Chicken & Egg Pictures will begin accepting submissions for the Accelerator Lab for first and second-time filmmakers on Monday, October 11. There is one deadline for the 2016 Open Call: Wednesday, November 9, 2016, 5:00 PM EST. The application fee is $35.
The Accelerator Lab is focused on identifying and supporting women non-fiction directors who are first and second-time filmmakers. This program brings together ten projects helmed by first or second-time directors, with a special focus on underrepresented voices.
Each participant will receive a two-part grant for the production of a film, to be developed over the course of a 12-month program. All ten participants will come together at various points over the course of a year for an intensive period of mentorship and workshops with industry experts, creatively fusing the art and craft of filmmaking with best practices and peer-to-peer support.
To read more about the program and the application guidelines and criteria, as well as our Frequently Asked Questions, visit our Programs page. The 2016 application questions are available for download as a Word document here.
The deadline for the 2015 Accelerator Lab Open Call is fast approaching. Applications are due this Wednesday, June 10, 2015, by 5:00 PM EDT.
If you’re only just getting started on your application, don’t worry – we’ve compiled the below tips to help you get up to speed fast:
Overview: For those of you that want a full breakdown of this whole process, please review our Grants page and Frequently Asked Questions, both of which provide very helpful and thorough information. If you still have questions, please email email@example.com with your project title in the subject line.
Funding and mentorship: This Open Call for funding is the process that determines which films will be selected for our 2015 Accelerator Lab. If you are selected to receive a grant, you will also participate in the lab, which is a year long intensive mentorship program (with possibility for extension). It is not a goal of the lab for the films to be completed in that year; that is the length of time you’ll spend with us receiving mentorship. The lab will be structured around 3 to 4 retreats that the granted directors are required to attend, with travel support from us. The lab will be more intensive and tailored than our past mentorship programs, but if you want some insight on our mentorship style in general, take a look at our mentorship page or our blog.
First- or second- time filmmakers: When we say first- or second- time filmmaker, we’re talking specifically about your experience as a director or co-director of feature-length documentaries. You are still eligible if you’ve already made a few shorts, or done fiction work, we’re looking for directors who are making their first or second feature-length documentary. By feature length, we mean 40 minutes or more. Read more about this in our Frequently Asked Questions.
Early production: For this round, we’re only accepting projects between development and early-production (with no more than 40% of the footage shot) because we want to ensure that we have the greatest opportunity possible to make an impact on the film and on your development as the director. If you’re having trouble figuring out what percentage you’ve shot, think about the big picture of your finished film, where you are now, and what you need to do to get to that finished project. What do you have in the can, and how much more shooting do you think you have left to do? That’s how you’ll assess if you’ve reached the 40%. We’re not keeping count, but we hope you’ll respect the guidelines and be honest with yourself when considering applying.
Work samples: In a nutshell, the short work sample should grab our attention and show the project’s potential; the long work sample should give us a deeper sense of your directorial style, characters, and pacing of the film; and the prior work sample should tell us about your experience and your ability to follow through. The short and long samples should consist of pieces of the project with which you’re currently applying, whereas the prior work sample is from a different film you’ve worked on in the past.
No footage shot yet: We have a strict requirement of at least 7 minutes of footage for applicants. If you can, shoot something quickly before the deadline or maybe ask your subjects to shoot some verite or interview of themselves for you, but only if you think it will be good enough to represent your project in our review process. We do not accept unsolicited updates, so the application is the only opportunity for you to show us what you have. If it doesn’t seem you can get it all together before the deadline, it might not be the right time for you to apply for this round.
Parting shots: Here are a few last items to keep in mind:
- For this round we are not accepting interactive projects or series. Stay tuned for announcements on an upcoming program geared toward these formats in 2016. Join our mailing list, and follow us on Facebook and Twitter.
- If you’re unsure what makes a documentary a hybrid, check out this great article from the POV blog. Please also note that just because your film is based on a true story, that doesn’t mean it’s automatically a hybrid.
- For guidance on the written application, be sure to look at the help text on the right side of each question. Please also note that the word count for many of the essay based questions is 2300 characters, including spaces. Trust us, brief is better.
If you have any additional questions or concerns, send an email to firstname.lastname@example.org. Be sure to include the name of your project in the subject line.
We are excited to announce the Chicken & Egg Pictures 2015 Open Call. Since 2005, Chicken & Egg Pictures has awarded almost $4 million in grants and 5,200 hours of mentorship to over 180 films. We are interested in films that tackle human rights, social justice, and environmental issues in a nuanced, original, and compelling way. We look for new voices, powerful stories, and filmmakers who are committed to working in tandem with social movements.
This year’s Open Call marks the launch of a new program: Chicken & Egg Pictures’ Accelerator Lab for first and second-time filmmakers. To determine your eligibility to apply, please see our Guidelines & Criteria, as well as our Frequently Asked Questions. The Accelerator Lab is focused on identifying and supporting a diverse group of women nonfiction directors who are first and second-time filmmakers, with the aim of helping them break into the documentary film world, keep on track within the industry’s pipeline, build toward sustainable and successful careers, and tell the most powerful and impactful stories they can. These priorities apply to this 2015 Open Call only.
