Our Nest-supported filmmaking community is soaring into DOC NYC Film Festival, which runs virtually from Wednesday, November 11 to Thursday, November 19. Ten supported films across many of our core programs— (Egg)celerator Lab films by emerging filmmakers, projects by advanced-career Chicken & Egg Awardees, and films from our inaugural Project: Hatched completion program—are official selections. Plus A Cops and Robbers Story, directed by directed by Ilinca Calugareanu, will make its world premiere at the New York festival! Learn more about the ten projects below, and get your tickets for DOC NYC here.
9to5: The Story of a Movement, directed by Julia Reichert and Steven Bognar | Tickets here
“In the early 1970s, secretaries and other female office workers were underpaid, undervalued, unable to advance, and often subject to sexual harassment. In the wake of the Women’s Liberation Movement, a group of women in Boston finally had enough, joining together to begin 9to5, a movement that would sweep the nation with irreverent, attention-getting actions to demand meaningful change—and later inspire the eponymous hit film and song.”*
A Cops and Robbers Story, directed by Ilinca Călugăreanu | Tickets here (World Premiere)
In the 1980s, Corey Pegues found himself embroiled in a life of crime as a member of New York’s City’s infamous Supreme Team gang. After an incident forces Pegues away from the streets, he unexpectedly emerges as a rising star in the NYPD, his past unknown to his fellow officers. A decorated 21-year police career is threatened when his political stances and revelations about his former life cause strife within the police community.
Down a Dark Stairwell, directed by Ursula Liang | Tickets here
In 2014, Peter Liang, a Chinese-American police officer, shot and killed an innocent, unarmed black man named Akai Gurley in the dark stairwell of a Brooklyn housing project. In the midst of high racial tension surrounding police conduct, Liang becomes the first NYPD officer to receive a guilty verdict in such a case in over a decade. The highly publicized incident polarizes New York’s Asian and African American communities’ in this insightful look into the complexities of police reform.
Enemies of the State, directed by Sonia Kennebeck | Tickets here
An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the US government.
Landfall, directed by Cecilia Aldarondo | Tickets here
Through shard-like glimpses of everyday life in post-Hurricane María Puerto Rico, Landfall examines a ruined world at the brink of transformation, spinning a cautionary tale for our times.
Stateless (Apátrida), directed by Michèle Stephenson | Tickets here
Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.
Through the Night, directed by Loira Limbal |Tickets here
Through the Night is a verité documentary that explores the personal cost of our modern economy through the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center in New Rochelle, NY.
The Letter, directed by Maia von Lekow and Chris King | Tickets here
Along the coast of Kenya, a frenzied mix of consumerism and Christianity is turning hundreds of families against their elders, branding them as witches as a means to steal their land. Ninety-two-year-old Margaret Kamango stands accused by her sons, while her strong-willed daughters try to protect her. This dangerous dispute is seen through the eyes of Margaret’s grandson, Karisa, who returns home from the city to investigate and is ultimately forced to choose which side he is on.
Once Upon A Time In Venezuela, directed by Anabel Rodríguez Ríos | Tickets here
Once Upon A Time In Venezuela follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.
AlumNest filmmaker Tiffany Hsiung’s short film Sing Me A Lullaby will make its US premiere; Call Center Blues, directed by Chicken & Egg Award Recipient Geeta Gandbhir will screen in the Shorts program; Dick Johnson is Dead (Kirsten Johnson), A Thousand Cuts (Ramona Diaz), and The Fight (Elyse Steinberg, Eli Despres, Josh Kriegman) are on the DOC NYC Short List for feature films; and our Co-Founder & Senior Creative Consultant Judith Helfand’s film Love & Stuff is an official selection under the Masters program (co-produced with our Co-Founder Julie Parker Benello).
*Language courtesy of DOC NYC.
Chicken & Egg Pictures is proud to announce the first-ever participants of our newest program Project: Hatched, a completion fund which provides a $20,000 grant to selected directors in the lead up to their film premiere. $15,000 of the grant is for finishing funds and $5,000 is earmarked for impact strategy development. Participants also receive ten hours of mentorship focusing on festival premiere support, impact and distribution strategy, and professional development.
We also partnered with our friends at The Fledgling Fund for the
Chicken & Egg Pictures/Fledgling Fund Impact Grant, which provides an additional $20,000 to a Project: Hatched film whose campaign strategy has the ability to shape national and international conversations around the world’s most pressing issues. Congratulations to Coded Bias, directed by Shalini Kantayya, for being the first recipient of the Chicken & Egg Pictures/Fledgling Fund Impact Grant!
Coded Bias (Chicken & Egg Pictures/Fledgling Fund Impact Grant recipient), directed by Shalini Kantayya, explores the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her subsequent journey to push for the first-ever US legislation to govern against bias in artificial intelligence.*
The Fight, co-directed by Elyse Steinberg, Josh Kriegman, and
Eli Despres, documents a team of scrappy ACLU lawyers battling Trump’s historic assault on civil liberties.*
Once Upon a Time in Venezuela, directed by Anabel Rodríguez, follows residents of a small fishing village as they prepare for parliamentary election. Once the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.*
*Premiering at the 2020 Sundance Film Festival.
The Sundance Film Festival features line-up was announced today, Wednesday December 4, and we are egg-static for the following women filmmakers, who will be premiering their films at the festival in Park City, Utah from Thursday, January 23 to Sunday, February 2, 2020.
Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the US to govern against bias in the algorithms that impact us all.
Once, the village of Congo Mirador was prosperous. Now it is decaying and disintegrating—a prophetic reflection of Venezuela itself.
Inside the ACLU, a team of scrappy lawyers battle Trump’s historic assault on civil liberties.
Nowhere is the worldwide erosion of democracy, fueled by social media disinformation campaigns, more starkly evident than in the authoritarian regime of Philippine President Rodrigo Duterte. Journalist Maria Ressa places the tools of the free press—and her freedom—on the line in defense of truth and democracy.
With this inventive portrait, a cameraperson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.
*These films were in development during the filmmaker’s Chicken & Egg Award year.
In addition to these directly supported films, our AlumNest filmmakers (the 300+ talented, diverse women nonfiction directors that we have supported throughout our fifteen years as an organization) are also premiering their films at the 2020 Sundance Film Festival:
The Last Thing He Wanted
Directed by Dee Rees (Eventual Salvation)
Untitled Kirby Dick/Amy Ziering Film
Directed by Kirby Dick and Amy Ziering (The Invisible War)
Congratulations to these incredible women filmmakers on their Sundance-bound films. We’ll see you in Park City!