The Nest at Sheffield Doc/Fest, June 9-14, 2017

Even When I Fall, directed by Kate McLarnon

Congratulations to all Nest-supported filmmakers at Sheffield Doc/Fest this year! Our programs team will be there with the 2017 Accelerator Lab cohort for first- and second-time filmmakers so if you’re around, come say hello.

Chicken & Egg Pictures-supported films and filmmakers at 2017 Sheffield:

*Chicken & Egg pictures did not support Armed With Faith, Do Donkeys Act?, and Insha’Allah Democracy, but did support Geeta Gandhbir for A Journey of a Thousand Miles: Peacekeepers, Love the Sinner, and A Conversation with Police on Race (NY Times Op-Doc); Ashley Sabin for Girl Model; and Mohammed Maqvi’s film Among the Believers. And, as a 2017 Breakthrough Filmmaker Award recipient, Geeta has received support from Chicken & Egg Pictures in the forms of a $50,000 unrestricted grant, individualized mentorship, and creative and professional workshops.

Go to the Sheffield Doc/Fest website for more information and the full lineup.

In New York instead? Check out Nest-supported films and filmmakers at the Human Rights Watch Film Festival (June 9-18).

Chicken & Egg Pictures Filmmakers at Human Rights Watch Film Festival June 9-18, NYC

MUHI – Generally Temporary, directed by Rina Castelnuovo-Hollander and Tamir Elterman

The Human Rights Watch Film Festival is rolling into New York City again this June, and we can’t wait to see our filmmakers in action there! Each screening is followed by a discussion.

Go to the HRW Film Festival website for more information and the full lineup:

MUHI – Generally Temporary
Directed by Rina Castelnuovo-Hollander and Tamir Elterman
For the past seven years, Muhi, a young boy from Gaza, has been trapped in an Israeli hospital. Rushed there in his infancy with a life-threatening immune disorder, he and his doting grandfather, Abu Naim, wound up caught in an immigration limbo that made it impossible for them to leave. With Muhi’s citizenship unclear, and Abu Naim denied a work permit or visa, the pair reside solely within the constraints of the hospital walls. Caught between two states in perpetual war, Muhi is being cared for by the very same people whose government forbids his family to visit, and for him or his grandfather to travel back. Made by two filmmakers from Jerusalem, this documentary lays out the Israeli-Palestinian conflict in human terms, documenting the impact these paradoxical circumstances have on individual lives.

Screening times:
June 10, 2017, 9:30 PMIFC Center
Screening followed by discussion with filmmakers Rina Castelnuovo-Hollander and Tamir Elterman and Eric Goldstein, deputy director, Middle East and North Africa division, HRW
Screening followed by discussion with filmmakers Rina Castelnuovo-Hollander and Tamir Elterman and Omar Shakir, Researcher, Middle East and North Africa division, HRW
The Apology, directed by Tiffany Hsiung
The Apology
Directed by Tiffany Hsiung
Grandma Gil in South Korea, Grandma Cao in China, and Grandma Adela in the Philippines were amongst thousands of girls and young women who were sexually exploited by the Imperial Japanese Army during World War II, many through kidnapping, coercion and sexual slavery. Some 70 years after their imprisonment, and after decades living in silence and shame about their past, the wounds are still fresh for these three former ‘comfort women’. Despite multiple formal apologies from the Japanese government issued since the early 1990’s, there has been little justice; the courageous resolve of these women moves them to fight and seize their last chance to share first-hand accounts of the truth with their families and the world, and to ensure that this horrific chapter of history is neither repeated nor forgotten.
Screening times:
June 10, 2017, 7:00 PMIFC Center
Screening followed by discussion with filmmaker Tiffany Hsiung and Sarah Taylor, Advocate, Women’s Rights division, Human Rights Watch

June 11, 2017, 8:30 PMFilm Society of Lincoln Center’s Walter Reade Theater
Screening followed by discussion with filmmaker Tiffany Hsiung and Sarah Taylor, Advocate, Women’s Rights division, Human Rights Watch

