The 2020 Tribeca line-up for feature films is out! And there’s plenty to see from the Nest. Making their world premieres at Tribeca Film Festival this year are three films (Enemies of the State, Pray Away, and Through the Night) from our (Egg)celerator Lab program in 2018 and 2019, one film supported through our Chicken & Egg Award (Stateless), and one film supported through a grant in 2018 (Simple As Water).
AlumNest filmmakers screening at Tribeca include directors such as Chicken & Egg Award recipients Dawn Porter (premiering John Lewis: Good Trouble) and Yoruba Richen (premiering The Sit-In: Harry Belafonte Hosts The Tonight Show).
Here is your Nest guide to the upcoming Tribeca Film Festival, from Wednesday, April 15 to Sunday, April 26:
Enemies of the State, directed by Sonia Kennebeck
2018 (Egg)celerator Lab
An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.
Pray Away, directed by Kristine Stolakis
2019 (Egg)celerator Lab
Former leaders of the “pray away the gay” movement contend with the aftermath unleashed by their actions, while a survivor seeks healing and acceptance from more than a decade of trauma
Simple As Water, directed by Megan Mylan
Megan Mylan’s closely observed fragments of lives cut between Turkey, Greece, Germany, and the US. Each unfolding scene portrays the elemental bonds holding together Syrian families pulled apart by war, searching for a new life.
Stateless (Apátrida), directed by Michèle Stephenson
2016 Chicken & Egg Award
Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.
Through the Night, directed by Loira Limbal
2018 (Egg)celerator Lab
Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.
John Lewis: Good Trouble, directed by Dawn Porter (2017 Chicken & Egg Award recipient)
The Sit-In: Harry Belafonte Hosts The Tonight Show, directed by Yoruba Richen
Picture a Scientist, directed by Ian Cheney and Sharon Shattuck (From This Day Forward)
Women in Blue, directed by Deirdre Fishel (Care)
Also premiering at Tribeca is Athlete A, directed by Bonni Cohen and Jon Shenk, which is produced by our Co-Founder Julie Parker Benello, along with Serin Marshall and Jen Sey.
Congratulations to these filmmakers on their premieres!
Egg-cellent news from Sundance Institute today, as they announced the Fellows and Advisors for the five-day 2019 Creative Producing Labs, as well as the three-day Creative Producing Summit which immediately follows.
We are proud to announce that three out of the five projects participating in the 2019 Sundance Documentary Film Program of the Labs and Summit are also participants of the Chicken & Egg Pictures (Egg)celerator Lab. Thank you, Sundance Institute, for your unwavering recognition of women nonfiction filmmakers.
“We recognize the importance of a space for meaningful dialogue and discovery between producers and forward-thinking industry. Creating a sustainable future where independent producers can continue to develop bold storytelling and take risks is a key priority for the Lab and Summit.” — Anne Lai, Director, Creative Producing and Artist Support and Kristin Feeley, Director, Labs & Artist Support, Creative Producing at Sundance Institute
Find the rest of the Fellows on the Sundance Institute blog, and read about the Nest-supported projects participating below.
An Act of Worship, directed by Nausheen Dhadabhoy (2019 (Egg)celerator Lab grantee, 2018 Diversity Fellows Iniative grantee [past program])
Produced by 2019 Creative Producing Summit Fellow Sofian Khan
An Act of Worship follows a new generation of young Muslim-American female activists at a time when anti-Muslim sentiments in the United States are sharply on the rise.
Pray Away tells the story of the history and continuation of the “pray the gay away” or ex-gay movement.
To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of Marisol Valencia, Shanona Tate and Delores “Nunu” Hogan – two working mothers and a childcare provider – whose lives intersect at a 24-hour daycare center in New Rochelle, NY.
Chicken & Egg Pictures is celebrating the holiday season by featuring a dozen of our supported women nonfiction filmmakers.
Loira Limbal is an Afro-Latina filmmaker, activist, and DJ interested in the creation of art that affirms women of color and builds solidarity across communities. Her first film, Estilo Hip Hop, aired on PBS in 2009.
Limbal is currently directing Through the Night, a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.
For the past decade, Limbal has dedicated herself to fusing arts and activism. She has worked at various community-based organizations in New York City including The Point Community Development Corporation, The Dominican Women’s Development Center, and Sista II Sista. In 2006, she founded The Reel X Project, a social justice and creative filmmaking space for young women of color in the Southwest Bronx.
Limbal received a B.A. in History from Brown University and is a graduate of the Third World Newsreel’s Film and Video Production Training Program. She has received awards from the Bronx Council on the Arts, the Open Society Institute, the Ford Foundation, and the Lisa Sullivan Fund.
Limbal is the Vice President and Documentary Lab Director at Firelight Media. She lives in the Bronx with her two children.
Through the Night is a participant of the 2018 Accelerator Lab.
Post by Morgan Lee Hulquist.
Chicken & Egg Pictures is proud to announce the third cohort of our Accelerator Lab for first- and second-time filmmakers!
The Accelerator Lab is focused on identifying and supporting women nonfiction directors working on their first or second feature-length documentary. This program brings together ten projects helmed by first- or second-time directors, with a special focus on underrepresented voices.
