Our Nest-supported filmmaking community is soaring into DOC NYC Film Festival, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken & Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. Plus A Cops and Robbers Story, directed by directed by Ilinca Calugareanu, will make its world premiere at the New York festival! Learn more about the ten projects below, and get your tickets for DOC NYC here.
9to5: The Story of a Movement, directed by Julia Reichert and Steven Bognar | Tickets here
“In the early 1970s, secretaries and other female office workers were underpaid, undervalued, unable to advance, and often subject to sexual harassment. In the wake of the Women’s Liberation Movement, a group of women in Boston finally had enough, joining together to begin 9to5, a movement that would sweep the nation with irreverent, attention-getting actions to demand meaningful change—and later inspire the eponymous hit film and song.”*
A Cops and Robbers Story, directed by Ilinca Călugăreanu | Tickets here (World Premiere)
In the 1980s, Corey Pegues found himself embroiled in a life of crime as a member of New York’s City’s infamous Supreme Team gang. After an incident forces Pegues away from the streets, he unexpectedly emerges as a rising star in the NYPD, his past unknown to his fellow officers. A decorated 21-year police career is threatened when his political stances and revelations about his former life cause strife within the police community.
Down a Dark Stairwell, directed by Ursula Liang | Tickets here
In 2014, Peter Liang, a Chinese-American police officer, shot and killed an innocent, unarmed black man named Akai Gurley in the dark stairwell of a Brooklyn housing project. In the midst of high racial tension surrounding police conduct, Liang becomes the first NYPD officer to receive a guilty verdict in such a case in over a decade. The highly publicized incident polarizes New York’s Asian and African American communities’ in this insightful look into the complexities of police reform.
Enemies of the State, directed by Sonia Kennebeck | Tickets here
An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.
Landfall, directed by Cecilia Aldarondo | Tickets here
Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico, Landfall examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.
Stateless (Apátrida), directed by Michèle Stephenson | Tickets here
Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.
Through the Night, directed by Loira Limbal |Tickets here
Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.
The Letter, directed by Maia von Lekow and Chris King | Tickets here
Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.
Once Upon A Time In Venezuela, directed by Anabel Rodríguez Ríos | Tickets here
Once Upon A Time In Venezuela follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.
AlumNest filmmaker Tiffany Hsiung’s short film Sing Me A Lullaby will make its US premiere; Call Center Blues, directed by Chicken & Egg Award Recipient Geeta Gandbhir will screen in the Shorts program; Dick Johnson is Dead (Kirsten Johnson), A Thousand Cuts (Ramona Diaz), and The Fight (Elyse Steinberg, Eli Despres, Josh Kriegman) are on the DOC NYC Short List for feature films; and our Co-Founder & Senior Creative Consultant Judith Helfand’s film Love & Stuff is an official selection under the Masters program (co-produced with our Co-Founder Julie Parker Benello).
*Language courtesy of DOC NYC.
An Act of Worship follows young Muslim women beginning their career in activism at a time when hate crimes against Muslims have reached their highest level since 9/11. The travel ban has sent the message that Muslims are not welcome in the US. Now, a new generation has been galvanized into action to reclaim their space in the American landscape.
Nausheen Dadabhoy is a Muslim American director and DP who has always moved seamlessly between the narrative and documentary world. Her latest documentary J’adore Nawal premiered at Sundance, while her last narrative film La Femme et le TGV (The Railroad Lady) was a live action short Oscar nominee. Her directorial debut, The Ground Beneath Their Feet premiered at IDFA. Nausheen has been a Film Independent Project:Involve Fellow, a Berlin Talents participant, and is a current Firelight Fellow.
The 2018 Diversity Fellows Initiative cohort is soon to embark on a week-long storytelling retreat in upstate New York aimed to help develop and strengthen their film’s narratives. As part of the retreat, the grantees will be participating in skill-sharing workshops where they will learn from one another’s unique perspectives and artistic practices.
Other participants of the 2018 Diversity Fellows Initiative include:
The In Between, directed by Robie Flores; Commuted, directed by Nailah Jefferson; A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu; and The Letter, directed by Maia von Lekow & Chris King.
Post by 2018 Communications Intern Morgan Lee Hulquist.
Congratulations to our 2018 Diversity Fellows: Beyza Boyacioglu; Robie Flores; Nadia Hallgren; Nailah Jefferson; and Maia von Lekow, with co-director Chris King; hailing from Istanbul, Turkey; Eagle Pass, TX; New Orleans, LA; The Bronx, NY; and Nairobi, Kenya, respectively.
In addition to a $5,000 grant and a seven-month mentorship program, the Fellows will come together in upstate New York for a multiday storytelling retreat aimed to help develop and strengthen their film’s narratives. “This year we’ll be doing a deep dive into storytelling,” says Lucila Moctezuma, Director of Programs at Chicken & Egg Pictures. “The five-day retreat will allow our Diversity Fellows to have complete focus on their art and provide them with the space to learn from one another’s diverse perspectives and artistic practices. We are so thrilled to be working with these exceptional group of women filmmakers who have such important stories to tell and such special ways of telling them.”
The Diversity Fellows Initiative is made possible with the generous support of The Harnisch Foundation, the MacArthur Foundation, and the Time Warner Foundation.
For additional information, please visit our Programs page. Participants of the Diversity Fellows Initiative are chosen through the Accelerator Lab Open Call process. The 2019 Accelerator Lab Open Call will launch on May 3.