Complicit
Directed by Heather White and Lynn Zhang*
Shot below the radar, Complicit follows the journey of Chinese factory migrant worker-turned-activist Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage. While battling his own work-induced leukemia, Yi Yeting teaches himself labour law in order to prepare a legal challenge against his former employers. But the struggle to defend the lives of millions of Chinese people from becoming terminally ill due to working conditions necessitates confrontation with some of the world’s largest brands including Apple and Samsung. Unfortunately, neither powerful businesses nor the government are willing to have such scandals exposed.

Screening times:
Screening followed by panel discussion with filmmaker Heather White and special guests
June 17, 2017, 7:00 PMIFC Center
Screening followed by panel discussion with filmmakers Heather White and Lynn Zhang and special guests
*Chicken & Egg Pictures did not fund the film Complicit, but supports director Lynn Zhang as a 2017 Accelerator Lab grantee.

Kids Can Spit Interview: Hip Hop & Science Come Together May 26

Director Chelsi Bullard (Kids Can Spit) with one of her film subjects Chloe Hernandez

By Chelsi Bullard

Part One of a series of blog posts from Chicken & Egg Pictures’ 2017 Accelerator Lab grantees. This post is brought to us by Chelsi Bullard, director of Kids Can Spit, about New York City teens competing against one another in the Science Genius B.A.T.T.L.E.S. (Bringing Attention to Transforming, Teaching, and Learning Science). Here Chelsi interviews one of the subjects of her film right before the big competition. 

Chloe, a student at Brooklyn Preparatory High School in Brooklyn, is a part of the Science Genius B.A.T.T.L.E.S. program in her school. The program engages youth in science through hip hop music and culture, and builds up to a citywide competition where students across New York City’s boroughs participate in a rap battle to be crowned the ‘Science Genius.’ Science Genius aims to blur the lines of what is perceived as academic, and what is not. In this interview, Chloe talks about the rhymes she created for the competition as well as her anticipation and excitement for the big event!

Can you introduce yourself?
My name is Chloe Hernandez, I’m 17 and I go to Brooklyn Prep.

What is SG [Science Genius]?
For me personally, it’s more than just an opportunity to incorporate science with rap. I can use my knowledge, it’s fun, and it appeals to people. [It’s exciting that it’s] not only for the boys but, as a young female, I could do something like this.

Tell me about the competition. 
You get together with a group and you put together what you know and the message you want to send, which has to do with real life, not just scientific concepts. Then, you have a school battle against your peers in school who have their own science raps. If you go on to the final battle, you present your raps against students from all over the place. It’s really how can you connect science to something you’re really passionate about.

I’m rather scared because last year’s winner is from my school, and I’m proud of them and want to be proud of myself too.

What’s your group’s piece about? 
It started with another girl [on my group], Kiersten, and inspired by the concept that there is no such thing as darkness, just an absence of light. The piece talks about the African American community and how teens have something to say about all of our problems. Adults don’t listen [so] we use sound waves to talk about our everyday lives that adults don’t see.

What’s your relationship to science like?
At first I was afraid of getting into science. [My teammate] Ivy and I both thought “How are we going to incorporate science?”  But it’s not like it’s something I didn’t want to learn. Now, physics is probably the most amazing subject I’ve ever had. Like light waves—a lot of things when I see it, it’s not what I see. Our eyes create these colors. This is really cool.

What are the top three things you try to remember to relax and do your best before a performance?

  • Calm down, it’s not the end of the world!
  • There are no losers because everyone has the same nerves as me.
  • Be proud of myself. If I get to the school-wide battle, then I am worthy of my spot, even if it’s not #1.

Come cheer Chloe and the other competitors on at the Science Genius B.A.T.T.L.E.S. Finals on Friday, May 26! You can register here. And come back every month to see more from our Accelerator Lab grantees!

