Chicken & Egg Pictures is proud to announce the first-ever participants of our newest program Project: Hatched, a completion fund which provides a $20,000 grant to selected directors in the lead up to their film premiere. $15,000 of the grant is for finishing funds and $5,000 is earmarked for impact strategy development. Participants also receive ten hours of mentorship focusing on festival premiere support, impact and distribution strategy, and professional development.
We also partnered with our friends at The Fledgling Fund for the
Chicken & Egg Pictures/Fledgling Fund Impact Grant, which provides an additional $20,000 to a Project: Hatched film whose campaign strategy has the ability to shape national and international conversations around the world’s most pressing issues. Congratulations to Coded Bias, directed by Shalini Kantayya, for being the first recipient of the Chicken & Egg Pictures/Fledgling Fund Impact Grant!
Coded Bias (Chicken & Egg Pictures/Fledgling Fund Impact Grant recipient), directed by Shalini Kantayya, explores the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her subsequent journey to push for the first-ever US legislation to govern against bias in artificial intelligence.*
The Fight, co-directed by Elyse Steinberg, Josh Kriegman, and
Eli Despres, documents a team of scrappy ACLU lawyers battling Trump’s historic assault on civil liberties.*
Once Upon a Time in Venezuela, directed by Anabel Rodríguez, follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.*
*Premiering at the 2020 Sundance Film Festival.
The Sundance Film Festival features line-up was announced today, Wednesday December 4, and we are egg-static for the following women filmmakers, who will be premiering their films at the festival in Park City, Utah from Thursday, January 23 to Sunday, February 2, 2020.
Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the US to govern against bias in the algorithms that impact us all.
Once, the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.
Inside the ACLU, a team of scrappy lawyers battle Trump’s historic assault on civil liberties.
Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy.
With this inventive portrait, a cameraperson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.
*These films were in development during the filmmaker’s Chicken & Egg Award year.
In addition to these directly supported films, our AlumNest filmmakers (the 300+ talented, diverse women nonfiction directors that we have supported throughout our fifteen years as an organization) are also premiering their films at the 2020 Sundance Film Festival:
The Last Thing He Wanted
Directed by Dee Rees (Eventual Salvation)
Untitled Kirby Dick/Amy Ziering Film
Directed by Kirby Dick and Amy Ziering (The Invisible War)
Congratulations to these incredible women filmmakers on their Sundance-bound films. We’ll see you in Park City!