The Full Frame Documentary Film Festival kicks off their 22nd annual festival today, which will take place in Durham, North Carolina from Thursday, April 4 to Sunday, April 7.
The festival’s opening night film is American Factory, the Sundance 2019 Directing – US Documentary Competition award winner directed by Julia Reichert (2016 Chicken & Egg Award recipient) and Steven Bognar, screening Thursday, April 4 — 7:30 pm at Fletcher. In addition, we were egg-static to see Julia and her long-time directing partner Steven honored by Full Frame in a tribute and curated retrospective of their work, which will screen throughout the festival, including Union Maids, directed by Jim Klein, Miles Mogulescu, and Julia Reichert (Thursday, April 4 — 1:30 at Cinema Three and Sunday, April 7 — 5:10 pm at Cinema Four), as well as eight other films.
Full Frame’s lineup includes work by a total of nine Nest-supported women filmmakers:
From dusk to dawn, El Velador (The Night Watchman) accompanies Martin, a guard who watches over the extravagant mausoleums of some of Mexico’s most notorious drug lords. In the labyrinth of the cemetery, this film about violence without violence reminds us that, amid the turmoil of a drug war that has claimed more than 50,000 lives, ordinary existence persists in Mexico and quietly defies the dead.
Thursday, April 4 — 4:00 pm at Cinema One (as part of the Some Other Lives of Time program curated by Hale County This Morning, This Evening director Ramell Ross)
Hail Satan?, directed by Penny Lane (2017 Chicken & Egg Award recipient)
With humor and searing insight, director Penny Lane debunks misrepresentations about the Satanic Temple. Drawing on extensive access to the organization’s participants, this unflinching examination reveals the controversial religious movement’s aim to shine a light on the hypocrisy around America’s separation of church and state.*
Friday, April 5 — 10:00 pm at Fletcher
Poet Lamar Wilson remembers reading Anatomy of a Lynching as a young man and immediately asking his grandmother if she knew Claude Neal. The book recounts the heinous 1934 murder and mutilation of Neal, a 23-year-old African American, at the hands of a mob of white men.*
Saturday, April 6 at 1:00 pm at Cinema One
Always in Season (2018 (Egg)celerator Lab grantee), directed by Jacqueline Olive
When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother’s search for justice and reconciliation begins while the trauma of more than a century of lynching African Americans bleeds into the present.
Friday, April 5 — 7:20 pm at Cinema Three
One Child Nation (2017 (Egg)celerator Lab grantee), directed by Nanfu Wang (also a 2018 Chicken & Egg Award recipient) and Jialing Zhang
How much control does a person have over their own life? In China, state control begins before a child is even born.
Friday, April 5 — 7:00 pm at Cinema One
Grit, directed by Cynthia Wade and Sasha Friedlander
Grit is the story of a huge, toxic mudflow in Indonesia widely believed to be caused by shoddy drilling practices. The mud volcano has been erupting violently for the past eight years, burying 17 villages and permanently displacing 60,000 people. Grit follows ordinary Indonesians seeking justice for this disaster during a national election where one presidential candidate has promised restitution — and the other has not.
Thursday, April 4 — 10:00 am at Cinema One
A Thousand Girls Like Me, directed by Sahra Mani (2016 Diversity Fellows Initiative — past program)
In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.
Thursday, April 4 — 4:20 pm at Cinema Four
Knock Down the House, directed by Rachel Lears (former Nest grantee for The Hand That Feeds)
In the run up to the 2018 U.S. midterms, four political newcomers challenge their Democratic incumbents in the primary elections that lead ultimately to a seat in Congress. Fearless and determined, Alexandria Ocasio-Cortez, Paula Jean Swearengin, Cori Bush, and Amy Vilela introduce their grassroots platforms to the communities in which they are deeply ingrained.*
Friday, April 5 — 7:20 pm at Fletcher
*Synopses courtesy of Full Frame.
DOC NYC, the largest nonfiction film festival in the US, is just around the corner, and they released the line-up for their eight-day DOC NYC PRO conference which will take place in conjunction with film screenings and from November 8-15. Each day includes a keynote address, followed by panels with filmmakers and industry professionals on a selection of themes . Here’s a line-up of Chicken & Egg Pictures-supported filmmakers and Nest-friends to hear from at DOC NYC PRO.
Thursday, November 8
Morning Manifesto: Dawn Porter (2017 Breakthrough Filmmaker Award Recipient) gives the opening speech of the DOC NYC PRO conference, discussing her “thoughts on the current state of documentary filmmaking.”
Who Owns The Story: Nanfu Wang (2018 Breakthrough Filmmaker Award recipient) speaks on a panel exploring “the issues of complicated filmmaker/subject relationships and storytelling ownership”.
Dig Deep: Doc Storytelling: Nancy Schwartzman (Roll Red Roll) speaks on “providing specific, in-depth and enlightening studies for emerging documentary filmmakers”.
Friday, November 9
Getting Personal: Alexandria Bombach, 2018 SXSW LUNA / Chicken & Egg Pictures Award recipient and director of DOC NYC Short Listed film On Her Shoulders, discusses films “that rely on a strong bond between director and subject with filmmakers”.
