkey’s Liberace,” was a chameleon-like figure. He expertly used his celebrity to navigate societyallowing audiences to see in him only what they wanted to see. The film deconstructs how myths are made and consumed, as it provides a window onto Turkey, a nation existing between the worlds of the east and of the west while belonging to neither.

Beyza Boyacioglu is a filmmaker and artist from Istanbul, currently based in New York. Her work has been exhibited in MoMA Documentary Fortnight, IDFA, RIDM, Anthology Film Archives, Morelia International Film Festival, Brooklyn Museum, Maysles Cinema, and !f Istanbul, among others. She was a part of MIT Open Documentary Lab between 2014–2017. She’s been a fellow at UnionDocs, Flaherty Seminar, and Greenhouse. She holds an MASc in Comparative Media Studies from MIT and an MFA in Computer Art from SVA.

 

The In Between, directed by Robie Flores

At the intersection of the northern Mexico desert and the plains of southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, The In Between is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.

Robie Flores grew up on the US/Mexico border. She is an independent filmmaker and video editor based in New York City. She previously worked with Loki Films as an assistant on Detropia, The Education of Mohammed Hussein, and ESPN’s Nine for IX documentary, Branded. Her work has appeared on CNN and Bloomberg and has been featured by Teen Vogue, Fusion, Allure, and i-D Vice. The In Between is her first feature film.

Omnipresence, directed by Nadia Hallgren

A look at the complexities of a South Bronx housing project over the course of a summer.

Nadia Hallgren is an award-winning filmmaker and director of photography from The Bronx, New York. With a focus on vérité storytelling, her cinematography credits include the Sundance award-winner Motherland (2017), Academy Award-nominated and Sundance Grand Jury Prize-winner Trouble the Water (2008), and Sundance award-winner Trapped (2016). She has directed short films and series for Field of Vision, Topic, and PBS; and is a member of the Academy of Motion Picture Arts and Sciences, a 2018 Concordia Studio Artist in Residence, and an alum of International Center of Photography. Most recently, Nadia won the special jury prize at SXSW 2018 for an independent episodic series she directed about women running for office in response to Trump being elected.

Commuted, directed by Nailah Jefferson

Commuted tells the story of Danielle Metz, a 52-year-old woman trying to find her footing after spending nearly half of her life in prison. In 2016 Danielle’s was one of 568 life sentences President Obama overturned. Her life story is just one example of how the US criminal justice system impacts black families—before she was incarcerated, she had lost one boyfriend to police violence, another to a wrongful conviction, and then found herself in prison due to involvement with her husband’s drug ring. As Danielle starts to right her path, we reflect with her on a life interrupted.

Nailah Jefferson’s first film, Vanishing Pearls, told the story of a little known African American oyster fishing community and their fight for justice after the BP oil spill. After acquisition by ARRAY/AFFRM, Vanishing Pearls streams on The Urban Movie Channel. Nailah was nominated for a 2017 National Magazine Ellie award for Essence Magazine’s Black Girl Magic Episode 4. Nailah’s first narrative, Plaquemines, was chosen as an American Black Film Festival HBO Shorts finalist and is available on HBO, HBO GO, and HBO On Demand.

The Letter, directed by Maia von Lekow & Chris King

This story happens in rural coastal Kenya. When Karisa, a young artist living in the coastal city of Mombasa, reads a Facebook post accusing his Grandma of being a witch, he decides to return to his rural home to confront the accusations against her. The accusers, Karisa’s uncles, demand that Grandma repent and be exorcised in a Pentecostal ceremony. The story evolves into a family confrontation between those trying to protect Grandma and those condemning her. At the end, love and care triumph against superstition and economic interest.

In today’s post-colonial Kenya, the disturbing trend of witchcraft accusations, often resulting in the murder of an elder, is being used to cover up hundreds of family disputes over land, inheritance, and money. The Letter is a story through the lens of a single family highlighting the universal issues of elderly abuse and greed.