Applications will be accepted beginning Monday, May 11, 2015. There is one deadline for the 2015 Open Call: Tuesday, June 10, 2015, 5:00 PM EDT. The application fee is $35. All applicants will be notified by late November 2015.
Chicken & Egg Pictures announced 14 films that will receive grants and mentorship as a result of the organization’s 2014 Open Call, as well as two sets of grants to projects in stages that range from production to completion. Chicken & Egg Pictures also named Kirsten Johnson as the recipient of the Annual Celebration Award, supported by the Ravenal Foundation.
Grantees were chosen from over 640 applications, and include women filmmakers working in India, Egypt, Libya, China, and the United Kingdom, as well as across the United States.
In celebration of Chicken & Egg Pictures’ 10th anniversary in 2015, this most recent Open Call was designed to elevate women and girls behind and in front of the camera. This special Women & Girls On-Screen initiative prioritized projects that featured women and girls on-screen as prominent characters and storytellers of their own lives and experiences.
New projects by past Chicken & Egg Pictures grantees were awarded discretionary grants: Thank You for Playing, directed by Malika Zouhali-Worrall (Call Me Kuchu) and David Osit, and Out of Mind, directed by Kristi Jacobson (A Place at the Table) received funds for completion and production, respectively.
Additionally, two films, Búscame: Search for Me, directed by Nicole Opper, and (T)ERROR, directed by Lyric Cabral and David Felix Sutcliffe, were awarded follow-up grants for critical post-production needs.
The complete list of grantees is below. For the full press release, click here.
2014 Open Call Grantees:
The Amina Profile
Directed by Sophie Deraspe
In 2011, Amina Arraf, a beautiful lesbian revolutionary blogger in Syria, captured the heart of Sandra Bagaria. The fervent love affair that developed between them would sweep Sandra into an international intrigue involving American secret services, some of the biggest media outlets, and countless supporters of the Syrian revolution. This is the story of an unprecedented media fiasco that Sandra was forced to live through, and that we invite you to experience with her on a journey around the world.
Canary in a Coal Mine
Directed by Jennifer Brea
Jennifer, a Harvard PhD student, was signing a check at a restaurant when she found she could not write her own name. Months before her wedding, she became progressively more ill, losing the ability even to sit in a wheelchair. When doctors insisted that her condition was psychosomatic, she picked up her camera to document her own story and the stories of four other patients struggling with the world’s most prevalent orphaned disease.
Directed by Deirdre Fishel
The feature documentary Care, now in post-production, exposes the deep flaws in the U.S. eldercare system by following the intimate and dramatic stories of three overworked and underpaid home health aides and one family struggling to find and pay for quality care. The film sounds the alarm about an exploited workforce, an aging population, and an impending crisis of care.
Directed by Margo Guernsey
Councilwoman is about a Dominican hotel housekeeper who sits on the City Council in Providence, RI. The film follows her first term as she learns the ropes of political office, and is part of a spirited effort to win economic justice for hotel workers. She has two contenders in a tight race for her re-election. This is a story about civic participation and power in our democracy.
#Dalitwomenfight is a feature-length documentary that follows a courageous group of Dalit women who overcome unspeakable attacks and spearhead a bold national campaign to end caste and sexual violence in India. Their remarkable journey catapults them from their humble villages onto the center stage of Indian politics as they fight to heal not only themselves, but also the very soul of their country.
Even When I Fall
Directed by Sky Neal and Kate Mclarnon
Even When I Fall is the story of three remarkable young Nepali women, all survivors of human trafficking into corrupt big top circuses across India. Facing forgotten families and uncertain futures, the story begins in the often-overlooked aftermath of a childhood spent in captivity and forced labor. But these tough young women were inadvertently left with a secret weapon by their captors – their breathtaking skills as circus artists.
Directed by Naziha Arebi
In post-revolution Libya, a group of women are brought together by one dream: to play football for their country. Freedom Fields is a film about struggle and sacrifice. At the new dawn of a nation once cut off from the rest of the world, this is a story of following your dreams and aspirations against all odds and at any cost. Through their eyes, we see the reality of a country in transition, where personal stories collide with history.
From This Day Forward
Directed by Sharon Shattuck
When filmmaker Sharon Shattuck’s dad came out as transgender and changed her name to Trisha, Sharon was in the awkward throes of middle school. Her father’s transition was difficult for her straight-identified mother to accept, but they decided not to divorce. Committed to staying together as a family, they began a balancing act that would prove even more challenging than expected. As the family reunites to plan Sharon’s wedding, she asks how her parent’s love survived against all odds.
A Guangzhou Love Affair
Directed by Kathy Huang
In China, an unprecedented surge in African migration has led to a rise in marriages between Chinese women and African men. A Guangzhou Love Affair captures the love, heartache, and real life challenges of Afro-Chinese couples attempting to forge a meaningful future together in the face of racism and xenophobia.
