Tribeca Film Festival is just around the corner, and we’re (egg)static to say that three films by Nest-supported filmmakers will be at this year’s festival.
See here for showtimes and tickets:
How much control does a person have over their own life? In China, state control begins before a child is even born.
American Factory tells the story of a Chinese billionaire who opens a new factory in the husk of an abandoned General Motors plant in post-industrial Ohio, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America.
- Friday, April 26 at 8:30 PM — SVA Theater 2
- Saturday, April 27 at 3:45 PM — Regal Cinemas Battery Park
- Tuesday, April 30 at 6:15 PM — Regal Cinemas Battery Park
Paul and Millie Cao lost their youth to the aftermath of the Vietnam War. Forty years later, they have become successful professionals in Southern California—and are rediscovering themselves on the dancefloor.
Congratulations to United Skates directors Tina Brown & Dyana Winkler for their 2018 Tribeca Audience Award win! Chicken & Egg Pictures supported Tina and Dyana’s project with our 2016 Diversity Fellows Initiative.
Next, United Skates will be hitting up Toronto’s Hot Docs Film Festival, so be sure to catch them there!
Read more about the film and its filmmakers in this No Film School interview.
Four Chicken & Egg Pictures-supported films are heading to the Tribeca Film Festival (April 18-29) this year. Congratulations to all the filmmakers for their exciting premieres!
Blowin’ Up by Stephanie Wang-Breal
Blowin’ Up looks at sex work, prostitution, and human trafficking through the lens of New York State’s criminal justice system. The film captures the growing pains of our nation’s first human trafficking intervention court in Queens, New York, and how we define trafficking and prostitution from many different perspectives: the criminal justice system, the social welfare system, and, most importantly, the women and girls who are at the center of it all.
The Feeling of Being Watched by Assia Boundaoui
In the Arab-American neighborhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of declassified FBI documents that prove her hometown was the subject of one of the largest counterterrorism investigations ever conducted in the U.S. before 9/11––code-named “Operation Vulgar Betrayal.” With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker’s examination of why her community fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened to her neighborhood in the 90’s and probes why her community feels like they’re still being watched today. In the process, she confronts long-hidden truths about the FBI’s relationship to her community. The Feeling of Being Watched follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.
Roll Red Roll by Nancy Schwartzman
Go behind the headlines of notorious high school sexual assault to witness the social media fueled “boys will be boys” culture that let it happen.
In small-town Ohio, at a pre-season football party, a horrible incident took place. What transpired would garner national attention and result in the sentencing of two key offenders. As amateur crime blogger Alex Goddard uncovers disturbing evidence on Facebook, Youtube, and Twitter, documenting the assault of a teenage girl by members of the beloved high school football team, questions linger around the collusion of teen and adult bystanders. Roll Red Roll explores the complex motivations of both perpetrators and bystanders in this story, to unearth the attitudes at the core of their behavior. The Steubenville story acts as a cautionary tale of what can happen when adults look the other way and deny that rape culture exists. With unprecedented access to police documents, exhibits and evidence, the documentary feature unflinchingly asks: “why didn’t anyone stop it?”
United Skates by Tina Brown and Dyana Winkler
When America’s last standing roller rinks are threatened with closure, a community of thousands battle in a racially charged environment to save an underground subculture–-one that has remained undiscovered by the mainstream for generations, yet has given rise to some of the world’s greatest musical talent.
And a special congratulations to filmmaker Madeleine Sackler for It’s a Hard Truth Ain’t It, who was previously supported by Chicken & Egg Pictures for her film, Dangerous Acts Starring the Unstable Elements of Belarus.
The Tribeca Film Festival’s full program will be available March 15.
We are proud to announce this year’s Chicken & Egg Pictures-supported films and filmmakers at the 2017 Tribeca Film Festival.
The Departure (World Documentary Competition)
Directed by Lana Wilson
Love the Sinner (Shorts: Viewfinder, World Premiere)
Directed by Geeta Gandbhir and Jessica Devaney
Tree (Virtual Arcade, New York Premiere)
Project Creators: Winslow Turner Porter and Milica Zec
Unrest* (Virtual Arcade, World Premiere)
Project Creators: Arnaud Colinart, Jennifer Brea, Amaury La Burthe
Key Collaborators: Diana Barrett (Fledgling Fund), Lindsey Dryden (Little By Little Films)
For more information and the full roster of films at the Tribeca Film Festival this year, please visit the Tribeca website.
*Chicken & Egg Pictures did not fund the film I Am Evidence, but supports director Geeta Gandbhir as a 2017 Breakthrough Filmmaker Awardee; and did not support the Unrest VR experience, but is a supporter of Unrest the feature-length film by Jennifer Brea.