Chelsi Bullard is an independent video editor turned director based in Harlem. She likes to attach herself to stories that take the viewer to little known worlds and introduce them to courageous and outspoken characters. Most recently, she edited the short I Was Here First (2015) that premiered at DOC NYC and was produced as a part of the UnionDocs Collaborative Studio in Brooklyn, NY where Chelsi was a media arts fellow. Visit her website: http://www.chelsibullard.com/.

Chelsi is a grantee of our 2017 Accelerator Lab for first- and second-time filmmakers. Kids Can Spit is her feature directorial debut. 

2017 Diversity Fellows Announced!

Still from Warrior Women, co-directed by Christina D. King & Elizabeth Castle

Congrats to our newest group of filmmakers coming into the Nest!

Warrior Women
Co-directed by Christina D. King & Elizabeth Castle (US)
The women of the American Indian Movement fight from a vulnerable place only matriarchs can understand—it is a battle for their children and the culture they hope to preserve for them. Warrior Women chronicles the struggle of Madonna Thunder Hawk and Marcy Gilbert, a Lakota mother and daughter whose fight for indigenous rights started in the 1970s and continues today at Standing Rock.

Through archival footage, verité, and video art, we experience Thunder Hawk’s dedication to Red Power and come to understand that activism is necessary for the very survival and success of Native culture and values for the next generation.

 

How to Have an American Baby
Directed by Leslie Tai (US)
How to Have an American Baby is a kaleidoscopic voyage that travels behind closed doors into the booming shadow economy that caters to affluent Chinese tourists who travel to the US on birthing vacations—in order to give birth and obtain US citizenship for their babies. Tracing the underground supply chain from Beijing and Shanghai to Los Angeles, the film weaves together vignettes and deeply private moments. In bedrooms, delivery rooms, and family meetings, the story of a hidden global economy emerges—depicting the fortunes and tragedies that befall the ordinary people caught in the web of its influence.

 

Untitled Race & Criminal Justice Project
Directed by Ursula Liang (US)
A nuanced look at how two communities of color navigate an uneven criminal justice system, anchored by one polarizing New York City case.

 

It Rains
Directed by Carolina Corral (MEXICO)
Since Oliver was killed, he communicates with his mother María through the rain. He let her know the attorney’s office buried him, along with 117 other corpses, in a hidden mass grave. This sparks a new life mission for María: to hold the government accountable for exhuming them all and returning the bodies back to the families who have been looking for them for years.

 

The Other Half of the African Sky
Directed by Tapiwa Chipfupa (ZIMBABWE)
The Other Half Of The African Sky follows filmmaker Tapiwa Chipfupa’s attempts to reconcile her estrangement from her family, triggered by a disagreement over her marriage. Through encounters with other women from all walks of life facing their own predicaments, Tapiwa explores how women hold up their half of the sky under a very constrictive and constantly contradictory environment in this very personal, brutally honest, and intriguing document of the disparities and the vast contradictions that women face in contemporary Zimbabwe. The film gives voice to the hopes, fears, and dreams of Zimbabwe’s women while simultaneously revealing a country in flux.

For more information, visit the Diversity Fellows Initiative webpage.

Chicken & Egg Pictures-Supported Filmmakers Win at Peabody Awards

Three Chicken & Egg Pictures-supported filmmakers accepted Peabody Awards this year. A big congratulations to:

Deborah S. Esquenazi for Southwest of Salem: The Story of the San Antonio Four

Dawn Porter (2017 Breakthrough Filmmaker Award recipient) for Trapped

Nanfu Wang (2017 Accelerator Lab grantee) for Hooligan Sparrow*

Read more about these films and the other recipients in their company on the Peabody website.

*Chicken & Egg Pictures did not fund the film Hooligan Sparrow, but supports director Nanfu Wang as a 2017 Accelerator Lab grantee. Nanfu has also received the LUNA Chicken & Egg Pictures Award at 2017 SXSW Film Festival (read more here).

