Documenting Democracy at Chicken & Egg Pictures
As a nonprofit based in the United States, the Chicken & Egg Pictures team and many of the artist-activists we support have been closely following the recent election, watching as our country voted for a new leader in a time of global crisis.
Films about democracy and elections have long added to conversations about the democratic process on the national and international level and told the stories of our nations. As the US election cycle comes to a close, the following documentaries by women filmmakers from the past fifteen years of our organization are on our mind. Here are a few films by Nest-supported filmmakers that have used intimate storytelling to convey the power of democracy:
Councilwoman, directed by Margo Guernsey, follows a hotel housekeeper from the Dominican Republic who wins a City Council seat in Providence, Rhode Island. Carmen balances cleaning hotel rooms with navigating a political establishment that does not easily acquiesce to the needs of working people.
Watch on Vimeo.
In Democrats, directed by Camilla Nielsson, two politicians from rival parties in Zimbabwe oversee the creation of a new constitution following the election of Robert Mugabe as president in 2008.
Watch on Apple TV.
And She Could Be Next, co-directed by Grace Lee (Chicken & Egg Award Recipient) and Marjan Safinia (Chicken & Egg Pictures Board), tells the story of a defiant movement of women of color, transforming politics from the ground up. The series follows candidates and organizers across the country, asking whether democracy itself can be preserved—and made stronger—by those most marginalized, featuring history-makers including Rashida Tlaib, Stacey Abrams, Lucy McBath, Bushra Amiwala, Maria Elena Durazo, Veronica Escobar, Nse Ufot and more. Watch on PBS.
Once Upon a Time in Venezuela, directed by Anabel Rodríguez Ríos
On Lake Maracaibo, beneath the mysterious silent Catatumbo lightning, the village of Congo Mirador is preparing for parliamentary elections. For streetwise local businesswoman and Chavist party representative Tamara, every vote counts, fought by all means. While for opposition-supporting teacher Natalie, politics is a weapon that is unsuccessfully attempting to force her from her job. And with her sharp eyes, little Yohanny sees her community sinking from sedimentation, her childhood and innocence with it. How can a small fishing village survive against corruption, pollution and political decay—a reflection of all the flaws of contemporary Venezuela? If you are in the US, tune into DOC NYC to watch from November 11 – 19. Tickets here.
“I Am Not Going to Change 400 Years in Four,” directed by Angela Tucker and 2016 Chicken & Egg Award Recipient Kristi Jacobson, follows Satana Deberry as she takes the oath of office as district attorney of Durham County, North Carolina. Satana is a Black woman elected to an office historically held by white men whose “tough on crime” policies have devastated communities of color for decades. Now, she faces the complicated realities of seeking to reform a deeply flawed criminal justice system, and a community ravaged by gun violence. Her story is at once inspiring and empowering—and also a call to action, for voters across the US. “I Am Not Going to Change 400 Years in Four” was produced by Chicken & Egg Pictures in partnership with Mother Jones. Watch on Mother Jones.
The Supreme Price, directed by Joanna Lipper, traces the evolution of the Pro-Democracy Movement in Nigeria and efforts to increase the participation of women in leadership roles. Following the annulment of her father’s victory in Nigeria’s Presidential Election and her mother’s assassination by agents of the military dictatorship, Hafsat Abiola faces the challenge of transforming a corrupt culture of governance into a democracy capable of serving Nigeria’s most marginalized population: women.
Watch at Women Make Movies.
Docs by the Dozen in partnership with Mother Jones: “Sanctuary”
Extreme Risk Protection Orders, otherwise known as “red flag” laws, give state authorities the ability to temporarily seize guns from someone deemed to be an immediate threat to themselves or others. On January 1, 2020, Colorado became the 17th state in the US to pass a ‘red flag’ law, provoking a number of county sheriffs opposed to the law to declare their counties “2nd Amendment sanctuaries.” “Sanctuary” follows a handful of Coloradans on multiple sides of this controversial issue as the bill comes into law, including a state legislator and domestic abuse survivor, a member of a local militia, and a Colorado county sheriff. As these individuals address the threats, real and imagined, that the law responds to or poses, “Sanctuary” offers a timely meditation on the meaning of safety in America today.
Directed by Brett Story (New Nest filmmaker), “Sanctuary” is produced by Chicken & Egg Pictures in partnership with Mother Jones.