Maia von Lekow is a Kenyan musician and filmmaker. Fusing her music with a healthy fascination of people and culture, Maia has worked as director, producer, and sound recordist on several music videos and corporate films. She was named a Goodwill Ambassador for UNHCR on World Refugee Day 2013, and has received an African Movie Academy Award for her song “Uko Wapi.” A performing artist in her own right, Maia has appeared on several Kenyan broadcasts and maintains strong links with producers and presenters in the region.

The Letter is Maia’s first feature documentary. Maia will compose original music for the film.

Chris King is an award-winning filmmaker based in Nairobi, Kenya. Born in Australia, Chris studied at The School of Creative Arts at the University of Melbourne with honors in Visual Media. Chris has lived in Kenya full-time since 2007, working as a cinematographer, editor, animator, director, and producer in both factual and non-factual shorts, features, and music videos. In 2009, Chris co-founded Circle and Square Productions with his wife Maia and, in the same year, received an African Movie Academy Award in Editing for his work on the Kenyan feature film, From a Whisper.

Ten Nest-supported films at Hot Docs 2018!

Showcasing over 200 films and hosting over 200 thousand people each year, Hot Docs Canadian International Documentary Festival is North America’s largest documentary film festival. Chicken & Egg Pictures is excited to announce that ten Nest-supported films will be gracing this year’s line-up!

The 2018 Hot Docs festival will run April 26-May 6 in Toronto. You can view the schedule here and purchase festival passes and packages here.

Blowin’ Up, directed by Stephanie Wang-Breal
Roll Red Roll, directed by Nancy Schwartzman
Recovery Boys, directed by Elaine McMillion Sheldon (2017 Breakthrough Film Award Recipient)
The Devil We Know, directed by Stephanie Soechtig and Jeremy Seifert (co-director)
The Feeling of Being Watched, directed by Assia Boundaoui (2015-16 Accelerator Lab)
A Thousand Girls Like Me, directed by Sahra Mani (2016 Diversity Fellow Initiative)
United Skates, directed by Dyana Winkler and Tina Brown (2016 Diversity Fellow Initiative)
Tree, directed by Milica Zec and Winslow Turner Porter
Warrior Women, directed by Christina King and Elizabeth Castle (2017 Diversity Fellows Initiative)
On Her Shoulders directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)

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In addition to the Nest-supported films that will be screening at the 2018 Hot Docs Festival, keep an eye out for the following films by directors whose work Chicken & Egg Pictures has supported and recognized in the past.

Grit directed by Cynthia Wade (Freeheld, 2007 and 2008) and Sasha Friedlander (Mudflow, 2013)
Inventing Tomorrow directed by Laura Nix (Breakthrough Film Awards recipient 2018)
Skywards directed by Eva Weber (Black Out, 2007)

And a special shout out to Barbara Kopple (2011 Chicken & Egg Pictures Celebration Award) who has a few films playing at Hot Docs!

Chicken & Egg Pictures wants to wish these Nest-supported films and filmmakers luck with their participation in the Hot Docs Forum on May 1st and 2nd of the festival.

Born In China directed by Nanfu Wang and Lynn Zhang
The Rashomon Effect directed by Lyric Cabral
Nobody Loves Me, directed by Farihah Zaman and Jeff Reichert, co-directores of the Nest-supported documentary Remote Area Medical.

Congratulations everyone!

Post by 2018 Spring Programs Intern Dinayuri Rodriguez.

Four Nest-supported Films at the 2018 Full Frame Documentary Film Festival

The annual Full Frame Documentary Film Festival will feature four Chicken & Egg-supported films this year! Held in Durham, North Carolina, the festival attracts filmmakers and film lovers from all over the world, creating a dynamic and culturally diverse experience for all involved.

The festival will run from April 5-8. Check out the entire list of films here. Purchase individual screening tickets here.

Dark Money, directed by Kimberly Reed (2018 Discretionary Grant Recipient)

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision—which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

The Square, directed by Jehane Noujaim

A group of Egyptian revolutionaries battle leaders and regimes, risking their lives to build a new society of conscience.

