Honoring World Refugee Day at Chicken & Egg Pictures

Today is World Refugee Day, a day which calls for the global public to stand with refugees and stand for their safety. In 2017, the number of displaced people worldwide reached a record high of 68.5 million, as reported by The UN Refugee Agency’s annual Global Trends study. At Chicken & Egg Pictures, we are proud to support a number of filmmakers that use intimate storytelling to portray the individuals behind those numbers. Their stories have been and will continue to be an important part of Chicken & Egg Pictures.

Nest-supported film It Will Be Chaos, will be broadcast tonight on HBO in conjunction with World Refugee Day. Directed by Lorena Luciano and Filippo Piscopo, the film is an epic, yet intimate portrait of lives in transit and the human consequences of the refugee crisis spanning the Mediterranean. The story unfolds between Italy and the Balkan corridor, focusing on two unforgettable refugee stories of human strength and resilience in search of a better and safer future. It Will Be Chaos premiered on HBO on June 18, will have an encore presentation tonight at 5:55 pm ET, and is now available for streaming on HBO.

More powerful films to watch in honor of World Refugee Day include:

Dalya’s Other Country, directed by Julia Metzger, a story about Dalya and her mother Rudanya who arrived in Los Angeles from Aleppo as war took over (available on DVD);

Eventual Salvation, directed by Dee Rees about her 80-year-old American-born grandmother who barely escaped Liberia with her life as she returns to rebuild her community after their devastating civil war (on Netflix);

Children in No Man’s Land, directed by Anayansi Prado, which chronicles the journey of Maria de Jesus and her cousin Rene (ages 13 and 12) as they attempt to cross the US/Mexico border alone to reunite with their mothers in the Midwest (on Kanopy);

And This is Home: A Refugee Story*, directed by Chicken & Egg Board of Directors member Alexandra Shiva, an intimate portrait of four Syrian families arriving in Baltimore (premieres Friday, June 22 on Epix).

And other Nest-supported projects to watch out for in the near future are:

MUHI – Generally Temporary (2015 Accelerator Lab grantee), directed by Rina Castelnuovo and Tamir Elterman—on the festival circuit and just finished a theatrical tour in Germany; Unaccompanied Children (2017 Accelerator Lab grantee), directed by Alexandra Codina—currently in production; The Guardian of Memory (2017 Accelerator Lab Grantee), directed by Marcela Arteaga—currently in production; Number 387 (2018 Accelerator Lab Grantee), directed by Madeleine Leroyer—currently in production; Breathe (2018 Impact & Innovation Initiative Grantee), directed by Milica Zec and Winslow Porter—currently in development.

*Chicken & Egg Pictures did not support This is Home but director Alexandra Shiva is a member of the Chicken & Egg Pictures Board of Directors.

Post by 2018 Communications Intern Morgan Lee Hulquist. 

Chicken & Egg Accelerator Lab Live Pitch at Sheffield Doc/Fest

Still from Guardian of Memory, directed by Marcela Arteaga (2017 Accelerator Lab grantee)

Join us for our first ever LIVE CHICK-PITCH at the 2017 Sheffield Doc/Fest.

Our focus: to showcase, celebrate, and introduce you to the work, vision, and promise of 10 compelling projects helmed by emerging women directors from around the globe—each one a member of our 2017 CHICKEN & EGG PICTURES Accelerator Lab, hailing from Bangladesh, China, Somalia, Mexico, Poland, and across the US.

The Live Pitch will take place on Sunday, June 11, 12:00 – 14:00 pm at the Sheffield ITV Town Hall Reception Room B.

Moderated by award-winning filmmaker Judith Helfand, Chicken & Egg Pictures’ Co-Founder and Senior Creative Consultant.

THE PROJECTS

Find out more about the 2017 Accelerator Lab.

If you would like to attend let us know by emailing Sabine Fayoux, Program Coordinator, at sabine@chickeneggpics.org.

If you can’t join us at the Live Pitch please consider meeting with the filmmakers individually or in small group meetings during the festival. To coordinate a meeting, please contact our European representative and Sheffield Doc/Fest liaison Tereza Šimíková at simikova.tereza@gmail.com.
The Chicken & Egg Pictures Accelerator Lab is a year-long program that brings together 10 nonfiction projects directed by women from around the world who are making their first or second film. The program provides them with a major grant of $35,000 USD and intensive mentorship that strives to balance creative storytelling and core producing skills with practical models for building sustainability, community, and relationships in the nonfiction marketplace. The 2017 Sheffield Doc/Fest marks the program’s second of three retreats, this one built around utilizing and leveraging all that the Sheffield Doc/Fest’s Meet Market and Industry Convenings have to offer.