About Docs by the Dozen: This shorts and series program was designed to engage with the 320+ members of our AlumNest, build meaningful partnerships with like-minded organizations and media companies, and generate artistic and innovative projects that can increase a filmmaker’s financial stability. The program provides talented filmmakers with the opportunity to expand their portfolios, reach broader audiences, and respond to critical social justice issues in a timely way.
About the director: Brett Story is a filmmaker and writer based in Toronto. Her films have screened internationally at festivals such as CPH-DOX, the Viennale, SXSW, True/False, and Sheffield Doc/Fest. Her 2016 feature documentary, The Prison in Twelve Landscapes, was nominated for a Canadian Screen Award, and her most recent feature documentary, The Hottest August, continues to screen around the world. She is an assistant professor in the School of Image Arts at Ryerson University.
Docs by the Dozen in partnership with Mother Jones: “One Shot One Kill”
“One Shot One Kill” is an immersive verite documentary that follows a father and his two sons as they embark on their annual deer hunting trip in rural Tennessee. This family tradition connects the Neal family to the beauty of the land, the tradition of hunting, and what it means to be both a hunter and gun owner in the United States today.
Directed by Nancy Schwartzman (Nest-supported Roll Red Roll), “One Shot One Kill” is produced by Chicken & Egg Pictures in partnership with Mother Jones.
About Docs by the Dozen: This shorts and series program was designed to engage with the 320+ members of our AlumNest, build meaningful partnerships with like-minded organizations and media companies, and generate artistic and innovative projects that can increase a filmmaker’s financial stability. The program provides talented filmmakers with the opportunity to expand their portfolios, reach broader audiences, and respond to critical social justice issues in a timely way.
About the director: Nancy Schwartzman is a Peabody-nominated filmmaker who uses storytelling and technology to create safer communities for women and girls. Her debut feature, Roll Red Roll, premiered at the Tribeca Film Festival, and screened at over 40 film festivals worldwide, garnering seven best documentary awards. The film was a New York Times Critics’ Pick, with 100% on Rotten Tomatoes; played on POV and BBC; and is streaming in 190 countries on Netflix. She is currently directing an investigative documentary with The Center for Investigative Reporting, developing nonfiction series with XTR and Blumhouse Productions, and publishing a book with Hachette Book Group.
Docs by the Dozen in partnership with Mother Jones: “I am not going to change 400 years in four.”
When Satana Deberry took the oath of office as district attorney of Durham County, North Carolina on January 1, 2019, it was a momentous occasion—for the city of Durham and for her, as a Black woman elected to an office historically held by white men whose “tough on crime” policies have devastated communities of color for decades. Now, she faces the complicated realities of seeking to reform a deeply flawed criminal justice system, and a community ravaged by gun violence. Her story is at once inspiring and empowering—and also a call to action, for voters across the nation.
Directed by Angela Tucker and 2016 Chicken & Egg Award Recipient Kristi Jacobson, I am not going to change 400 years in four. was produced by Chicken & Egg Pictures through Docs by the Dozen, in partnership with Mother Jones.
About Docs by the Dozen: This shorts and series program was designed to engage with the 320+ members of our AlumNest, build meaningful partnerships with like-minded organizations and media companies, and generate artistic and innovative projects that can increase a filmmaker’s financial stability. The program provides talented filmmakers with the opportunity to expand their portfolios, reach broader audiences, and respond to critical social justice issues in a timely way.
About the directors: Angela Tucker and Kristi Jacobson teamed up to co-direct this powerful short documentary, a natural evolution of each of their bodies of work. Angela Tucker is a New Orleans-based writer, director and Emmy nominated producer. Her latest films include Belly of the Beast, which will broadcast on PBS’ Independent Lens in fall 2020, and All Skinfolk, Ain’t Kinfolk (2020, PBS), a short about a mayoral election in New Orleans. Earlier films include narrative feature All Styles (2018, Amazon); Black Folk Don’t, a doc web series that was featured in Time Magazine’s “10 Ideas That Are Changing Your Life”; and (A)sexual (2012, Netflix/Hulu). Kristi Jacobson is an Emmy Award-winning filmmaker, working as a director and producer of features, series and short-form content. Some of her films include Solitary (2017, HBO), which takes an unprecedented look at life inside a supermax prison and is winner of an Emmy Award for Outstanding Investigative Documentary and Independent Spirit Truer Than Fiction Award nominee; Take Back the Harbor (2018, Discovery); A Place at the Table (2012, Magnolia Pictures/ Participant Media); and Cartel Bank, an episode of the hit Netflix Original series Dirty Money (2018).