Kings of Pastry  (2010 Celebration Award Recipient), directed by Chris Hegedus and D A Pennebaker

On Her Shoulders directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient)

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Chicken & Egg Pictures also wants to give a special shout-out to the following films by Nest-supported filmmakers whose latest films will also be featured at the 2018 Full Frame Documentary Film Festival!

Still from Inventing Tomorrow, directed by Laura Nix

Capturing the Flag directed by Anne de Mare (director of the Nest-supported film, The Homestretch)
Control Room directed by Jehane Noujaim (director of the Nest-supported film, The Square)
Rafea: Sola Mama directed by Jehane Noujaim and Mona Eldaeif
Startup.com directed by Chris Hegedus (2010 Celebration Award recipient) and Jehane Noujaim
The Pushouts directed by Katie Galloway (director of the Nest-supported film, The Return)
Inventing Tomorrow directed by Laura Nix (Breakthrough Film Awards recipient 2018)
This Is Home directed by Alexandra Shiva (Chicken & Egg Pictures Board of Directors)
The Unafraid directed by Heather Courtney and Anayansi Prado (2017 Chicken & Egg Pictures mentee)

Post by 2018 Spring Programs Intern Dinayuri Rodriguez.

The Nest at the 2018 San Francisco International Film Festival

Chicken & Egg Pictures is happy to share that the Nest-supported film, Tre Maison Dasan, will be featured at the 2018 San Francisco International Film Festival!

The festival will run from April 4-17. For more information on the programming, schedule, and tickets, visit the SFFILM website.

Tre Maison Dasan, directed by Denali Tiller

Tre Maison Dasan is a story that explores parental incarceration through the eyes of three boys—Tre, Maison, and Dasan. Following their interweaving trajectories through boyhood marked by the criminal justice system, and told directly through the child’s perspective, the film unveils the challenges of growing up and what it means to become a man in America.

The following films directed by filmmakers who have been supported by the Nest in the past will also be screening at the 2018 San Francisco International Film Festival!

Still from Inventing Tomorrow, directed by Laura Nix

Inventing Tomorrow directed by Laura Nix (Breakthrough Film Awards recipient 2018)
The Pushouts directed by Katie Galloway (director of the Nest-supported film, The Return)
Skywards directed by Eva Weber (director of the Nest-supported film, Black Out)

Post by 2018 Spring Programs Intern Dinayuri Rodriguez.

The Nest at Tribeca

Left to right: Blowin’ Up, The Feeling of Being Watched, Roll Red Roll, and United Skates

Four Chicken & Egg Pictures-supported films are heading to the Tribeca Film Festival (April 18-29) this year. Congratulations to all the filmmakers for their exciting premieres!

Blowin’ Up by Stephanie Wang-Breal
Blowin’ Up looks at sex work, prostitution, and human trafficking through the lens of New York State’s criminal justice system. The film captures the growing pains of our nation’s first human trafficking intervention court in Queens, New York, and how we define trafficking and prostitution from many different perspectives: the criminal justice system, the social welfare system, and, most importantly, the women and girls who are at the center of it all.

The Feeling of Being Watched by Assia Boundaoui
In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11––code-named “Operation Vulgar Betrayal.” With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened to her neighborhood in the 90’s and probes why her community feels like they’re still being watched today. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.

Roll Red Roll by Nancy Schwartzman
Go behind the headlines of notorious high school sexual assault to witness the social media fueled “boys will be boys” culture that let it happen.

In small-town Ohio, at a pre-season football party, a horrible incident took place. What transpired would garner national attention and result in the sentencing of two key offenders. As amateur crime blogger Alex Goddard uncovers disturbing evidence on Facebook, Youtube, and Twitter, documenting the assault of a teenage girl by members of the beloved high school football team, questions linger around the collusion of teen and adult bystanders. Roll Red Roll explores the complex motivations of both perpetrators and bystanders in this story, to unearth the attitudes at the core of their behavior. The Steubenville story acts as a cautionary tale of what can happen when adults look the other way and deny that rape culture exists. With unprecedented access to police documents, exhibits and evidence, the documentary feature unflinchingly asks: “why didn’t anyone stop it?”