Chicken & Egg Pictures Announces 2017 Accelerator Lab Finalists

Lights Camera Uganda, directed by Cathryne Czubek and Hugo Perez

We’re proud to announce our newest cohort of Accelerator Lab participants. Congratulations to all!

The Surrender of Waymond Hall
Directed by Jane Greenberg, US

The Surrender of Waymond Hall tells the redemption story of a young black fugitive on the run for the violent crime he committed a decade ago. With extraordinary access, the film follows Way as he wrestles with the excruciating decision to turn himself in, faces the watershed moment of surrender, and navigates a criminal justice system accused of discriminating against people just like him. His story exposes flaws in our societal institutions and in human nature, unfolding against a backdrop of national debates over the divisive racial impact of our criminal justice policies and the remarkable push to reform them.

The Guardian of Memory
Directed by Marcela Arteaga, MEXICO

The Juarez Valley, a region once known for cotton production, is now nothing more than burned down houses, empty towns, and memories. Carlos Spector, an immigration lawyer born in El Paso, TX, fights to obtain political asylum for Mexicans fleeing from violence. This is the story of Mexican men, women, and children seeking a respite from their tragedies by heading to their neighboring country, the U.S. It is also a story about the kindness and hope that still exists in people who have gone through hell, and about Carlos Spector’s tireless efforts to keep memory alive.

Kids Can Spit
Directed by Chelsi Bullard, US

The feature documentary Kids Can Spit follows three New York City teenagers over the school year as they gear up to compete against one another at the Science Genius B.A.T.T.L.E.S. (Bringing Attention to Transforming, Teaching, and Learning Science), a science-themed rap competition. The competition’s creator, Professor Chris Emdin, believes hip-hop is uniquely suited to teach science. For students Mannix, Genesis, and Jason, this battle is a way to beat society’s odds while carving their identities and finding their voices. Pressure mounts on Chris to prove his innovative curriculum does what traditional science classes have failed to do: engage disenfranchised Black and Latinx youth to become proficient in science through rap.

The Surf Girls of Cox’s Bazar
Directed by Elizabeth D. Costa, BANGLADESH

Jahanara, Rifa, and Ayesha live in one of the poorest slums near the beaches of Cox’s Bazar in Bangladesh. From a young age, the girls are sent to work in order to supplement the family income, and social norms dictate that they will be married when they turn 14 or 15 years old. The girls discover a newfound freedom in a surf club and find out they have the skills and talent to win competitions. This spurs their ambitions and they dream of becoming the first international female surfers of Bangladesh.

The Rashomon Effect
Directed by Lyric R. Cabral, US

What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?

Born in China
Directed by Nanfu Wang and Lynn Zhang, CHINA

How much control does a person have over their own life? In China, state control begins before a child is even born.

Unaccompanied Children
Directed by Alexandra Codina, US

Unaccompanied Children reveals America’s invisible refugee crisis through the eyes of one family that defies a broken system with their unwavering resilience.  Deep in the everyday life of the loving and optimistic Gonzalez family, the horrific violence of gang-ridden Honduras and the encroaching threat of draconian US enforcement are almost forgotten.  The film goes beyond the traditional immigration narrative to a nuanced, intimate story which implicates us all in how we care for the most vulnerable.

Lights Camera Uganda [working title]
Directed by Cathryne Czubek and Hugo Perez, US

Against all odds, former bricklayer and teacher Isaac Nabwana has turned his small home in the slums of Uganda’s capital city into the Wakaliwood action movie studio. After 10 years and 40+ films, Wakaliwood has become an overnight international media sensation, inspiring others around the world to follow in his footsteps. When New York film nerd Alan Hofmanis shows up on his doorstep one day, everything is bound to change.

Rajada Dalka/Nation’s Hope
Directed by Hana Mire, SOMALIA

Somalia’s newly revived Women’s Basketball team seeks to inspire their nation as they overcome immense challenges in their first season since the outbreak of war in 1991. To continue to play the game they love, the team must defy both religious leaders and violent militant groups that believe that their sporting ambitions are un-Islamic. They must also battle against the sexism faced by women in sports across the world.

People I Know
Directed by Zofia Pregowska, POLAND

People I Know is a tragicomedy vérité about a young married couple living in an old trailer. Prone to nervous breakdowns, Michael is unable to stand consumer society and becomes a street musician. His wife Nathalie is an oncology nurse. One day, Nathalie discovers that she wants to own a house so much that she’s ready to take on a lifelong loan.

Note: Since the time of the original publication of this post, some film descriptions have been edited upon filmmakers’ requests.