Congratulations to Nanfu at SXSW 2017!

We’re so proud of our Accelerator Lab grantee Nanfu Wang and her film, I Am Another You, for winning the LUNA Chicken & Egg Pictures Award at SXSW Film Festival this year!

For more information about the film, and the award, check out some of these articles:

“Show Her The Money: Why Financing Really Matters for Women Directors” by Ally Fleming, SXSW blog

“‘I Am Another You’ Uncovers an American Dreamer From the Inside Out” by Eric Kohn, Indiewire

“SXSW Film Review: ‘I Am Another You’” by Owen Gleiberman, Variety

Chicken & Egg Pictures-Supported Films and Filmmakers at 2017 Tribeca Film Festival

We are proud to announce this year’s Chicken & Egg Pictures-supported films and filmmakers at the 2017 Tribeca Film Festival.

The Departure, directed by Lana Wilson

The Departure (World Documentary Competition)
Directed by Lana Wilson

I Am Evidence* (Spotlight Documentary)
Directed by Trish Adlesic and 2017 Breakthrough Filmmaker Award recipient Geeta Gandbhir

Love the Sinner (Shorts: Viewfinder, World Premiere)
Directed by Geeta Gandbhir and Jessica Devaney

Tree, by Milica Zec and Winslow Porter

Tree (Virtual Arcade, New York Premiere)
Project Creators: Winslow Turner Porter and Milica Zec

Unrest* (Virtual Arcade, World Premiere)
Project Creators: Arnaud Colinart, Jennifer Brea, Amaury La Burthe
Key Collaborators: Diana Barrett (Fledgling Fund), Lindsey Dryden (Little By Little Films)

For more information and the full roster of films at the Tribeca Film Festival this year, please visit the Tribeca website.

*Chicken & Egg Pictures did not fund the film I Am Evidence, but supports director Geeta Gandbhir as a 2017 Breakthrough Filmmaker Awardee; and did not support the Unrest VR experience, but is a supporter of Unrest the feature-length film by Jennifer Brea.

Chicken & Egg Pictures announces the five recipients of the second annual Breakthrough Filmmaker Award

Breakthrough_YW_LM_Sundance_2017We are pleased and proud to announce  the recipients of the second year of the Breakthrough Filmmaker Award. The five chosen filmmakers are Geeta Gandbhir (Prison Dogs), Kirsten Johnson (Cameraperson), Penny Lane (NUTS!), Grace Lee (American Revolutionary: The Evolution of Grace Lee Boggs), and Dawn Porter (Trapped). This award consists of a $50,000 unrestricted grant and a year-long creative support and mentorship program tailored to each filmmaker’s individual goals.

The Chicken & Egg Pictures Breakthrough Filmmaker Award responds to the reality that only a few women non-fiction directors in the U.S. are able to work full-time as independent storytellers. The program recognizes and elevates five experienced women directors with unique voices who are poised to reach new heights and to continue to be strong filmmaker-advocates for urgent issues and creative visions.

“After a successful inaugural year, we welcome this new cohort of talented women into the program,” said Jenni Wolfson, Executive Director of Chicken & Egg Pictures . “Through our investment in these filmmakers, Chicken & Egg Pictures affirms its commitment to supporting women from a diversity of backgrounds, with powerful voices, who are driving change through storytelling. They are creative risk-takers who have made their mark and are ready to push the boundaries even further and continue to bring to the forefront critical issues and stories.”

Recipients of the Chicken & Egg Pictures 2017 Breakthrough Filmmaker Award were chosen through an international, confidential nomination process.

For additional information on Chicken & Egg Pictures and the Breakthrough Filmmaker Award please visit our Program page.