2018 Diversity Fellows Initiative Grantees
A Prince From Outer Space: Zeki Müren, directed by Beyza Boyacioglu
This experimental, multilayered film uses Zeki Müren, Turkey’s most celebrated singer and modern day queer icon, as a prism to explore the country’s internal contradictions, from its founding as a modern, secular nation to the current crisis. Zeki, “Turkey’s Liberace,” was a chameleon-like figure. He expertly used his celebrity to navigate society—allowing audiences to see in him only what they wanted to see. The film deconstructs how myths are made and consumed, as it provides a window onto Turkey, a nation existing between the worlds of the east and of the west while belonging to neither.
Beyza Boyacioglu is a filmmaker and artist from Istanbul, currently based in New York. Her work has been exhibited in MoMA Documentary Fortnight, IDFA, RIDM, Anthology Film Archives, Morelia International Film Festival, Brooklyn Museum, Maysles Cinema, and !f Istanbul, among others. She was a part of MIT Open Documentary Lab between 2014–2017. She’s been a fellow at UnionDocs, Flaherty Seminar, and Greenhouse. She holds an MASc in Comparative Media Studies from MIT and an MFA in Computer Art from SVA.
The In Between, directed by Robie Flores
At the intersection of the northern Mexico desert and the plains of southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, The In Between is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.
Robie Flores grew up on the US/Mexico border. She is an independent filmmaker and video editor based in New York City. She previously worked with Loki Films as an assistant on Detropia, The Education of Mohammed Hussein, and ESPN’s Nine for IX documentary, Branded. Her work has appeared on CNN and Bloomberg and has been featured by Teen Vogue, Fusion, Allure, and i-D Vice. The In Between is her first feature film.
Omnipresence, directed by Nadia Hallgren
A look at the complexities of a South Bronx housing project over the course of a summer.
Nadia Hallgren is an award-winning filmmaker and director of photography from The Bronx, New York. With a focus on vérité storytelling, her cinematography credits include the Sundance award-winner Motherland (2017), Academy Award-nominated and Sundance Grand Jury Prize-winner Trouble the Water (2008), and Sundance award-winner Trapped (2016). She has directed short films and series for Field of Vision, Topic, and PBS; and is a member of the Academy of Motion Picture Arts and Sciences, a 2018 Concordia Studio Artist in Residence, and an alum of International Center of Photography. Most recently, Nadia won the special jury prize at SXSW 2018 for an independent episodic series she directed about women running for office in response to Trump being elected.
Commuted, directed by Nailah Jefferson
Commuted tells the story of Danielle Metz, a 52-year-old woman trying to find her footing after spending nearly half of her life in prison. In 2016 Danielle’s was one of 568 life sentences President Obama overturned. Her life story is just one example of how the US criminal justice system impacts black families—before she was incarcerated, she had lost one boyfriend to police violence, another to a wrongful conviction, and then found herself in prison due to involvement with her husband’s drug ring. As Danielle starts to right her path, we reflect with her on a life interrupted.
Nailah Jefferson’s first film, Vanishing Pearls, told the story of a little known African American oyster fishing community and their fight for justice after the BP oil spill. After acquisition by ARRAY/AFFRM, Vanishing Pearls streams on The Urban Movie Channel. Nailah was nominated for a 2017 National Magazine Ellie award for Essence Magazine’s Black Girl Magic Episode 4. Nailah’s first narrative, Plaquemines, was chosen as an American Black Film Festival HBO Shorts finalist and is available on HBO, HBO GO, and HBO On Demand.
The Letter, directed by Maia von Lekow & Chris King
This story happens in rural coastal Kenya. When Karisa, a young artist living in the coastal city of Mombasa, reads a Facebook post accusing his Grandma of being a witch, he decides to return to his rural home to confront the accusations against her. The accusers, Karisa’s uncles, demand that Grandma repent and be exorcised in a Pentecostal ceremony. The story evolves into a family confrontation between those trying to protect Grandma and those condemning her. At the end, love and care triumph against superstition and economic interest.
In today’s post-colonial Kenya, the disturbing trend of witchcraft accusations, often resulting in the murder of an elder, is being used to cover up hundreds of family disputes over land, inheritance, and money. The Letter is a story through the lens of a single family highlighting the universal issues of elderly abuse and greed.
Maia von Lekow is a Kenyan musician and filmmaker. Fusing her music with a healthy fascination of people and culture, Maia has worked as director, producer, and sound recordist on several music videos and corporate films. She was named a Goodwill Ambassador for UNHCR on World Refugee Day 2013, and has received an African Movie Academy Award for her song “Uko Wapi.” A performing artist in her own right, Maia has appeared on several Kenyan broadcasts and maintains strong links with producers and presenters in the region.
The Letter is Maia’s first feature documentary. Maia will compose original music for the film.
Chris King is an award-winning filmmaker based in Nairobi, Kenya. Born in Australia, Chris studied at The School of Creative Arts at the University of Melbourne with honors in Visual Media. Chris has lived in Kenya full-time since 2007, working as a cinematographer, editor, animator, director, and producer in both factual and non-factual shorts, features, and music videos. In 2009, Chris co-founded Circle and Square Productions with his wife Maia and, in the same year, received an African Movie Academy Award in Editing for his work on the Kenyan feature film, From a Whisper.