“Community-building is key to this program,” says Chicken & Egg Pictures Program Director Lucila Moctezuma. “While the Accelerator Lab for first- and second-time filmmakers certainly helps women filmmakers to enter the industry pipeline, it also provides them with a community of support that helps them to stay in the pipeline. The reality of being a film director is that it can often feel daunting and isolating. By explicitly encouraging peer-to-peer mentorship among our cohort, we provide emerging filmmakers with a chance to bond with and learn from one another, to help one another carve a space for themselves in the industry, and to equip them with the strength of a community they can rely on throughout their careers.”
Synopses of the 2018 Accelerator Lab grantees’ compelling projects are below, and you can get to know the directors by viewing the linked project pages. Grantees will work on these films during their program year.
Our next open call for the Accelerator Lab will take place in the spring of 2018. For additional information on the program, including application criteria, please visit our Programs page.
Congratulations to our newest grantees, and wishing you a fantastic year!
A Cops and Robbers Story, directed by Ilinca Calugareanu (ROMANIA / UK)
Corey Pegues, one of the highest ranking black executives in the NYPD, reveals a few months after retirement that before joining the NYPD he worked the streets dealing crack cocaine for one of the most notorious drug gangs in the US, the Supreme Team. To many he is either a perp in cop costume or a criminal turned hero. But who is the real Corey Pegues?
People’s Hospital, directed by Siyi Chen (CHINA / US)
As the Chinese society criticizes dysfunctional hospitals, a doctor’s daughter revisits the small-town hospital where she grew up—this time with a camera, in the middle of a chaotic ER.
Enemies of the State, directed by Sonia Kennebeck (MALAYSIA / GERMANY / US)
An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government.
The Youth, directed by Eunice Lau (SINGAPORE / US) and Arthur Nazaryan (US)
The Youth is an unflinching look at the forces that drive one to adopt an extreme ideology. Through the eyes of a father who seeks to understand how his son is radicalized by the propaganda of the Islamic State Army, The Youth reveals how a Muslim American family is affected by the geopolitics and polemics that fuel the resurgence of reactionary and right-wing political movements. Through this intimate lens on the Somali community in Minnesota, The Youth explores the racism and prejudices against immigrants, the rise of radical Islam, and what it means to be Muslim in contemporary America.
Number 387, directed by Madeleine Leroyer (FRANCE)
This is the story of a Greek physician who collects pendants and bracelets.
This is the story of an Italian woman who has been fighting for 15 years to “make bodies talk.”
This is the story of those who watch over the forgotten migrants.
Since the beginning of 2016, 3,649 migrants have died while attempting to reach Europe by sea. 3,649 names, the vast majority of which have been diluted in the deep blue waters of the Mediterranean.
What happens to the dead? Who identifies them?
What do the mothers, the brothers do to try to find their missing loved ones?
For years, medical examiners have been trying to give back a name, dignity, a memory to these forgotten souls.
This film tells their story.
Electric Malady, directed by Marie Lidén (SWEDEN / UK)
Director Marie Lidén grew up with a mother who suffered from an illness that the world did not recognize—Electrosensitivity. Years later, in a technologically advanced world, Marie gives a poignant account of the lives of two electrosensitives: William, a 41-year-old Swedish man, and Tyler, a 13-year-old Canadian boy. Using Marie’s own family story as a thread, the film explores William and Tyler’s isolated worlds and their families’ unrelenting commitment to help their children.
Through The Night, directed by Loira Limbal (US)
To make ends meet, Americans are working longer hours across multiple jobs. This modern reality of non-stop work has resulted in an unexpected phenomenon: the flourishing of 24-hour daycare centers. Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.
Always in Season, directed by Jacqueline Olive (US)
As the trauma of a century of lynching African Americans bleeds into the present, Always in Season follows relatives of the perpetrators and victims in communities across the country who’re seeking justice and reconciliation in the midst of racial profiling and police shootings. In Bladenboro, NC, the film connects historic racial terrorism to racial violence today with the story of Claudia Lacy who grieves as she fights to get an FBI investigation opened into the death of her seventeen-year-old son, Lennon Lacy, found hanging from a swing set on August 29, 2014. Claudia, like many others, believes Lennon was lynched.
Reentry (working title), directed by Jennifer Redfearn (US)
Women are now the fastest growing population in the U.S. criminal justice system, increasing at nearly double the rate of men. The majority of women going into prison are serving time for drug related charges. This immersive, character-driven film follows three women—who are part of a new reentry program in Cleveland, Ohio—as they prepare to leave prison, reunite with their children, and find jobs after serving time for drug related charges.
Writing With Fire, directed by Rintu Thomas and Sushmit Ghosh (INDIA)
In one of the most socially oppressive and patriarchal states of India emerges a newspaper run entirely by rural women. Meera, its popular reporter, decides to magnify the paper’s impact with an audacious move—to transform from print to a digital news agency. Working in media dark villages, mocked and discouraged, this is the story of a visionary woman’s feisty spirit in building what will probably be the world’s first digital news agency run entirely by rural women.