The International Documentary Film Festival Amsterdam kicked off yesterday, celebrating their 31st year offering an independent meeting place for audiences and film industry professionals to see film projects from all over the world. IDFA runs from Wednesday, November 14 to Sunday, November 25 at cultural centers and cinemas across Amsterdam.
Freedom Fields, directed by Naziha Arebi
Filmed over five years, Freedom Fields follows three women and their football team in post-revolution Libya, as the country descends into civil war and the utopian hopes of the Arab Spring begin to fade. Through the eyes of these accidental activists, we see the reality of a country in transition, where the personal stories of love and aspirations collide with History. A love letter to sisterhood and the power of ‘team’.
Freedom Fields will run in the Best of Fests program which showcases prize-winners, public favorites, and high-profile documentaries from the past year. For tickets to one of six screenings of Freedom Fields at IDFA, see here.
Survivors, co-directed by Anna Fitch, Banker White, Arthur Pratt, and Barmmy Boy
Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.
Survivors is nominated for the inaugural Amsterdam Human Rights Award, for films with strong cinematography and that best present the theme of human rights. For tickets to IDFA screenings of Survivors, see here.
A Thousand Girls Like Me, directed by Sahra Mani (2016 Diversity Fellows Initiative)
In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Khatera was brutally raped by her father since the age of nine and today she raises two precious and precocious children whom he sired. Against her family’s and many Afghanis’ wishes, Khatera forces her father to stand trial. This is her incredible story of love, hope, bravery, forgiveness, and truth.
The 2018 Camden International Film Festival (CIFF) will take place in Camden, Rockport, and Rockland, Maine from September 13 to 16. Founded in 2005, CIFF is a festival focused exclusively on documentary film, and this year, we were egg-static to see that half of the selections across every category are directed by women.
In a press release from CIFF, Senior Programmer Samara Chadwick stated, “Programming at parity celebrates the contributions of the many formidable women in the field, while also emphasizing the fact that, in a century of documentary filmmaking, we’ve largely known one dominant perspective. […] At CIFF we’re drawn to directorial approaches from outside the canon, and we value all the creative voices and cinematic languages that have been otherwise underrepresented.”
At Chicken & Egg Pictures, we applaud the push for gender parity from the Camden International Film Festival.
See a full itinerary for Nest-supported films, filmmakers, and friends at CIFF below.
Survivors, co-directed by Arthur Pratt, Banker White, Anna Fitch and Barmmy Boy, Saturday Sep. 15 at 12:30 PM at the Rockport Opera House.
The Feeling of Being Watched, directed by Assia Boundaoui (2016 Accelerator Lab grantee and The Whickers award winner), Sunday Sep. 16 at 12:30 PM. Assia will also be speaking on the Documentary as Co-Creation panel at 3:30 PM on Saturday Sep. 15 at High Mountain Hall in Camden.
On Her Shoulders, directed by Alexandria Bombach (2018 SXSW LUNA / Chicken & Egg Pictures Award recipient), Sunday Sep. 16 at 5 PM at The Strand Theatre in Rockland.*
Blowin’ Up, directed by Stephanie Wang-Breal, Sunday Sep. 16 at 5:30 PM at the Rockport Opera House.
*Chicken & Egg Pictures did not directly support Skywards, A Cure for Fear, or On Her Shoulders but did support their directors in past projects.
Post by 2018 Communications Intern Morgan Lee Hulquist.