United Skates by Tina Brown and Dyana Winkler
When America’s last standing roller rinks are threatened with closure, a community of thousands battle in a racially charged environment to save an underground subculture–-one that has remained undiscovered by the mainstream for generations, yet has given rise to some of the world’s greatest musical talent.

And a special congratulations to filmmaker Madeleine Sackler for It’s a Hard Truth Ain’t It, who was previously supported by Chicken & Egg Pictures for her film, Dangerous Acts Starring the Unstable Elements of Belarus.

The Tribeca Film Festival’s full program will be available March 15.

Announcing our 2018 Accelerator Lab grantees!

Chicken & Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers!

The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special focus on underrepresented voices.

“Community-building is key to this program,” says Chicken & Egg Pictures Program Director Lucila Moctezuma. “While the Accelerator Lab for first- and second-time filmmakers certainly helps women filmmakers to enter the industry pipeline, it also provides them with a community of support that helps them to stay in the pipeline. The reality of being a film director is that it can often feel daunting and isolating. By explicitly encouraging peer-to-peer mentorship among our cohort, we provide emerging filmmakers with a chance to bond with and learn from one another, to help one another carve a space for themselves in the industry, and to equip them with the strength of a community they can rely on throughout their careers.”

Synopses of the 2018 Accelerator Lab grantees’ compelling projects are below, and you can get to know the directors by viewing the linked project pages. Grantees will work on these films during their program year.

Our next open call for the Accelerator Lab will take place in the spring of 2018. For additional information on the program, including application criteria, please visit our Programs page.

Congratulations to our newest grantees, and wishing you a fantastic year!

 

Ilinca Calugareanu

A Cops and Robbers Story, directed by Ilinca Calugareanu (ROMANIA / UK)

Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?

 

Siyi Chen

People’s Hospital, directed by Siyi Chen (CHINA / US)

As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up—this time with a camera, in the middle of a chaotic ER.

 

Sonia Kennebeck

Enemies of the State, directed by Sonia Kennebeck (MALAYSIA / GERMANY / US)

An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government.

 

 

The Youth, directed by Eunice Lau (SINGAPORE / US) and Arthur Nazaryan (US)

The Youth is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, The Youth reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, The Youth explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.

 

Madeleine Leroyer

Number 387, directed by Madeleine Leroyer (FRANCE)

This is the story of a Greek physician who collects pendants and bracelets.
This is the story of an Italian woman who has been fighting for 15 years to “make bodies talk.”
This is the story of those who watch over the forgotten migrants.
Since the beginning of 2016, 3,649 migrants have died while attempting to reach Europe by sea. 3,649 names, the vast majority of which have been diluted in the deep blue waters of the Mediterranean.
What happens to the dead? Who identifies them?
What do the mothers, the brothers do to try to find their missing loved ones?
For years, medical examiners have been trying to give back a name, dignity, a memory to these forgotten souls.
This film tells their story.

 

Marie Lidén

Electric Malady, directed by Marie Lidén (SWEDEN / UK)

Director Marie Lidén grew up with a mother who suffered from an illness that the world did not recognize—Electrosensitivity. Years later, in a technologically advanced world, Marie gives a poignant account of the lives of two electrosensitives: William, a 41-year-old Swedish man, and Tyler, a 13-year-old Canadian boy. Using Marie’s own family story as a thread, the film explores William and Tyler’s isolated worlds and their families’ unrelenting commitment to help their children.

 

Loira Limbal

Through The Night, directed by Loira Limbal (US)

To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.

 

Jacqueline Olive

 Always in Season, directed by Jacqueline Olive (US)

As the trauma of a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.