2017 BREAKTHROUGH FILMMAKER AWARD RECIPIENTS

Geeta Gandbhir

Geeta began her career in editing. As an editor, she has won two Emmy® Awards. Her latest feature documentary, Prison Dogs, which she co -directed with Perri Peltz, premiered at the 2016Tribeca Film Festival. Her film with Sharmeen Obaid -Chinoy, A Journey of A Thousand Miles: Peacekeepers, premiered at the 2015 Toronto International Film Festival; won the Jury award for Best Documentary at The Bentonville Film Festival; and won the Humanitarian Award at the River Run Film Festival. She co-created and was a director on a series about race for The New York Times Op-Docs entitled The Conversation, which won an Online Journalism Award. Her film with Ms. Peltz, Remembering the Artist, Robert De Niro, Sr., for HBO, premiered at the 2014 Sundance Film Festival. She is currently finishing a feature documentary on a bomb disposal unit in Pakistan.

Kirsten Johnson

Drawing on footage she shot for a myriad of documentary directors over the last 25 years, Kirsten Johnson’s Cameraperson premiered at the 2016 Sundance Film Festival; won the Cinema Eye Awards for Best Documentary, Best Editing, Best Cinematography; and the National Board of Review Freedom of Expression Award. Widely reviewed as one of the top films of 2016, it received awards at nine international festivals, was nominated for the Gotham Independent Film Awards, the IDA Documentary Awards, the Critics’ Choice Documentary Awards , the Independent Spirit Awards, and is currently shortlisted for an Academy Award®. Johnson’s short film, The Above, was nominated for 2016 Best Short Film Award by the IDA. Her interest in image-making, collaboration with documentary filmmakers, and the ethical dilemmas faced by camerapeople around the world is ongoing.

Penny Lane

Penny Lane’s most recent feature, NUTS!, premiered at the 2016 Sundance Film Festival where it won a Special Jury Prize for Editing. Her debut feature documentary, Our Nixon, premiered at the 2013 Rotterdam International Film Festival, had its North American premiere at SXSW, won the Ken Burns Award for Best of the Festival at the Ann Arbor Film Festival, and was selected as the closing night film at New Directors/New Films. Lane was named one of Filmmaker Magazine’s “25 New Faces of Independent Film” in 2012 and “Most Badass” at the Iowa City Documentary Film Festival in 2009. Film festival screenings span the independent and experimental film worlds, including Sundance, Rotterdam, Images, IMPAKT, Hot Docs, Full Frame, CPH:DOX, and Oberhausen. She is currently a professor in the Department of Art and Art History at Colgate University.

Grace Lee

Grace Lee is a Los Angeles-based filmmaker whose work explores questions of history, race, politics, and community. She directed American Revolutionary: The Evolution of Grace Lee Boggs, which won six festival audience awards and aired on the POV documentary series. Other directing credits include The Grace Lee Project, Janeane From Des Moines, the Emmy®-nominated Makers: Women and Politics, and Off the Menu: Asian America. Lee’s work has been supported by the Ford Foundation, Chicken & Egg Pictures, Center for Asian American Media, Film Independent, and the Sundance Institute, where she was a Women at Sundance Fellow. She recently co-founded the Asian American Documentary Network and is currently in production on Ktown92, an interactive documentary that explores the 25th anniversary of the Los Angeles riots through the eyes of the greater Koreatown community.

Dawn Porter

Dawn Porter is a documentary filmmaker whose first feature, Gideon’s Army, won the Sundance Film Festival Editing Award in 2013 and later broadcast on HBO. The film was nominated for an Independent Spirit Award and an Emmy. Dawn’s other films have appeared on PBS, OWN and the Discovery Channel. In 2015, Porter interviewed President Barack Obama for Rise: The Promise of My Brother’s Keeper. Dawn’s latest feature project, Trapped, explores the impact of laws regulating abortion clinics in the South. Trapped premiered at the 2016 Sundance Film Festival, where it won the Special Jury Award for Social Impact Filmmaking. In 2016, Porter was named to Variety’s “10 Documakers to Watch” and received the Robert and Anne Drew Award for Documentary Excellence at DOC NYC’s Visionaries Tribute. She also recently created a short film for The New Yorker Presents, a digital series executive produced by Academy Award®-winning filmmaker Alex Gibney.