Hot Girls Wanted
Directed by Jill Bauer and Ronna Gradus
Hot Girls Wanted is a first-ever look at the realities of the professional “amateur” porn world and the steady stream of 18-to-19-year old girls entering into it.
The Movie About Anna
Directed by Alex Sichel and Elizabeth Giamatti
The Movie About Anna is a hybrid documentary that interweaves the real story of Alex Sichel, diagnosed with terminal cancer in 2011, with the fictional story of Anna Seashell (played by Lili Taylor), who manages to find the glass half-full when faced with the same diagnosis. The documentary follows Alex as she uses the film to explore what is foremost on her mind while confronting a terminal disease: parenting, marriage, faith, life, and death.
Directed by Libby Spears
PC594 is the California penal code section that describes crimes against property —including painting beautiful images on dilapidated walls. LA street artist Lydia Emily engages in biodegradable, non-violent, political protest on government and corporate real estate. She’s conquered innumerable challenges, but now a crippling diagnosis threatens to change everything.
The Trials of Spring
Directed by Gini Reticker
The Trials of Spring follows the journeys of three Egyptian women from the early days of the 2011 Arab Spring until today: Hend, from a rural military family and awaiting a harsh prison sentence for protesting against military rule; Mariam, an activist fighting to end sexual assault; and Mama Khadiga, a formerly veiled widow who became a caretaker of the revolutionaries. Their intersecting stories reveal the vital and underreported role women play in shaping the region’s future.
Directed by Hanan Abdalla and Cressida Trew
In the first elections after the fall of a dictator, three women candidates fight for a new Egypt, as millions go to vote for the first time in their lives. But as the media celebrates the birth of a new democracy, a more sinister power struggle is at play. Capturing an historic and bloody turning point in the struggle for the region, The Vote asks fundamental questions about democracy, betrayal, and what it means to truly manifest the will of the people.
Out of Mind
Directed by Kristi Jacobson
Out of Mind investigates an invisible part of the American justice system: the use of isolation and segregation in US prisons, commonly known as solitary confinement. With unprecedented access inside a prison tackling the issue head on, the film explores this divisive issue through the experiences of those on both sides of the bars.
Thank You for Playing
Directed by Malika Zouhali-Worrall and David Osit
Ryan Green’s four-year-old son Joel has terminal cancer. Ryan, an indie video game developer, is building an unusually poetic video game to document his experiences raising a dying child, and to honor Joel while he is still alive. Thank You For Playing follows the creation and growing success of Ryan’s game, as his son’s health continues to decline.
Búscame: Search for Me
Directed by Nicole Opper
16-year-old Juan Carlos has spent most of his life either stuck in a tumultuous home or as a runaway on the streets of Mexico City. When he decides to join Ipoderac, an organization that houses runaway boys, his life changes in the most unexpected ways. Juan Carlos is a study in resilience, reminding us that peace results from patience, determination, and the ability to forgive those who have harmed us.
Directed by Lyric Cabral and David Felix Sutcliffe
(T)ERROR is the first film to document, on camera, a covert counterterrorism sting as it unfolds. Through the perspective of *******, a 63-year-old Black revolutionary turned FBI informant, viewers are given an unprecedented glimpse of the government’s counterterrorism tactics and the murky justifications behind them.
The IDF-Chicken & Egg Pictures Fund is now accepting applications. Beginning today, October 1st, applicants can submit their proposals through the online system.
This new fund, announced in 2014 and launched in partnership with the Indian Documentary Foundation, aims to provide comprehensive support to women filmmakers based in India. First-time directors, as well as mid-career and veteran filmmakers, are welcome to apply.
The deadline for submissions is midnight IST on November 21st. To apply, or for more information on criteria, the selection process, and additional guidelines, click here.
Our final deadline for this year’s Open Call for submissions closed on July 1st. This year’s number of submissions broke all of our records, with a whopping 642 applicants turning in projects for consideration.
In anticipation of our upcoming 10th anniversary, we focused our Open Call on a special priority: for this year only, we are prioritizing projects that feature women and girls on-screen as prominent characters and storytellers of their own lives and experiences. Taking inspiration from past Chicken & Egg Pictures grantees with strong female protagonists such as American Revolutionary: The Evolution of Grace Lee Boggs, Freeheld, The Forest for the Trees, Lioness, Private Violence, Sepideh- Reaching for the Stars, and Saving Face, just to name a few.
We are in the midst of our rigorous review process, and we look forward to discovering new voices that continue to address the global justice, human rights, and environmental issues of our time–with women and girls at the center. All applicants will be notified by November 15, 2014.
Today we announced the 23 feature-length documentary films that will receive more than $220,000 in grants from our 2013 Open Call. Chicken & Egg Pictures has awarded over $3 million in grants to nearly 160 film projects and has provided over 4,500 hours of mentorship directly to filmmakers, marking a new milestone.
Grantees were selected from over 500 submissions from 33 different countries and include women filmmakers working in Afghanistan, Bolivia, Cuba, India, Indonesia, Iran and Russia.