 

Jennifer Redfearn

Reentry (working title), directed by Jennifer Redfearn (US)

Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug related charges.

 

Writing With Fire, directed by Rintu Thomas and Sushmit Ghosh (INDIA)

In one of the most socially oppressive and patriarchal states of India emerges a newspaper run entirely by rural women. Meera, its popular reporter, decides to magnify the paper’s impact with an audacious move—to transform from print to a digital news agency. Working in media dark villages, mocked and discouraged, this is the story of a visionary woman’s feisty spirit in building what will probably be the world’s first digital news agency run entirely by rural women.

 

Chicken & Egg Pictures nominees for the Spirit Awards!

 

 

Two Nest-supported films, Motherland (directed by Ramona Diaz) and The Departure (directed by Lana Wilson), have been nominated for Best Documentary at the 2018 Film Independent Spirit Awards! Congratulations and best of luck, Lana and Ramona!

 

Motherland, directed by Ramona Diaz

A still from Motherland.

One of the world’s poorest and most populous countries, the Philippines, struggles with reproductive health policy—both in the legislature where laws are in debate, and in a hospital with the busiest maternity ward on the planet.

 

The Departure, directed by Lana Wilson

A still from The Departure.

Ittetsu Nemoto, a former punk-turned-Buddhist-priest in Japan, has made a career out of helping suicidal people find reasons to live. But this work has come increasingly at the cost of his own family and health, as he refuses to draw lines between those he counsels and himself. The Departure captures Nemoto at a crossroads, when his growing self-destructive tendencies lead him to confront the same question his patients ask him: what makes life worth living?

 

If you are registered to vote in the Film Independent Spirit Awards, remember to cast your vote by Friday, February 16.

 

 

 

 

Chicken & Egg Pictures Oscar Nominees!

Two Nest-supported filmmakers’ films have been nominated for the 90th Academy Awards®, and we could not be more excited!

First-time filmmaker Yance Ford’s Nest-supported film Strong Island is nominated for Best Documentary (Feature).

Set in the suburbs of the black middle class, Strong Island seeks to uncover how—in the year of the Rodney King trial and the Los Angeles riots—the murder of the filmmaker’s older brother went unpunished. The film is an unflinching look at homicide, racial injustice, and the corrosive impact of grief over time.

2016 Breakthrough Award Recipient Elaine McMillion Sheldon‘s film Heroin(e) is nominated for Documentary (Short Subject).

“Once a bustling industrial town, Huntington, West Virginia has become the epicenter of America’s modern opioid epidemic, with an overdose rate 10 times the national average. This flood of heroin now threatens this Appalachian city with a cycle of generational addiction, lawlessness, and poverty. But within this distressed landscape, Peabody Award-winning filmmaker Elaine McMillion Sheldon (Hollow) shows a different side of the fight against drugsone of hope.”*

Many joyful congratulations, and best of luck, to Yance and Elaine!

Check out a full list of all Oscar nominees here. We will be watching the 90th Academy Awards® on Sunday, March 4, 2018, at 8pm EST. Join us as we tune in!

*Synopsis from the Heroin(e) webpage.

 

Chicken & Egg Pictures to provide discretionary grants to two films

Chicken & Egg Pictures will provide discretionary grants to two films. Congratulations to Dark Money and The Devil We Know!

Still from Dark Money, directed by Kimberly Reed.

Dark Money, directed by Kimberly Reed

A century ago, corrupt money swamped Montana’s legislature, but Montanans rose up to prohibit corporate campaign contributions. Today, in the wake of the Supreme Court’s Citizens United decision —which allows unlimited, anonymous money to pour into elections nationwide—Montana is once again fighting to preserve open and honest elections. Following an investigative reporter through a political thriller, Dark Money exposes one of the greatest threats to American democracy.

Still from The Devil We Know, directed by Stephanie Soechtig.

The Devil We Know, directed by Stephanie Soechtig

Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical—now found in the blood of 99.7% of Americans—into the drinking water supply.

We are excited to catch both films at Sundance 2018!