Five Chicken & Egg Pictures grantees set for World Premieres at Sundance 2017

We’re beaming with pride for our grantees who will be presenting the world premieres of their projects at the 2017 Sundance Film Festival this January. Congratulations to Jennifer Brea, Ramona Diaz, Yance Ford, Sabaah Jordan with Damon Davis, and Milica Zec with Winslow Porter!

Canary in a Coal Mine
Unrest

Unrest (Jennifer Brea)

Jennifer, a Harvard Ph.D. student, was signing a check at a restaurant when she found she could not write her own name. Months before her wedding, she became progressively more ill, losing the ability even to sit in a wheelchair. When doctors insisted that her condition was psychosomatic, she picked up her camera to document her own story and the stories of four other patients struggling with the world’s most prevalent orphaned disease.

 

Strong Island

Strong Island (Yance Ford)

Set in the suburbs of the black middle class, Strong Island seeks to uncover how—in the year of the Rodney King trial and the Los Angeles riots—the murder of the filmmaker’s older brother went unpunished. The film is an unflinching look at homicide, racial injustice, and the corrosive impact of grief over time.

 

whose-streets
Whose Streets?

Whose Streets? (Sabaah Jordan and Damon Davis)

A firsthand look at how the murder of a teenage boy became the last straw for a community under siege, Whose Streets? is a story of love, loss, conflict, and ambition. Set in Ferguson, MO, the film follows the journey of everyday people whose lives are intertwined with a burgeoning national movement for black liberation.

 

thebill_maternityward2
Motherland

Motherland (Ramona Diaz)

One of the world’s poorest and most populous countries, the Philippines, struggles with reproductive health policy—both in the legislature where laws are in debate, and in a hospital with the busiest maternity ward on the planet.

 

tree-02-final
 Tree

Tree (Milica Zec and Winslow Porter)

A virtual experience that transforms you into a rainforest tree. With your arms as branches and body as the trunk, you experience the tree’s growth from a seedling into its fullest form and witness its fate firsthand.

 

This year’s Sundance Film Festival is January 19–29, 2017. For the full program and schedule for the upcoming festival, visit the Sundance website.

Nine Chicken & Egg Pictures grantees recognized with Sundance Documentary Fund grants

Nine Chicken & Egg Pictures grantees have been recognized with grants through the Sundance Documentary Fund. On Monday, October 31, the Sundance Institute announced the awarding of over $1 million in grants through this program.

Chicken & Egg Pictures congratulates our grantees, and looks forward to celebrating their continued success.

Chicken & Egg Pictures grantees awarded Sundance Production Grants: 

Even When I Fall
Directed by Kate McLarnon & Sky Neal
Even When I Fall is the story of three remarkable young Nepali women, all survivors of human trafficking into corrupt big top circuses across India. Facing forgotten families and uncertain futures, the story begins in the often-overlooked aftermath of a childhood spent in captivity and forced labor. But these tough young women were inadvertently left with a secret weapon by their captors – their breathtaking skills as circus artists.

Even When I Fall
Even When I Fall

Obstinate
Directed by Sahra Mosawi
In Afghanistan where systematic abuses of girls rarely come to light, and seeking justice can be deadly, one young woman says “Enough.” Her name is Khatera and this is her incredible story of love, hope, bravery, forgiveness and truth. It is also one of horrific abuse. Khatera was brutally raped by her father since the age of nine. Today she is twenty-three and raising two precious and precocious children—a daughter and a son—whom he sired.