Case Study: Bobby Kennedy For President: Nest-supported Dawn Porter speaks on her acclaimed Netflix doc series.
Saturday, November 10
Morning Manifesto: Our Nest-friend and President and CEO of Fork Films Abigail Disney speaks on “what stories are the most important to tell”.
Storytelling in a Post-Truth World: Rabab Haj Yahya, editor of 2018 Accelerator Lab grantee The Feeling of Being Watched shares her thoughts about ensuring a story is truthful.
Grab Your Audience’s Attention: Editor of 2016 Diversity Fellows Initiative grantee United Skates, Katharine Garrison speaks on a panel about ” bringing an audience into your film’s world”.
Sunday, November 11
Tight Spots, Dynamic Shots: Erik Shirai, cinematographer of Nest-supported Blowin’ Up speaks on a panel about cinematography in docs.
Monday, November 12
Case Study With Michèle Stephenson and Joe Brewster: Directors of the Impact & Innovation Initiative project Changing Same: The Untitled Racial Justice Project Joe Brewster and Michèle Stephenson (also a 2016 Breakthrough Filmmaker Award recipient) discuss crafting exemplary short films.
Tuesday, November 13
Access is Everything: Kimberly Reed (Dark Money) and others discuss building trust with documentary subjects.
Wednesday, November 14
Dissecting Development With Impact Partners: Our friends at Impact Partners present a panel about establishing development funding for documentaries.
Way More Than B-Roll: 2017 Breakthrough Filmmaker Award recipient Penny Lane discusses how archival footage creates a deeper meaning in documentaries.
Thursday, November 15
Morning Manifesto: Yoruba Richen (2016 Breakthrough Filmmaker Award recipient) and director of The New Black shares her thoughts on getting films made.
Synopses of panels courtesy of the DOC NYC website.
See you at the DOC NYC PRO conference!
Chicken & Egg Pictures is thrilled to provide support this year to three groundbreaking projects through our Impact & Innovation Initiative.
The F Word: A Foster to Adopt Story, directed by Nico Opper
Season 1 of The F Word revealed the story of one queer couple adopting from foster care in Oakland, CA. Season 2 continues their story while amplifying other voices in the foster care world: birth families, foster youth, adoptees, adoptive parents of color, and social entrepreneurs working to repair a broken system.
Breathe, directed by Winslow Porter and Milica Zec*
A communal experience connecting us through the simple power of existence, Breathe transforms users into Rose, a young girl orphaned after a devastating war. Rose’s life changes drastically after the trauma of living out formative years inside a conflict zone. Through her eyes, viewers live out the greatest joys and most profound struggles from her adolescence to adulthood. Each moment is inextricably shaped by her upbringing—yet she is able to find strength in small interconnected moments with those she loves.
Even as humanity continues to fail and harm each other, Breathe seeks to remind us of the solace we can find in our similarities; we are all human, and we are all connected.
The Racial Terror Project, by Michèle Stephenson and Joe Brewster
The Racial Terror Project is a groundbreaking immersive virtual reality, room-scale installation in which users time travel along the last route of Claude Neal, who was brutally hunted down and lynched by a mob of white men in Florida in 1934, and meet his descendant community today and his ancestors in the era of slavery. The Racial Terror Project tells the story of how our present-day lived experiences of racial violence and discrimination reflect a long, insufficiently-acknowledged history of white racial oppression that dates back to slavery and continues today.
We can’t wait to go along for the journey as these exciting projects push the boundaries of storytelling!
We are thrilled to learn that Catapult Film Fund has recognized several of our supported filmmakers with grants this year. Catapult focuses on supporting “powerful and moving storytelling, by filmmakers with a strong voice across a broad spectrum of subject matter,” and providing funding that will enable filmmakers to move forward to the next stage of production.* Congratulations to Jessica, Kelly, Lyric, Michèle, and Penny!
Check out more information about these films, and others, here.
The Rashomon Effect
Directed by Lyric R. Cabral (Accelerator Lab 2017) and produced by Jessica Devaney (Impact & Innovation Initiative, 2016)
What happened when unarmed Black teen Michael Brown was fatally shot by White police officer Darren Wilson?**
Directed by Kelly Duane de la Vega (Application Cycle 2013)
Mississippi Red looks at American feminism through the lens of race, religion and the political establishment as a pair of bipartisan allies fight to pass an equal pay bill in one of the most conservative states in the union.**
Going to Mars: The Nikki Giovanni film
Directed by Michèle Stephenson (Breakthrough Filmmaker Award, 2016) and Joe Brewster
Through intimate vérité, archival footage, and visually innovative treatments of her poetry, Going to Mars: The Nikki Giovanni film pushes the boundaries of biographical documentary film to reveal the enduring influence of one of America’s greatest living artists and social commentators.**
Untitled Religious Activism Documentary
Directed by Penny Lane (Breakthrough Filmmaker Awards, 2017)
* = From Catapult Film Fund About Us page.