Nest-Supported Projects at IFP Week
The Independent Filmmaker Project announced its 40th annual IFP Project Forum slate highlighting films, series, digital, and audio projects from around the world. We are honored to announce that four Chicken & Egg-supported projects from our 2018 programs year were included.
An Act of Worship, directed by Nausheen Dadabhoy (2018 Diversity Fellows Initiative)
An Act of Worship follows young Muslim women activists at a time when hate crimes against Muslims have reached their highest level since 9/11. The travel ban has sent the message that Muslims are not welcome in the US. Now, a new generation has been galvanized into action to reclaim their space in the American landscape.
The In Between, directed by Robie Flores (2018 Diversity Fellows Initiative)
At the intersection of the northern Mexico desert and the plains of southwest Texas exists a symbiotic community. Here, people’s lives are spread across two countries, connected by a bridge that everyone must travel. For some, crossing to the other side means getting to work or school. For others, life straddling the border is the only way to keep their family together. Through a collection of interweaving vignettes, The In Between is a poetic ode to a greater reality of the border than the one portrayed on the news, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity.
Made in Boise, directed by Beth Aala (2018 Discretionary Grant)
A surprising—and booming—industry has emerged in Boise, Idaho. In this idyllic, all-American city, nurses, nail technicians, and stay-at-home mothers are having babies for strangers—in record numbers. Boise’s own St. Luke’s Medical Center founded and runs the first and best surrogacy program of its kind, in all the US. But everything is not as it appears, surrogacy is not without its health risks, and the practice is not without its emotional complications. Character-driven and stylized in its approach, Made In Boise introduces audiences to the unique world of surrogacy in the most unexpected of places.
People’s Hospital, directed by Siyi Chen (2018 Accelerator Lab)
As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up — this time with a camera, in the middle of a chaotic ER.
And a special congratulations to filmmakers who were previously supported by Chicken & Egg Pictures.
Women in Blue, directed by Deirdre Fishel (Care, 2014) and executive produced by Gini Reticker (The Trials of Spring, 2014)
A female police chief and a determined band of women officers work to redefine “protect and serve,” when a tragic shooting upends their progress.*
Narrowsburg, directed by Martha Shane (After Tiller co-director)
Narrowsburg tells the story of a French producer and a mafioso-turned-actor who attempted to turn a small Catskills town into the “Sundance of the East.”*
*Synopses from the IFP website.
Filmmakers will attend the IFP Project Forum during the 40th anniversary of IFP Week happening September 15 – 20 in Brooklyn.
Post by 2018 Communications Intern Morgan Lee Hulquist.
Five Chicken & Egg Pictures-supported films to screen at DOC NYC
The 2016 edition of the DOC NYC Film Festival features five films directed by Chicken & Egg Pictures grantees. Running November 10-17, 2016 in Manhattan, the DOC NYC Film Festival is America’s largest documentary film festival.
You can check out the full lineup of films, shorts, panels, and showcases here.
Cameraperson
Directed by Kirsten Johnson
Drawing on footage she’s shot over the course of 25 years, documentary cinematographer Kirsten Johnson searches to reconcile her part in the thorny questions of permission, power, creative ambition, and human obligation that come with filming the lives of others. Tickets and showtimes available here.

Care
Directed by Deirdre Fishel
Care exposes the deep flaws in the U.S. eldercare system by following the intimate and dramatic stories of three overworked and underpaid home health aides and one family struggling to find and pay for quality care. The film sounds the alarm about an exploited workforce, an aging population, and an impending crisis of care. Tickets and showtimes available here.

The Pearl
Directed by Jessica Dimmock & Christopher LaMarca
The Pearl witnesses the loss and extraordinary risk of four middle-aged and senior war vets, steel foremen, and fathers and grandfathers coming out for the first time as transgender women in the hyper-masculine culture of the Pacific Northwest. Each year, their lives intersect at the annual Esprit Conference for T-girls, a weeklong event enlivening a community broken by isolation and loss. Tickets and showtimes available here.

Trapped
Directed by Dawn Porter
At least half of American women will experience an unintended pregnancy by the age of 45. Four in 10 unwanted pregnancies are terminated by abortion. What would happen if access to care for these cases completely disappeared? Following the progress of two reproductive health clinics in the South, Trapped captures their struggle as they continue to provide care in an increasingly hostile legal and political climate. Tickets and showtimes here.
Visitor’s Day
Directed by Nico Opper
Sixteen-year-old Juan Carlos ran away from home to escape abusive parents. After years of battling alcohol addiction and homelessness, he found his way from Mexico City to the rural town of Atlixco, where he joined dozens of other runaway boys living in a group home named Ipoderac. This film follows Juan Carlos during the most transformative year of his life, as he prepares to travel back to Mexico City to confront his father one last time. Tickets and showtimes available here.

The Nest brings a lot to the table at this year’s Sheffield Doc/Fest
This year, a half-dozen Chicken & Egg Pictures supported films will be screened at Sheffield Doc Fest. These Egg-septional films span a variety of topics including life behind bars, the cost of aging, and battles both personal and universal.
The festival, which bridges the gap between audience and filmmaker, takes place this year from June 10-15, 2016, and will screen over 150 films.
Cameraperson
Directed by Kirsten Johnson
Cameraperson turns the camera inwards, exposing the most powerful moments for cinematographer and filmmaker Kirsten Johnson. By plucking footage from her expansive work of over 25 years, Kirsten Johnson reminds us of the nature of life, where stories intermingle, cross-pollinate, and provide a new lens through which to view the world.
Care
Directed by Deirdre Fishel
As lifespans are increasing, the question of providing the quality care needed to our ever-aging population presses down upon us with increasing force. Deirdre Fishel gives insight into the lives of both the caregivers and those taken under their wing. The story, which focuses on home health aides in their struggle to provide for themselves as they devote their lives to helping others, is paralleled by that of the families that can no longer afford to bring in the help our older generation needs.

Solitary
Directed by Kristi Jacobson
Solitary provides a gripping look into life in prison, for both inmates and officers. It is a film about entrapment with the self, an effort to inform society of life in loneliness. Solitary provides a voice for the 80,000 people currently in solitary confinement in the US while letting them know they are not alone.

Sonita
Rokhsareh Ghaem Maghami
Sonita is the story of an 18-year-old Afghan woman following her dream to be a rapper while society surrounding her tries to silence her. She stands up against forced marriages, including her own, in which she was to be sold off for $9,000 in order to allow her family to purchase a wife for their son. This film’s personal nature imbues it with universal meaning.
Southwest of Salem: The Story of the San Antonio Four
Deborah S. Esquenazi
The events that transpired in Salem in 1692 seemed a far cry from anything that could happen today, yet when four women are convicted of raping two little girls in 1994, we encounter a modern day Salem. Southwest of Salem brings hints that our judicial system might be more of a prejudicial one.
When Two Worlds Collide
Heidi Brandenburg & Mathew Orzel
The struggle of indigenous people to maintain their surrounding land when in conflict with the interests of the big companies reminds us that our battle to preserve our environment rather than establishing locations for the production of monetary gains is ever present.Honored with a Special Jury Prize for Best First Feature at the 2016 Sundance Film Festival, Two Worlds Collide captivatingly reminds us of the state of the one world we are slowly losing.