Obstinate
Obstinate

Survivors
Directed by Arthur Pratt, Anna Fitch, Banker White, and Barmmy Boy
Through the eyes of Sierra Leonean filmmakers, Survivors presents a portrait of their country during the Ebola outbreak, exposing the complexity of the epidemic and the socio-political turmoil that lies in its wake. The film chronicles the remarkable stories of Sierra Leonean heroes during what is now widely regarded as the most acute public health crisis of the modern era.

Survivors
Survivors

Chicken & Egg Pictures grantees awarded Sundance Post-Production Grants:

32 Pills: My Sister’s Suicide
Directed by Hope Litoff
A reflection on the life and suicide of Ruth Litoff, a successful artist, a pathological liar, and the filmmaker’s sister. By looking back on Ruth’s incredible highs and lows, bursts of creative genius, depression, secrets, and lies, a vivid portrait will emerge of the brilliant woman the filmmaker is not sure she ever really knew. This is her attempt to understand what happened.

32 Pills: My Sister's Suicide
32 Pills: My Sister’s Suicide

Fly Away
Directed by Lucy Cohen
Fly Away is a film about memory, identity, and growing up told through the eyes of seven siblings and their mother. Five of the children are on the autistic spectrum and as they move through adolescence, an event of the past keeps drawing them back. Combining observational footage with a rich archive of home movies and songs, the film is both a detective story and coming-of-age tale, exploring universal themes of memory, family, and love.

Fly Away
Fly Away

Mudflow
Directed by Cynthia Wade & Sasha Friedlander
Mudflow is the story of a huge, toxic mudflow in Indonesia widely believed to be caused by shoddy drilling practices. The mud volcano has been erupting violently for the past eight years, burying 17 villages and permanently displacing 60,000 people. Mudflow follows ordinary Indonesians seeking justice for this disaster during a national election where one presidential candidate has promised restitution and the other has not.

Mudflow
Mudflow

United Skates
Directed by Dyana Winkler & Tina Brown
United Skates follows an underground subculture growing inside our country’s last standing roller rinks. Fusing hip-hop with the speed of old school quad roller skates, this film shines a fresh light on the recurring pattern of racial struggle faced by African American artists, as it follows the next artistic movement still undiscovered by the American mainstream.

United Skates
United Skates

Whose Streets?
Directed by Sabaah Jordan & Damon Davis

A first-hand look at how the murder of one teenage boy became the last straw for a community under siege. Whose Streets? is a story of love, loss, conflict, and ambition; the journey of everyday people turned freedom fighters, whose lives intertwined with a burgeoning national movement for black liberation. This is a film for all of America – it provides insight into the unseen reality of racism, the role of media in conflict, state-sanctioned violence, and militarized policing – but at its core it is Ferguson’s story, it is our cry of “enough is enough”.

Whose Streets?
Whose Streets?

Chicken & Egg Pictures grantees chosen for the Art of Nonfiction Fellowship:

Kirsten Johnson
Kirsten Johnson works as a director and a cinematographer. Her most recent work as a cinematographer appears in Citizenfour, Born to Fly: Elizabeth Streb vs Gravity, and The Wound and the Gift. Her work was featured in Academy Award®-nominated The Invisible War. She shared the 2010 Sundance Documentary Competition Cinematography Award with Laura Poitras for The Oath. She shot the Tribeca Film Festival 2008 Documentary winner, Pray the Devil Back to Hell. Her cinematography is featured in Farenheit 9/11, Academy Award®-nominated Asylum, Emmy®-winning Ladies First, and Sundance premiere documentaries, A Place at the Table, This Film Is Not Yet Rated, American Standoff, and Derrida. Deadline, (co-directed with Katy Chevigny), premiered at Sundance in 2004, was broadcast on primetime NBC, and won the Thurgood Marshall Award.

Kirsten received the Chicken & Egg Pictures Celebration Award, supported by the Ravenal Foundation, in 2014.

Kirsten Johnson
Kirsten Johnson

Chicken & Egg Pictures grantees chosen for the inaugural Bertha Foundation Fellowship:

Obstinate
Directed by Sahra Mosawi